Modern, Post War & Contemporary
Fritz Overbeck was a German artist of the late nineteenth and early twentieth centuries. He is known as a painter, graphic artist and printmaker, famous for his landscapes of the northern regions of Germany.
Fritz Overbeck began his career at the Worpswede Art Colony, where he developed his talent by depicting desolate moorland landscapes. Landscapes remained his favorite genre, although while studying at the Düsseldorf Academy of Fine Arts he also dabbled in portraiture and architecture. One of Overbeck's nicknames is "the painter of clouds" for his masterful and recognizable depiction of puffy cloud formations in blue skies. The artist is also known for his more than 60 etchings, emphasizing his skill and creative diversity.
Friedrich Wilhelm Otto Modersohn was a German painter of the late 19th and first half of the 20th centuries. He is known as a landscape painter, a representative of the Barbizon School.
Otto Modersohn produced Barbizonian-style landscapes early in his career, but from about 1890 his style became more expressionist, with an emphasis on his choice of colors. The death of his second wife influenced his style: the colors became darker and the images more stark. Modersohn was one of the founders of the Worpswede artists' colony. A large collection of his works is kept in the Modersohn Museum in Fischerhude, and a street in Berlin is also named after him.
Friedrich Wilhelm Otto Modersohn was a German painter of the late 19th and first half of the 20th centuries. He is known as a landscape painter, a representative of the Barbizon School.
Otto Modersohn produced Barbizonian-style landscapes early in his career, but from about 1890 his style became more expressionist, with an emphasis on his choice of colors. The death of his second wife influenced his style: the colors became darker and the images more stark. Modersohn was one of the founders of the Worpswede artists' colony. A large collection of his works is kept in the Modersohn Museum in Fischerhude, and a street in Berlin is also named after him.
Friedrich Wilhelm Otto Modersohn was a German painter of the late 19th and first half of the 20th centuries. He is known as a landscape painter, a representative of the Barbizon School.
Otto Modersohn produced Barbizonian-style landscapes early in his career, but from about 1890 his style became more expressionist, with an emphasis on his choice of colors. The death of his second wife influenced his style: the colors became darker and the images more stark. Modersohn was one of the founders of the Worpswede artists' colony. A large collection of his works is kept in the Modersohn Museum in Fischerhude, and a street in Berlin is also named after him.
Paula Moderzohn-Becker was a German early expressionist painter.
In her youth she attended the traditional School for Women Artists in Berlin. Like many local German artists, she painted sentimental landscapes and scenes from peasant life.
And in 1900 Paula traveled with her husband to Paris, where she was influenced by post-Impressionist paintings and became an ardent enthusiast of painting by Paul Gauguin and Paul Cézanne. Today she is considered a forerunner of Expressionism because of the power of her compositions, although during her lifetime she was completely ignored. During her short career Moderzohn-Becker painted 750 canvases, about 1,000 drawings and 13 etchings, all of which incorporated the major art movements of the early 20th century.
Alexander Georg Rudolf Bauer was a German-born painter who was involved in the avant-garde group Der Sturm in Berlin, and whose work would become central to the non-objective art collection of Solomon R. Guggenheim.
Kurt Schwitters (1887–1948) was a German artist renowned for his multifaceted contributions to modern art, encompassing painting, poetry, graphic design, and installation art. Born in Hanover, Germany, Schwitters developed a unique artistic vision that led to the creation of "Merz," a term he coined to describe his one-of-a-kind approach to art.
The concept of Merz originated from a fragment of the word "Kommerz" (commerce), which Schwitters incorporated into his early collages. This term came to represent his artistic philosophy, characterized by the assemblage of found objects and everyday materials into cohesive compositions. Through Merz, Schwitters sought to blur the boundaries between traditional art forms, integrating elements of Dadaism, Constructivism, and Surrealism.
One of Schwitters' most significant projects was the "Merzbau," an ambitious, evolving installation within his Hanover home. This project began around 1923 and transformed his living space into a labyrinthine structure filled with collages, sculptures, and found objects. The Merzbau was a physical manifestation of his Merz philosophy, embodying the synthesis of art and life. Unfortunately, the original Merzbau was destroyed during a British air raid in 1943.
In addition to his visual art, Schwitters made notable contributions to literature and sound art. His poem "An Anna Blume," published in 1919, is a seminal work that exemplifies his playful use of language and nonsensical style, aligning with the Dada movement's principles. Moreover, his "Ursonate," a sound poem composed between 1922 and 1932, showcases his innovative exploration of phonetic expression and rhythm, pushing the boundaries of traditional poetry.
The rise of the Nazi regime in Germany had a profound impact on Schwitters' life and work. Classified as a "degenerate" artist by the Nazis, he fled to Norway in 1937 to escape persecution. Following the German invasion of Norway in 1940, he sought refuge in the United Kingdom. During his internment at the Hutchinson Internment Camp on the Isle of Man, Schwitters continued to create art, producing over 200 works during his 16 months of confinement.
