Post War Prints — A504 Parkett - The Complete Editions
Alighiero Fabrizio Boetti, known as Alighiero e Boetti, was an Italian conceptual artist, considered to be a member of the art movement Arte Povera.
Perhaps best known is Boetti's series of large embroidered maps of the world, called simply Mappa.
Louise Joséphine Bourgeois was a French-American artist. Although she is best known for her large-scale sculpture and installation art, Bourgeois was also a prolific painter and printmaker. She explored a variety of themes over the course of her long career including domesticity and the family, sexuality and the body, as well as death and the unconscious. These themes connect to events from her childhood which she considered to be a therapeutic process. Although Bourgeois exhibited with the Abstract Expressionists and her work has much in common with Surrealism and Feminist art, she was not formally affiliated with a particular artistic movement.
Enzo Cucchi is an Italian painter. He was a key member of the Italian Transavanguardia movement, along with his countrymen Francesco Clemente, Mimmo Paladino, Nicola De Maria, and Sandro Chia. The movement was at its peak during the 1980s and was part of the worldwide movement of Neo-Expressionist painters.
Marlene Dumas is a Dutch artist of South African origin. She is known for her figurative paintings that explore themes of identity, race, gender, and sexuality.
Dumas studied at the University of Cape Town and later moved to the Netherlands, where she earned a degree from the Ateliers '63 in Haarlem. Her early work was heavily influenced by the political and social climate in South Africa during the apartheid era.
Dumas' paintings often depict people in various states of vulnerability, intimacy, and emotion. Her works are characterized by loose, gestural brushstrokes, and a limited color palette. She frequently draws inspiration from popular culture, news media, and art history, often appropriating and reimagining images from these sources.
Dumas has exhibited her work extensively, including at the Museum of Modern Art in New York, the Stedelijk Museum in Amsterdam, and the Tate Modern in London. She has also received numerous awards and honors for her work, including the Johannes Vermeer Award in 2012 and the Premium Imperiale in 2018.
Ellsworth Kelly was an American painter, sculptor, and printmaker associated with hard-edge painting, Color Field painting and minimalism. His works demonstrate unassuming techniques emphasizing line, color and form, similar to the work of John McLaughlin and Kenneth Noland. Kelly often employed bright colors. He lived and worked in Spencertown, New York.
Wolfgang Laib is a contemporary German artist. He is known for his minimalistic and meditative installations that often incorporate natural materials, such as pollen, beeswax, and rice.
Laib studied medicine before turning to art, and his interest in the natural sciences has influenced his artistic practice. He is particularly interested in the connections between the human body, nature, and spirituality, and his work often explores themes of ritual, transformation, and transcendence.
One of Laib's best-known works is "Pollen from Hazelnut," an installation in which he collected pollen from hazelnut trees in the surrounding landscape and displayed it in a large, shallow wooden container. The work is intended to evoke a sense of the cyclical nature of life and the interconnectedness of all living things.
Laib has exhibited his work in museums and galleries around the world, including the Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., and the Hirshhorn Museum and Sculpture Garden in Washington, D.C. He represented Germany in the 1982, Venice Biennale and was included with his works in the Documenta 7 in 1982, and then in the Documenta 8 in 1987. In 2015, he was awarded the Praemium Imperiale, one of the world's most prestigious art prizes.
Brice Marden was an American painter. He is known for his minimalist, abstract paintings that often feature simple geometric shapes and a limited color palette.
Marden studied at the Boston University School of Fine Arts and the Yale University School of Art and Architecture. In the 1960s, he moved to New York City and became associated with the Minimalist movement, which emphasized the use of simple forms and materials.
Marden's early works were monochromatic, featuring one color per canvas. Later in his career, he began to incorporate more colors and gestural brushstrokes into his paintings, while still maintaining a sense of simplicity and restraint.
Marden has received numerous awards and honors throughout his career, including the National Medal of Arts in 2011. His works are held in collections around the world, including the Museum of Modern Art in New York, the Tate Modern in London, and the Centre Georges Pompidou in Paris.
Raymond Pettibon is an American artist who lives and works in New York City. Pettibon came to prominence in the early 1980s in the southern California punk rock scene, creating posters and album art mainly for groups on SST Records, owned and operated by his older brother, Greg Ginn. He has subsequently become widely recognized in the fine art world for using American iconography variously pulled from literature, art history, philosophy, and religion to politics, sport, and sexuality.
Sigmar Polke was a German painter and photographer.
Polke experimented with a wide range of styles, subject matters and materials. In the 1970s, he concentrated on photography, returning to paint in the 1980s, when he produced abstract works created by chance through chemical reactions between paint and other products. In the last 20 years of his life, he produced paintings focused on historical events and perceptions of them.
Sigmar Polke was a German painter and photographer.
Polke experimented with a wide range of styles, subject matters and materials. In the 1970s, he concentrated on photography, returning to paint in the 1980s, when he produced abstract works created by chance through chemical reactions between paint and other products. In the last 20 years of his life, he produced paintings focused on historical events and perceptions of them.
Bridget Louise Riley, an eminent English painter, has captivated the art world with her pioneering contributions to the Op Art movement. Born in London in 1931, Riley's early works were characterized by a figurative, semi-impressionist style. However, her artistic trajectory took a significant turn in the late 1950s and early 1960s when she began experimenting with optical illusions, leading to the development of her signature Op Art style. These works, utilizing geometric patterns in black and white, explored the dynamics of perception, creating disorienting effects and sensations of movement or color in the viewer.
