On Canvas
Seo Soo-Kyoung, known by the artist name SEO, is a South Korean contemporary artist who lives and works in Berlin, Germany. Her artist name comes from her family name Seo written in capital letters.
Georges Noël was a French artist, a representative of French informel.
In the mid-1950s he moved to the United States and began to create works in impasto, or, as he called them, palimpsests.
Palimpsests are old handwritten pages that have been partially scraped and then reused. Georges Noël uses the concept of palimpsest and creates his canvases with sand, crushed silica and raw pigment, giving each work a three-dimensional and energetic feel.
Georges Noël was a professor at the Minneapolis School of Art before returning to Paris.
Joachim Albrecht is a German painter, one of the brightest representatives of the concrete-constructive direction of the second half of the last century.
Albrecht studied at the Königsberg Art School. During the Second World War he served as a soldier and was a prisoner of war. In 1953 he made his first stencil prints, in 1957 he became a member of the Deutscher Künstlerbund. Influenced by Auguste Erben and Victor Vasarely, Albrecht developed his own style in the early 1960s.
Frances Scholz is a vibrant figure in contemporary art and cinema. Scholz's education at the Hochschule der Künste in Berlin from 1982 to 1988 laid the groundwork for a career that spans painting, video art, and filmmaking. She is known for her conceptual approach to art, often blending narrative and abstraction to explore themes of memory, perception, and the construction of reality.
One of Frances Scholz's significant contributions to the art world is her film "Amboy," co-written and produced with science fiction writer Mark von Schlegell. Premiered in 2015, "Amboy" delves into the cultural mythologies and hallucinatory fabric of Los Angeles through a series of interconnected, unscripted encounters. The film is notable for its exploration of identity and the elusive nature of artistic legacy, set against the backdrop of the Mojave Desert's ghost towns. Scholz's work in "Amboy" exemplifies her interest in the intersection of narrative and visual art, utilizing a collaborative and open form of production that features contributions from notable figures in the art and entertainment industry.
Frances Scholz's artistry extends beyond filmmaking. She has exhibited widely, with notable shows at institutions such as the Chinati Foundation, where she held an open studio and screened "Amboy" in 2016, and solo exhibitions across the United States and Germany. Her work in group shows and solo exhibitions often reflects her multifaceted approach to media, including painting, video art, and installations, which are treated with the same editorial eye as her film material.
Currently living and working in Cologne, Frances Scholz continues to influence both the art and film worlds with her innovative projects. Her extensive body of work, including video art pieces like "The Moon" and "Awakening," and her involvement in collaborative projects, underscores her role as a dynamic force in contemporary culture.
For collectors and experts in art and antiques, Frances Scholz represents a unique investment in the overlap of visual art and cinema. Her ability to navigate and blend these worlds offers a rich tapestry of works that are both intellectually stimulating and visually compelling.
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Hans Peter Adamski is a German painter and graphic artist who lives and works in Berlin and Dresden.
He studied at the Dusseldorf Academy of Art and served as professor and dean of the Dresden University of Fine Arts. Adamski is one of the most important representatives of the Neue Wilden ("New Wilden") movement of the 1980s. In addition to painting, he works in drawing, sculpture, paper, fabric and plaster.
Hans Peter Adamski is a German painter and graphic artist who lives and works in Berlin and Dresden.
He studied at the Dusseldorf Academy of Art and served as professor and dean of the Dresden University of Fine Arts. Adamski is one of the most important representatives of the Neue Wilden ("New Wilden") movement of the 1980s. In addition to painting, he works in drawing, sculpture, paper, fabric and plaster.
Jean Miotte was a French abstract painter, in the style known as L'Art Informel. His work was preserved and studied by the Miotte Foundation and is in the collections of museums including: MoMA and the Guggenheim in New York, Musée d'Art Moderne de Paris and Haus der Kunst in Munich.
Jean Miotte was a French abstract painter, in the style known as L'Art Informel. His work was preserved and studied by the Miotte Foundation and is in the collections of museums including: MoMA and the Guggenheim in New York, Musée d'Art Moderne de Paris and Haus der Kunst in Munich.
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Peter Herkenrath was a German self-taught artist, one of the brightest representatives of abstract art after World War II.
He created what he called "wall paintings": he applied thick layers of paint in relief with spatulas and brushes. Herkenrath painted many portraits of his famous contemporaries, domestic scenes and still lifes.
Peter Herkenrath was a member of the Association of West German Artists and the Association of German Artists.
Karl Fred Dahmen is a German artist, one of the most important representatives of German post-war art and the Informel movement. In 1967 he took up the post of Professor of Fine Arts at the Munich Academy.
He painted expressive abstract pictures with a tectonic structure, and since the mid-1950s, relief paintings and collages on the damage to the local landscape caused by open-pit mining. Later in Dahmen's oeuvre, glazed object boxes appear, recounting the impressions of his daily working life.