After his release, Schwitters settled in the Lake District of England, where he embarked on a new Merz construction known as the "Merzbarn." Although he was unable to complete this project due to his death in 1948, the Merzbarn stands as a testament to his unwavering commitment to his artistic vision. Today, Kurt Schwitters is celebrated as a pioneer of modern art, whose innovative techniques and ideas have left an indelible mark on the art world.
Kurt Schwitters (1887–1948) was a German artist renowned for his multifaceted contributions to modern art, encompassing painting, poetry, graphic design, and installation art. Born in Hanover, Germany, Schwitters developed a unique artistic vision that led to the creation of "Merz," a term he coined to describe his one-of-a-kind approach to art.
The concept of Merz originated from a fragment of the word "Kommerz" (commerce), which Schwitters incorporated into his early collages. This term came to represent his artistic philosophy, characterized by the assemblage of found objects and everyday materials into cohesive compositions. Through Merz, Schwitters sought to blur the boundaries between traditional art forms, integrating elements of Dadaism, Constructivism, and Surrealism.
One of Schwitters' most significant projects was the "Merzbau," an ambitious, evolving installation within his Hanover home. This project began around 1923 and transformed his living space into a labyrinthine structure filled with collages, sculptures, and found objects. The Merzbau was a physical manifestation of his Merz philosophy, embodying the synthesis of art and life. Unfortunately, the original Merzbau was destroyed during a British air raid in 1943.
In addition to his visual art, Schwitters made notable contributions to literature and sound art. His poem "An Anna Blume," published in 1919, is a seminal work that exemplifies his playful use of language and nonsensical style, aligning with the Dada movement's principles. Moreover, his "Ursonate," a sound poem composed between 1922 and 1932, showcases his innovative exploration of phonetic expression and rhythm, pushing the boundaries of traditional poetry.
The rise of the Nazi regime in Germany had a profound impact on Schwitters' life and work. Classified as a "degenerate" artist by the Nazis, he fled to Norway in 1937 to escape persecution. Following the German invasion of Norway in 1940, he sought refuge in the United Kingdom. During his internment at the Hutchinson Internment Camp on the Isle of Man, Schwitters continued to create art, producing over 200 works during his 16 months of confinement.
After his release, Schwitters settled in the Lake District of England, where he embarked on a new Merz construction known as the "Merzbarn." Although he was unable to complete this project due to his death in 1948, the Merzbarn stands as a testament to his unwavering commitment to his artistic vision. Today, Kurt Schwitters is celebrated as a pioneer of modern art, whose innovative techniques and ideas have left an indelible mark on the art world.
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Hermann Glöckner, German artist, sculptor, and designer, is considered one of the most prominent artists among the avant-garde German Classic Modernists. Glöckner initially created his works from objects that he had at hand: scraps of wood, twine, cardboard, matchboxes... He combined these things in a unique way to create something completely new. Despite the unfavorable political circumstances under the National Socialist dictatorship and its successor GDR regime in East Germany, he worked continuously in isolation in Dresden for decades as a "noncomformist.
Joseph Csaky, a Hungarian avant-garde artist, sculptor, and graphic artist, is renowned for his pioneering contributions to the Cubist movement. Born in 1888, Csaky's journey into the art world was profoundly influenced by his discovery of Auguste Rodin's work, which paved the way for his mastery in sculptural techniques. His innovative approach is highlighted in his Cubist sculptures, where he skillfully integrated volumetric and spatial relationships, utilizing abstract architectonic forms and drawing inspiration from non-Western art such as Cycladic, Oceanic, and ancient Egyptian art.
Joseph Csaky's commitment to originality is evident in his personal artistic language, which he developed while being part of the vibrant Parisian art scene. His works, such as "Euterpe – Muse of Lyric Poetry" and "Imbrication de cônes," showcase his ability to translate Cubist principles into three-dimensional forms.
Art collectors and experts appreciate Joseph Csaky's contributions to modern sculpture, with his works being sought after in art galleries and auctions. His pieces like "Woman Raising her Hand" and "Figure, dite aussi Femme" not only reflect his artistic prowess but also his influence on subsequent art movements.
For those interested in the fusion of Cubism and sculpture, Joseph Csaky's oeuvre offers a profound insight into the evolution of modern art. To stay updated on new product sales and auction events related to Joseph Csaky, consider signing up for updates. This subscription will keep you informed about the latest developments and opportunities to engage with Csaky's enduring legacy.
Gabriele Münter, a prominent German painter, left an indelible mark on the art world with her expressionist style and vibrant use of color. Born in Berlin in 1877, Münter was not just an artist but a trailblazer in the early 20th-century avant-garde movement in Munich. Her relationship with Wassily Kandinsky, both personal and professional, greatly influenced her artistic development and vice versa. Together, they explored Europe and North Africa, absorbing influences that would shape their styles. This period was crucial for Münter's transition from impressionistic to more abstract and expressive works, incorporating intense colors and simplified forms that became hallmarks of her style.