Riley's exploration into color, which commenced in 1967, marked a new phase in her career. Her visit to Egypt in the early 1980s further enriched her palette, leading to the creation of works that reflected the vibrant hues of the Egyptian landscape. This period also saw the introduction of her 'Egyptian palette', which captured both the spirit of ancient and modern Egypt. Notable among her colorful works is "Cataract 3", where Riley utilized the contrast between warm and cold colors to produce a shifting, dynamic effect on the canvas, a testament to her continuous exploration of the interaction between form, color, and human perception.
Riley's work extends beyond canvas, with significant contributions to public art through murals. Her installations at prestigious institutions like the Tate, the Musée d'Art Moderne de la Ville de Paris, and the National Gallery, as well as a large-scale mural for the Chinati Foundation in Marfa, Texas, demonstrate her versatility and commitment to engaging with a broader public audience.
For collectors and experts in art and antiques, Riley's work represents a fascinating intersection of art, science, and perception, offering a unique visual experience that challenges and delights. Her dedication to expanding the boundaries of visual art ensures her place as a central figure in contemporary art discourse.
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James Rosenquist was a towering figure in the American art scene, best known for his pivotal role in defining the Pop Art movement. Born in North Dakota, Rosenquist transformed his early experiences as a billboard painter into a revolutionary art form that blurred the lines between commercial and fine art. His unique approach to painting, characterized by the use of fragmented and juxtaposed imagery, mirrored the bombardment of mass media and advertising in American culture. This technique not only challenged traditional perceptions of art but also reflected the artist's critique of the consumerist society.
Rosenquist's most famous work, "F-111," an ambitious 86-foot-long mural, exemplifies his innovative style. Displayed at the Museum of Modern Art in New York, this piece encapsulates the essence of Pop Art by combining consumer goods, military imagery, and a fighter plane. The artwork serves as a powerful commentary on the military-industrial complex and the pervasive influence of advertising on American life. Another notable piece, "Stowaway Peers Out of the Speed of Light," showcases Rosenquist's later exploration into abstract expressionism, depicting a chaotic yet captivating vision of motion and light.
Throughout his career, Rosenquist's work remained deeply influential, earning him a place in prominent collections and museums worldwide. His ability to merge commercial techniques with fine art not only elevated his status as an artist but also left an indelible mark on the art world. Rosenquist's legacy continues to inspire artists and collectors alike, challenging them to see beyond the surface of everyday imagery.
For collectors and experts in art and antiques, James Rosenquist's work represents a pivotal moment in the history of modern art, where the lines between commercial and fine art were not just blurred but beautifully intertwined. To stay updated on new product sales and auction events related to James Rosenquist, we invite you to sign up for our updates. This subscription is your gateway to the evolving world of art collecting, where the legacy of innovators like Rosenquist continues to influence the market and inspire new generations of artists and collectors.
Richard Serra was a prominent American sculptor, renowned for his monumental steel sculptures that transform viewers' perceptions of space and environment. Born on November 2, 1938, in San Francisco, California, Serra pursued his education in Art History and Fine Arts at Yale University, where he graduated with a BA and an MFA in 1964. His early career was marked by experimentation with nontraditional materials such as rubber, neon, and lead, reflecting a departure from traditional sculptural forms towards more abstract expressions.
Serra's work is characterized by its engagement with the physical properties of his materials and the spatial dynamics of his installation sites. He is perhaps best known for "Tilted Arc" (1981), a controversial installation in New York City's Federal Plaza, which was eventually removed following public debate over its presence. Despite the controversy, "Tilted Arc" exemplifies Serra's interest in site-specificity and the relationship between artwork, site, and viewer.
Throughout his career, Serra's sculptures have been exhibited globally, with significant works like "Snake" (1994-97) at the Guggenheim Bilbao and "Torqued Ellipse" series, reflecting his ongoing exploration of curvilinear forms and the interaction between space, viewer, and sculpture. His contributions to art have been acknowledged with awards such as the Praemium Imperiale in 1994.
For collectors and experts in art and antiques, Serra's work represents a pivotal shift in contemporary sculpture, emphasizing the materiality and physical engagement of artworks within their environments. To stay updated on exhibitions and auction events related to Richard Serra's influential sculptures, signing up for updates is highly recommended, ensuring enthusiasts are informed about the latest developments and opportunities to engage with his groundbreaking work.
Rosemarie Trockel is a German conceptual artist. She has made drawings, paintings, sculptures, videos and installations, and has worked in mixed media. From 1985, she made pictures using knitting-machines.
John Wesley was an American painter, known for idiosyncratic figurative works of eros and humor, rendered in a precise, hard-edged, deadpan style. Wesley's art largely remained true to artistic premises that he established in the 1960s: a comic-strip style of flat shapes, delicate black outline, a limited matte palette of saturated colors, and elegant, pared-down compositions. His characteristic subjects included cavorting nymphs, nudes, infants and animals, pastoral and historical scenes, and 1950s comic strip characters in humorously blasphemous, ambiguous scenarios of forbidden desire, rage or despair.
Robert Wilson is an American experimental theater stage director and playwright who has been described by The New York Times as «America's – or even the world's – foremost vanguard theater artist.» He has also worked as a choreographer, performer, painter, sculptor, video artist, and sound and lighting designer.