Graphic — A 187: International art & antiques - IV
Heinrich Dreber, also known as Franz Dreber, was a German landscape painter and graphic artist.
He lived in Italy for a long time and was a member of the Academy of St. Luke in Rome. Italian nature had a great influence on Dreber's work, and many of his works are drawn in pen and pencil.
Heinrich Dreber's paintings are mostly on display in the National Gallery in Berlin.
Paul Flora was an Austrian cartoonist, graphic artist, and illustrator known for his skill with pen and ink.
Flora's work has appeared in the famous New York Times and The Observer newspapers, and his drawings have graced the stamps of Liechtenstein and Austria. Paul Flora has been one of Europe's most famous illustrators since the 1960s.
He also produced books, films and sets.
Bruno Bruni senior is an Italian lithographer, graphic artist, painter and sculptor. He became commercially successful in the 1970s. In 1977, he won the International Senefeld award for Lithography. He has since become one of the most successful Italian artists in Germany and one of Germany's best known lithographers.
Albrecht Altdorfer, a notable German painter, engraver, and architect of the Renaissance era, was especially recognized for his contributions to landscape painting. Born around 1480, Altdorfer was a pivotal figure in the Danube School, distinguishing himself with his integration of natural landscapes into biblical and historical narratives.
His works are celebrated for their detailed and expressive landscapes, often serving as backdrops to religious and historical scenes. A hallmark of his style is the emotional intensity and vivid use of colors, which border on expressionistic in his religious scenes, particularly seen in works like the Sebastian Altar in St. Florian's Priory. Altdorfer's painting, "The Battle of Alexander at Issus," stands out for its epic portrayal of Alexander the Great's victory, showcasing Altdorfer's talent in blending historical narrative with dramatic landscape settings.
In addition to his artistic pursuits, Altdorfer was actively involved in the civic life of Regensburg, serving as its mayor in 1528. His legacy in the art world is profound, with his innovative approach to landscape painting influencing the course of European art.
For those interested in delving deeper into Albrecht Altdorfer's oeuvre or staying informed about related exhibitions and auction events, signing up for updates can provide valuable insights and opportunities.
Albrecht Dürer, born on May 21, 1471 in Nuremberg, Germany, is widely regarded as the greatest German Renaissance painter. His contribution to painting and engraving is quite significant and has left a notable mark on the art world. Dürer's early life was spent in Nuremberg, a city that played a crucial role in his development as an artist and was also the site of his death on April 6, 1528. He was the son of the goldsmith Albrecht Dürer the Elder, from whom he initially learned the basics of drawing and metalworking.
Dürer's work is characterized by a combination of Gothic elements with the emerging Renaissance style, which is evident in his woodcuts and engravings. His oeuvre encompasses many themes, including religious works, altarpieces, portraits, and self-portraits. His outstanding prints, such as The Knight, Death and the Devil (1513), St. Jerome in his Study (1514) and Melencolia I (1514), are known for their intricate detail and artistic skill. Dürer was also one of the earliest European landscape painters, as evidenced by his watercolor paintings.
Equally significant are his theoretical writings on mathematics, perspective, and ideal proportions in art. Dürer was not only an artist but also a keen intellectual, his interests encompassing various aspects of culture and science. He served as court painter to Holy Roman Emperors Maximilian I and Charles V, completing several significant art projects for them. Dürer's keen mind and versatile interests brought him into contact with the most prominent figures of his time, including theologians and scientists of the Reformation era.
Dürer's self-portraits are particularly famous, demonstrating not only his artistic skill but also his self-awareness and personal style. These portraits attest to his growing success and confidence as an artist. Dürer's legacy is immense; he influenced not only the art of his time, but also left an indelible mark on the history of European art.
For those interested in the work and legacy of Albrecht Dürer, we recommend subscribing to our updates. Our subscription service is designed to provide information about new sales and auction events related to this remarkable artist. Join us to keep up to date on the latest art and antiques related to Albrecht Dürer.
