Post War Sculptures — A 1112 | ART AFTER ’45
Dan Flavin was an American minimalist artist known for his use of fluorescent light as a medium. Flavin's work explored the aesthetic possibilities of industrial materials and the interaction between light, space, and color.
Flavin studied art at Columbia University. He began creating his iconic light installations in the 1960s, using commercial fluorescent tubes of various sizes and colors to create complex arrangements of light and shadow.
Many of Flavin's works were site-specific, designed to respond to the architecture and spatial dynamics of the exhibition space. Some of his most famous installations include "Monument for V. Tatlin" (1969), a tribute to the Russian Constructivist artist Vladimir Tatlin, and "Untitled (Marfa Project)" (1996), a permanent installation of colored fluorescent light in Marfa, Texas.
Flavin's work was recognized with numerous awards and honors, including the Guggenheim Fellowship and the Skowhegan Medal for Sculpture. He exhibited his work extensively in the United States and Europe, and his installations continue to be celebrated as seminal examples of minimalist and conceptual art.
Flavin's legacy as a pioneering artist continues to inspire new generations of artists working with light and other non-traditional materials.
Dan Flavin was an American minimalist artist known for his use of fluorescent light as a medium. Flavin's work explored the aesthetic possibilities of industrial materials and the interaction between light, space, and color.
Flavin studied art at Columbia University. He began creating his iconic light installations in the 1960s, using commercial fluorescent tubes of various sizes and colors to create complex arrangements of light and shadow.
Many of Flavin's works were site-specific, designed to respond to the architecture and spatial dynamics of the exhibition space. Some of his most famous installations include "Monument for V. Tatlin" (1969), a tribute to the Russian Constructivist artist Vladimir Tatlin, and "Untitled (Marfa Project)" (1996), a permanent installation of colored fluorescent light in Marfa, Texas.
Flavin's work was recognized with numerous awards and honors, including the Guggenheim Fellowship and the Skowhegan Medal for Sculpture. He exhibited his work extensively in the United States and Europe, and his installations continue to be celebrated as seminal examples of minimalist and conceptual art.
Flavin's legacy as a pioneering artist continues to inspire new generations of artists working with light and other non-traditional materials.
Horst Gläsker is a German universal artist.
Gläsker studied first as a designer, then at the Düsseldorf Academy with Gerhard Richter and K. Götz. Glesker has played a decisive role in shaping the art world of Germany and especially Düsseldorf since the 1980s. His work is a symbiosis of music, dance, theater, drawing, painting, sculpture, installation and architecture. This artist blurs the boundaries of art and works across media and disciplines.
Gläsker combines his installations with architecture, for example, like his works in public spaces in Frankfurt, Oberhausen and Erfurt. In another direction of his work, the artist combines various paintings with photography and creates photographic paintings. In this process he also collaborates with renowned photographers.
Horst Gläsker has worked as a professor at the Kunstakademie Münster, the Braunschweig University of the Arts and the Kassel Art College. Since 2006 Glesker lives in Düsseldorf and is a member of the Association of German Artists.
Imi Knoebel (born Klaus Wolf Knoebel) is a German artist. Knoebel is known for his minimalist, abstract painting and sculpture. The "Messerschnitt" or "knife cuts," are a recurring technique he employs, along with his regular use of the primary colors, red, yellow and blue. Knoebel lives and works in Düsseldorf.
Wolf Vostell was a German artist who is considered a pioneer of video and installation art, and a key figure in the Fluxus movement. He studied at the Academy of Fine Arts in Wuppertal and later at the École Nationale Supérieure des Beaux-Arts in Paris.
Vostell's art was heavily influenced by the horrors of World War II, and he often incorporated themes of violence and destruction in his work. He was interested in exploring the relationship between art and technology, and he experimented with new media such as television, video, and sound.
One of Vostell's most famous works is "Concrete Traffic," a 1970 installation in which he placed a Cadillac in a block of concrete. The piece was intended to comment on the impact of automobile culture on society and the environment.
Another notable work is "TV-Burying," a performance piece in which Vostell buried a television set in the ground, with only the screen visible. The work was a commentary on the pervasive influence of television on modern life.
Vostell's work has been exhibited extensively around the world, including at the Museum of Modern Art in New York, the Venice Biennale, and the Centre Georges Pompidou in Paris.