Münter's artistic evolution was significantly shaped by her time in Murnau, a Bavarian town that became a refuge and inspiration for her work. Here, she experimented with the Blaue Reiter aesthetic, emphasizing the emotional and spiritual over the representational. Münter's landscapes from this period are notable for their bold use of color and simplified forms, reflecting an intimate interaction with nature. Works like "Jawlensky and Werefkin" and "Lower Main Street, Murnau" exemplify her mastery of color and form, showcasing her ability to capture the essence of her subjects through a unique visual language.
Throughout her career, Münter contributed significantly to the German Expressionist movement, particularly through her involvement with Der Blaue Reiter group. Despite the challenges of World War I and the subsequent estrangement from Kandinsky, she continued to innovate and express her vision through her art. In her later years, Münter's commitment to preserving the legacy of the Blaue Reiter group was demonstrated through her donation of a substantial collection of artworks to the Städtische Galerie im Lenbachhaus in Munich.
For collectors and experts in art and antiques, Gabriele Münter's work represents a pivotal moment in the history of expressionism, offering insights into the movement's evolution and the role of women artists in shaping modern art. Her contributions, both in her vibrant landscapes and in her pioneering spirit, continue to inspire and captivate audiences around the world.
To stay updated on new product sales and auction events related to Gabriele Münter, signing up for updates is an invaluable resource for enthusiasts keen on exploring the depths of expressionism and the enduring legacy of this remarkable artist.
Karl Hofer was a German expressionist painter. He was director of the Berlin Academy of Fine Arts.
One of the most prominent painters of expressionism, he never was a member of one of the expressionist painting groups, like "Die Brücke", but was influenced by their painters. His work was among those considered degenerate art by the Nazis, but after World War II he regained recognition as one of the leading German painters.
Karl Hofer was a German expressionist painter. He was director of the Berlin Academy of Fine Arts.
One of the most prominent painters of expressionism, he never was a member of one of the expressionist painting groups, like "Die Brücke", but was influenced by their painters. His work was among those considered degenerate art by the Nazis, but after World War II he regained recognition as one of the leading German painters.
Karl Hofer was a German expressionist painter. He was director of the Berlin Academy of Fine Arts.
One of the most prominent painters of expressionism, he never was a member of one of the expressionist painting groups, like "Die Brücke", but was influenced by their painters. His work was among those considered degenerate art by the Nazis, but after World War II he regained recognition as one of the leading German painters.
Karl Hofer was a German expressionist painter. He was director of the Berlin Academy of Fine Arts.
One of the most prominent painters of expressionism, he never was a member of one of the expressionist painting groups, like "Die Brücke", but was influenced by their painters. His work was among those considered degenerate art by the Nazis, but after World War II he regained recognition as one of the leading German painters.
Karl Hofer was a German expressionist painter. He was director of the Berlin Academy of Fine Arts.
One of the most prominent painters of expressionism, he never was a member of one of the expressionist painting groups, like "Die Brücke", but was influenced by their painters. His work was among those considered degenerate art by the Nazis, but after World War II he regained recognition as one of the leading German painters.
Karl Hofer was a German expressionist painter. He was director of the Berlin Academy of Fine Arts.
One of the most prominent painters of expressionism, he never was a member of one of the expressionist painting groups, like "Die Brücke", but was influenced by their painters. His work was among those considered degenerate art by the Nazis, but after World War II he regained recognition as one of the leading German painters.
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Ernst Heinrich Barlach was a German expressionist sculptor, medallist, printmaker and writer. Although he was a supporter of the war in the years leading to World War I, his participation in the war made him change his position, and he is mostly known for his sculptures protesting against the war. This created many conflicts during the rise of the Nazi Party, when most of his works were confiscated as degenerate art. Stylistically, his literary and artistic work would fall between the categories of twentieth-century Realism and Expressionism.
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Fritz Klimsch was a German sculptor of the first half of the twentieth century. He is known as a brilliant representative of Art Nouveau and Classicism. Klimsch was one of the founders of the association of Berlin artists and sculptors "Berlin Secession".
Fritz Klimsch is best known for his sculptural works depicting nudes of women. Among his masterpieces are also monumental and grave monuments.
Fritz Klimsch was the most famous, but by no means the only representative of the family dynasty of German artists. His close relatives, in particular his grandfather Ferdinand Karl Klimsch, his father Eugen Klimsch, and his brothers Karl Klimsch and Paul Klimsch, also made significant contributions to the development of European art.
Fritz Klimsch was a German sculptor of the first half of the twentieth century. He is known as a brilliant representative of Art Nouveau and Classicism. Klimsch was one of the founders of the association of Berlin artists and sculptors "Berlin Secession".
Fritz Klimsch is best known for his sculptural works depicting nudes of women. Among his masterpieces are also monumental and grave monuments.
Fritz Klimsch was the most famous, but by no means the only representative of the family dynasty of German artists. His close relatives, in particular his grandfather Ferdinand Karl Klimsch, his father Eugen Klimsch, and his brothers Karl Klimsch and Paul Klimsch, also made significant contributions to the development of European art.