Albrecht Dürer, born on May 21, 1471 in Nuremberg, Germany, is widely regarded as the greatest German Renaissance painter. His contribution to painting and engraving is quite significant and has left a notable mark on the art world. Dürer's early life was spent in Nuremberg, a city that played a crucial role in his development as an artist and was also the site of his death on April 6, 1528. He was the son of the goldsmith Albrecht Dürer the Elder, from whom he initially learned the basics of drawing and metalworking.
Dürer's work is characterized by a combination of Gothic elements with the emerging Renaissance style, which is evident in his woodcuts and engravings. His oeuvre encompasses many themes, including religious works, altarpieces, portraits, and self-portraits. His outstanding prints, such as The Knight, Death and the Devil (1513), St. Jerome in his Study (1514) and Melencolia I (1514), are known for their intricate detail and artistic skill. Dürer was also one of the earliest European landscape painters, as evidenced by his watercolor paintings.
Equally significant are his theoretical writings on mathematics, perspective, and ideal proportions in art. Dürer was not only an artist but also a keen intellectual, his interests encompassing various aspects of culture and science. He served as court painter to Holy Roman Emperors Maximilian I and Charles V, completing several significant art projects for them. Dürer's keen mind and versatile interests brought him into contact with the most prominent figures of his time, including theologians and scientists of the Reformation era.
Dürer's self-portraits are particularly famous, demonstrating not only his artistic skill but also his self-awareness and personal style. These portraits attest to his growing success and confidence as an artist. Dürer's legacy is immense; he influenced not only the art of his time, but also left an indelible mark on the history of European art.
For those interested in the work and legacy of Albrecht Dürer, we recommend subscribing to our updates. Our subscription service is designed to provide information about new sales and auction events related to this remarkable artist. Join us to keep up to date on the latest art and antiques related to Albrecht Dürer.
Albrecht Dürer, born on May 21, 1471 in Nuremberg, Germany, is widely regarded as the greatest German Renaissance painter. His contribution to painting and engraving is quite significant and has left a notable mark on the art world. Dürer's early life was spent in Nuremberg, a city that played a crucial role in his development as an artist and was also the site of his death on April 6, 1528. He was the son of the goldsmith Albrecht Dürer the Elder, from whom he initially learned the basics of drawing and metalworking.
Dürer's work is characterized by a combination of Gothic elements with the emerging Renaissance style, which is evident in his woodcuts and engravings. His oeuvre encompasses many themes, including religious works, altarpieces, portraits, and self-portraits. His outstanding prints, such as The Knight, Death and the Devil (1513), St. Jerome in his Study (1514) and Melencolia I (1514), are known for their intricate detail and artistic skill. Dürer was also one of the earliest European landscape painters, as evidenced by his watercolor paintings.
Equally significant are his theoretical writings on mathematics, perspective, and ideal proportions in art. Dürer was not only an artist but also a keen intellectual, his interests encompassing various aspects of culture and science. He served as court painter to Holy Roman Emperors Maximilian I and Charles V, completing several significant art projects for them. Dürer's keen mind and versatile interests brought him into contact with the most prominent figures of his time, including theologians and scientists of the Reformation era.
Dürer's self-portraits are particularly famous, demonstrating not only his artistic skill but also his self-awareness and personal style. These portraits attest to his growing success and confidence as an artist. Dürer's legacy is immense; he influenced not only the art of his time, but also left an indelible mark on the history of European art.
For those interested in the work and legacy of Albrecht Dürer, we recommend subscribing to our updates. Our subscription service is designed to provide information about new sales and auction events related to this remarkable artist. Join us to keep up to date on the latest art and antiques related to Albrecht Dürer.
Rembrandt Harmenszoon van Rijn, a Dutch Baroque painter and printmaker, was born on July 15, 1606, in Leiden, Netherlands, and died on October 4, 1669, in Amsterdam. He is celebrated as one of the greatest storytellers in art history, acclaimed for his adept portrayal of human emotions and dramatic narratives. Rembrandt's extensive oeuvre includes portraits, self-portraits, landscapes, genre scenes, allegorical, historical, and biblical themes, as well as animal studies. His artistry shined during the Dutch Golden Age, a period marked by cultural and scientific achievements in the Netherlands.
