Paintings 19th Century — A490: Fine Art
Johann Jakob Frey was a Swiss landscape painter.
Johann Jakob Frey travelled extensively in Italy, especially in and around Rome, making landscape sketches. In his studio he used these sketches to create paintings. He also traveled to Spain and Egypt to sketch for later works.
Frey's pictorial style is based on paintings by Josef Koch or Franz Horny. For example, they often feature a richly detailed foreground, which often shows elements such as winding paths or rivers drawing the viewer's attention away.
Christian Wilhelm Sell, also Christian Sell the Younger, was a German battle and military painter of the Düsseldorf School.
Like his father, Christian Sell the Elder, he created numerous battle and war depictions, especially from the Franco-Prussian War.
Caspar Johann Nepomuk Scheuren is a German painter and illustrator.
After receiving an elementary art education from his painter father Egidius Scheuren, he studied landscape painting at the Düsseldorf Academy of Art, where he later became a professor.
Caspar Scheuren gradually developed an allegorical style of landscape painting, including motifs from stories and legends of the Rhine. He produced more than 300 oil paintings, 600 watercolors and 400 engravings.
Friedrich Wilhelm von Schadow was a prominent German Romantic painter whose influence extended far beyond his own creations. He is perhaps best known for his role in forming the Düsseldorf School, a hub that nurtured talents from around the world, including notable American painters. This school under Schadow's guidance became a beacon of artistic excellence, producing renowned artists like Emmanuel Leutze.
Friedrich Wilhelm von Schadow's approach to art was not just about creating visually appealing works; it was deeply rooted in imparting knowledge and nurturing creativity among his students, leaving a lasting impact on the art world. His own works, though less celebrated than his educational contributions, still hold significance in the realm of German Romantic art, reflecting the era's spirit and depth.
For those interested in the intersection of art, culture, and history, Friedrich Wilhelm von Schadow's legacy offers a rich vein to explore. His role in shaping the Düsseldorf School and his artistic philosophy provide invaluable insights into the 19th-century art movement.
If you're fascinated by Friedrich Wilhelm von Schadow's contributions to art and wish to stay informed about related updates, consider signing up for newsletters or alerts that focus on art history, particularly related to the Düsseldorf School and German Romanticism. This way, you'll be in the loop about new discoveries, exhibitions, and sales pertaining to Friedrich Wilhelm von Schadow's works and his profound influence on the art world.
Johann Peter Hasenclever was a German painter of the first half of the 19th century. He is known as a painter, a representative of the Düsseldorf school of art, who is considered one of the founders of German genre painting.
Hasenclever began his work by interpreting biblical, mythological and romantic subjects, but eventually found his calling in humorous scenes from bourgeois life, especially Pyrenean towns and cities. Among his famous works are "The Amusing Examination," "The Reading Room," and "The Trial of Wine," distributed in engravings and lithographs.
Paul Friedrich Meyerheim was a German painter and graphic artist, student of his father Eduard Meyerheim. At the beginning of his artistic career, Paul Meyerheim went to Paris and Barbizon several times to perfect his landscape painting. His special talent lay in depicting animals. He also made a name for himself as a portraitist and was successful as an illustrator with his woodcuts and lithographs.
Eduard von Grützner was a German painter of the late 19th and early 20th centuries. He went down in the history of European art as a portrait painter and a brilliant master of genre.
Eduard von Grützner in most of his paintings depicted the life of monks, who usually appear to the audience in the images of merry rioters, leading a not ideal lifestyle. The public liked the original humorous style of the painter, and Grützner's work had many admirers.
Grützner was awarded the Royal Order of St. Michael and also received the title of honorary professor at the Munich Academy of Fine Arts. He also became a Knight of the Order of Civil Merit of the Bavarian Crown and received the title of nobleman, with the prefix "von" added to his last name.
Von Grützner is also known as a collector of art and antiques. For many years he collected masterpieces of the Gothic and Renaissance masters, and towards the end of his life he became interested in Far Eastern art.
Otto Grashof was a German painter of the mid-nineteenth century. He is known as a draftsman, engraver, and portrait painter. He also did historical painting, battle-painting, animal studies, and landscape art. Grashof is considered one of the founders of Chilean painting.
Grashof went to St. Petersburg in 1838, where he carried out portrait commissions for the aristocracy, and some of his works ended up in the collection of Emperor Nicholas I. Later he visited Chile as well as Brazil. He held the titles of "painter to the Russian emperor and Brazilian court painter."
Jacques François Joseph Carabain was a Dutch-Belgian painter, known primarily for his scenes of cities and buildings in the Romantic-Realist style. He was especially interested in Medieval and Baroque structures, and was often attracted to busy market places.
Jacques François Joseph Carabain was a Dutch-Belgian painter, known primarily for his scenes of cities and buildings in the Romantic-Realist style. He was especially interested in Medieval and Baroque structures, and was often attracted to busy market places.
James Webb was a British painter specialising in marine views and landscapes. He lived all his life in Chelsea, London.
He exhibited in London at the Royal Academy and the British Institute between 1850 and 1888, and many of his works still hang in London in the collections of the Victoria and Albert Museum and the Tate Gallery.
Andreas Schelfhout was a distinguished Dutch painter, etcher, and lithographer, celebrated for his exquisite landscape paintings. Born and based in The Hague, Schelfhout initially trained as a gilder and framemaker before apprenticing to a decorative painter between 1811 and 1814. This period marked the beginning of his journey into landscape painting, with his works being exhibited from 1815 onwards. Andreas Schelfhout's artistry is deeply rooted in the Romantic movement, with his Dutch winter scenes and frozen canals featuring skaters becoming particularly renowned during his lifetime. These works, showcasing a meticulous attention to detail and atmospheric quality, cemented his status as one of the most influential landscape artists of the 19th century.
A notable aspect of Andreas Schelfhout's career was his impact on other artists. He provided training to many painters who would later gain fame in their own right, such as Johan Jongkind, a forerunner of the Impressionists, and Charles Leickert. His advocacy for the use of watercolour in en plein air sketching significantly influenced his students and contemporaries, particularly enhancing the techniques of Jongkind, Jan Hendrik Weissenbruch, and Willem Roelofs.
Andreas Schelfhout's legacy is not only reflected in his influential teaching but also in the breadth of his creations. His works include not just winter scenes but also seascapes and landscapes depicting various aspects of Dutch scenery. His paintings often evoke a nostalgic longing for the past, a characteristic trait of the Romantic style, with elements like the ruins of castles or chapels adding a historical dimension to the landscapes.
Several of Andreas Schelfhout's masterpieces are displayed in prominent museums and galleries, evidencing his significant contribution to the art world. His works can be found in the Rijksmuseum in Amsterdam, the Museum Boymans-van Beuningen in Rotterdam, the Dordrechts Museum in Dordrecht, the Teylers Museum in Haarlem, and the National Gallery in London, among others.
Andreas Schelfhout was not just an artist; he was a pivotal figure in the Dutch Romantic landscape painting scene. His influence extended beyond his own works to shape the styles and techniques of future generations of artists. For collectors and experts in art and antiques, Schelfhout's works represent a significant era in art history, embodying the essence of Romanticism in Dutch landscape painting.
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