Rembrandt's education in art began around the age of 10 when he left the Latin School in Leiden to train as an artist. He apprenticed with artists like Jacob van Swanenburg and Pieter Lastman, mastering various aspects of painting. He opened his own studio in Leiden around 1624 or 1625, sharing it with his colleague Jan Lievens. By 1631, he had moved to Amsterdam, where he achieved significant success and trained many important Dutch painters.
Among Rembrandt's notable works are "The Anatomy Lesson of Dr. Nicolaes Tulp" (1632), "The Night Watch" (1642), and "The Syndics of the Amsterdam Drapers’ Guild" (1662). He was also renowned for his self-portraits, creating around 80 over his lifetime, more than any other artist until the 20th century. These self-portraits were not just artistic endeavors but also experiments with facial expressions and lighting effects. Additionally, Rembrandt was a master etcher, transforming etching from a reproductive technique into an art form.
Rembrandt's painting style is characterized by its dramatic use of light and shadow, known as chiaroscuro. His ability to depict materials realistically was unparalleled; his portrayal of metals and fabrics was so lifelike that they appeared to glow and be tangible. He was also known for his impasto technique, applying paint thickly to the canvas, adding a three-dimensional quality to his works.
Despite his artistic prowess, Rembrandt faced financial difficulties and personal tragedies throughout his life. He declared bankruptcy in 1656, a downfall attributed partly to his extensive collection of art objects and curiosities. His masterpieces, however, continued to garner appreciation and influence generations of artists that followed.
For collectors and experts in art and antiques, Rembrandt's works represent a pinnacle of artistic achievement in the Dutch Golden Age. His mastery in portraying the human condition and his innovative techniques in painting and etching make his works highly prized and influential in the art world.
To stay updated on new product sales and auction events related to Rembrandt van Rijn, sign up for our updates. This subscription service is dedicated exclusively to news and events concerning works related to this unparalleled master of the Dutch Golden Age.
Rembrandt Harmenszoon van Rijn, a Dutch Baroque painter and printmaker, was born on July 15, 1606, in Leiden, Netherlands, and died on October 4, 1669, in Amsterdam. He is celebrated as one of the greatest storytellers in art history, acclaimed for his adept portrayal of human emotions and dramatic narratives. Rembrandt's extensive oeuvre includes portraits, self-portraits, landscapes, genre scenes, allegorical, historical, and biblical themes, as well as animal studies. His artistry shined during the Dutch Golden Age, a period marked by cultural and scientific achievements in the Netherlands.
Rembrandt's education in art began around the age of 10 when he left the Latin School in Leiden to train as an artist. He apprenticed with artists like Jacob van Swanenburg and Pieter Lastman, mastering various aspects of painting. He opened his own studio in Leiden around 1624 or 1625, sharing it with his colleague Jan Lievens. By 1631, he had moved to Amsterdam, where he achieved significant success and trained many important Dutch painters.
Among Rembrandt's notable works are "The Anatomy Lesson of Dr. Nicolaes Tulp" (1632), "The Night Watch" (1642), and "The Syndics of the Amsterdam Drapers’ Guild" (1662). He was also renowned for his self-portraits, creating around 80 over his lifetime, more than any other artist until the 20th century. These self-portraits were not just artistic endeavors but also experiments with facial expressions and lighting effects. Additionally, Rembrandt was a master etcher, transforming etching from a reproductive technique into an art form.
Rembrandt's painting style is characterized by its dramatic use of light and shadow, known as chiaroscuro. His ability to depict materials realistically was unparalleled; his portrayal of metals and fabrics was so lifelike that they appeared to glow and be tangible. He was also known for his impasto technique, applying paint thickly to the canvas, adding a three-dimensional quality to his works.
Despite his artistic prowess, Rembrandt faced financial difficulties and personal tragedies throughout his life. He declared bankruptcy in 1656, a downfall attributed partly to his extensive collection of art objects and curiosities. His masterpieces, however, continued to garner appreciation and influence generations of artists that followed.
For collectors and experts in art and antiques, Rembrandt's works represent a pinnacle of artistic achievement in the Dutch Golden Age. His mastery in portraying the human condition and his innovative techniques in painting and etching make his works highly prized and influential in the art world.
To stay updated on new product sales and auction events related to Rembrandt van Rijn, sign up for our updates. This subscription service is dedicated exclusively to news and events concerning works related to this unparalleled master of the Dutch Golden Age.
Jan Lievens was a Dutch painter, draughtsman, and engraver of the Golden Age and a member of the Guild of St. Luke in Antwerp.
It is known that while still very young, at the age of twelve, Lievens already created skillful paintings that amazed art lovers of Leiden. He was later friendly with Rembrandt, shared a studio with him, and painted in a similar style. Lievens was also a court painter in England and elsewhere.
Jan Leavens created genre scenes, landscapes, ceremonial portraits and sketches on various themes, as well as religious and allegorical images, which were already highly valued during his lifetime.
Franz Ertinger (German: Franz Ertinger) was a French painter born in Germany but working in France and Flanders, a member of the Guild of St. Luke in Antwerp.
Ertinger is a versatile artist who has applied his talents in various fields of art. He is known as a painter, illustrator and printer of books, draughtsman, designer and writer, and worked as a royal engraver in Paris.
Karel Dujardin was a Dutch painter and printmaker of the Golden Age of Dutch painting.
He studied with Klaas Berchem and Paulus Potter, traveled to Italy, and lived in Lyon. In 1656 he participated in the founding of the Pictura Society in The Hague.
Dujardin painted mostly Italian landscapes, genre scenes, including scenes from rural life, portraits of elegant people and historical paintings.
Many of Dujardin's works are in the Louvre, the Hermitage (St. Petersburg), as well as in Amsterdam, The Hague, Kassel, and Berlin.
Johann Alexander Thiele was a German landscape painter and printmaker.
He was trained as a printmaker and received his initial training as a painter in Erfurt, but for the most part remained self-taught, copying old paintings.
Thiele painted mainly rural landscapes of Saxony and Thuringia, partly in imitation of the Italian vedettes. He also worked as a court painter and engraver.
Johann Alexander Thiele's son Johann Friedrich Alexander Thiele (1747-1803) also became a landscape painter, draftsman and printmaker.
Canaletto, born Giovanni Antonio Canal, was an illustrious Italian painter celebrated for his masterful cityscapes, particularly of Venice and London. Emerging as a topographical painter after 1719, Canaletto became renowned for his detailed and atmospheric views, known as vedute, which captured the essence of Venice and London with a unique blend of accuracy and artistic embellishment. Despite using a camera obscura to achieve precision in his architectural details, Canaletto often infused his paintings with creative adjustments to enhance their appeal.
His early works, such as "The Stonemason's Yard," are particularly prized for their vivid portrayal of Venice's daily life and architectural beauty. Canaletto's paintings were highly sought after by English aristocrats during their Grand Tours, leading him to spend a significant period in England, where he continued to produce esteemed works capturing the English landscape and urban scenes.
Despite his international success, Canaletto's work was less appreciated in his native Venice during his lifetime, only gaining broader recognition and appreciation in later years. His legacy, however, has had a lasting impact on landscape painting, influencing future generations of artists.
If you're interested in staying updated on art exhibitions and auctions featuring Canaletto's work, consider signing up for newsletters from art galleries or auction houses that specialize in historical artworks. This way, you'll be informed about new sales and exhibition events related to Canaletto without any exaggerated language or promises.
Lemuel Francis Abbott was an English portrait painter. His most famous work is the portrait of Nelson, exhibited at the residence of the British Prime Minister.
During his artistic life Abbott created many portraits of famous people of the 18th century - naval officers, literati, officials, ladies of the world. He was one of the first to portray golfers.
George Morland was an English painter whose favorite subject was the ordinary life of ordinary people.
His best paintings are devoted to country scenes, depicting horses and dogs, peasants at work, children. Moreland's famous painting "The Interior of the Stables" is considered a masterpiece. Moreland's subjects and paintings were a success and hundreds of engravings were printed from them.
During the last eight years of his life Moreland painted about nine hundred pictures, not counting more than a thousand drawings.