Old Master Paintings — A524: Fine Art
Georg Flegel was a German painter, best known for his still-life works.
According to the RKD he was pupil of Lucas van Valckenborch in Linz during 1582-1592. In a period of about 30 years (c. 1600–1630), he produced 110 watercolor and oil pictures, mostly still-life images which often depicted tables set for meals and covered with food, flowers and the occasional animal.
David Teniers the Younger was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output. He was an innovator in a wide range of genres such as history painting, genre painting, landscape painting, portrait and still life. He is now best remembered as the leading Flemish genre painter of his day. Teniers is particularly known for developing the peasant genre, the tavern scene, pictures of collections and scenes with alchemists and physicians.
He was court painter and the curator of the collection of Archduke Leopold Wilhelm, the art-loving Governor General of the Habsburg Netherlands. He created a printed catalogue of the collections of the Archduke. He was the founder of the Antwerp Academy, where young artists were trained to draw and sculpt in the hope of reviving Flemish art after its decline following the death of the leading Flemish artists Rubens and Anthony van Dyck in the early 1640s. He influenced the next generation of Northern genre painters as well as French Rococo painters such as Antoine Watteau.
Jan Olis was a notable Dutch Golden Age painter, born in Gorinchem, Netherlands. His artistic journey began in 1632 when he joined the Dordrecht Guild of St. Luke, marking his official entry into the world of art. In addition to his painting career, Olis also dabbled in other professions; he was a wine seller and a teacher in the guild between 1632 and 1643. His life took an interesting turn when he moved to Heusden in 1651, where he held various council positions, eventually becoming the mayor in 1657 and a tax collector in 1670.
Olis' art primarily revolved around farm scenes, genre works, and merry companies, a style that resonated with the cultural and artistic norms of his time. His works are celebrated for their vivid portrayal of everyday life and social gatherings, which were typical subjects in the Dutch Golden Age of painting. Olis' paintings such as "Kitchen Interior" and "Elegant Company Playing Cards" showcase his talent in capturing the essence of social and domestic life with a keen eye for detail.
For collectors and experts in art and antiques, Jan Olis' works represent an important segment of Dutch Golden Age painting, a period renowned for its significant contribution to art history. His paintings not only reflect the cultural milieu of the 17th century Netherlands but also offer a window into the social customs and lifestyles of the time.
If you're intrigued by the works of Jan Olis and wish to stay updated on new product sales and auction events related to his art, signing up for updates is an excellent way to remain informed. This subscription service focuses solely on bringing the latest news about sales and auctions of Olis' works directly to you, without any extraneous information.
Cornelis Gerritsz. Decker was a Dutch landscape painter of the Golden Age of Dutch painting, and a member of the Haarlem Guild of St. Luke.
Decker painted mainly landscapes, often depicting architecture and adding animal and human figures. The artist also created interesting genre scenes from the workshops of ordinary people.
Pieter de Molijn, a distinguished Dutch Golden Age painter and engraver, was celebrated for his exceptional landscapes, genre pieces, and more. Born in London in 1595 to Flemish parents, he moved to the Netherlands, where he significantly contributed to Dutch art. Molijn was not just a painter; his talents extended to engraving, a testament to his versatility in the art world.
Pieter de Molijn's journey into art took him to Italy and then to Haarlem, where he joined the Guild of St. Luke in 1616, marking the start of a prolific career. His landscapes, known for their sweeping diagonals and tonal unity, helped pioneer a new style that influenced contemporaries and successors alike. Molijn's ability to capture the essence of the Dutch landscape made his works sought after, not just during his lifetime but also in today's art circles.
His works, like the captivating "Landscape with Figures," showcased at The Metropolitan Museum of Art, continue to fascinate art enthusiasts and collectors. Pieter de Molijn's artistry wasn't confined to landscapes alone; his genre pieces and marine scenes also garnered acclaim, reflecting his diverse skills and innovative approach.
For art collectors and experts keen on Dutch Golden Age paintings, Molijn's works represent a blend of technical mastery and artistic vision. Whether it's his detailed landscapes or compelling genre scenes, each piece invites viewers into the world he saw and experienced.
For those who appreciate the finesse of Dutch Golden Age art, staying updated on Pieter de Molijn's works is a must. Whether it's auctions, exhibitions, or private sales, sign up for updates and never miss out on the opportunity to explore or acquire Molijn's timeless masterpieces.
Herman Saftleven the Younger was a Dutch artist of the Golden Age who was Dean of the Guild of St. Luke in Utrecht.
Herman Saftleven the Younger was born into a creative family. His father, Hermann Saftleven the Elder (c. 1580-1627), was the father of three artist sons, Hermann the Younger, Cornelis (1607-1681), and Abraham Saftleven (c. 1611/13 - 1646).
Saftleven the Younger was an extremely productive painter, draughtsman, and printmaker. He is known for his landscapes near rivers as well as scenes of people traveling in the woods.
Frans Snyders was a Flemish painter of animals, hunting scenes, market scenes and still lifes. He was one of the earliest specialist animaliers and he is credited with initiating a wide variety of new still-life and animal subjects in Antwerp. He was a regular collaborator with leading Antwerp painters such as Peter Paul Rubens, Anthony van Dyck and Jacob Jordaens.
Rembrandt Harmenszoon van Rijn, a Dutch Baroque painter and printmaker, was born on July 15, 1606, in Leiden, Netherlands, and died on October 4, 1669, in Amsterdam. He is celebrated as one of the greatest storytellers in art history, acclaimed for his adept portrayal of human emotions and dramatic narratives. Rembrandt's extensive oeuvre includes portraits, self-portraits, landscapes, genre scenes, allegorical, historical, and biblical themes, as well as animal studies. His artistry shined during the Dutch Golden Age, a period marked by cultural and scientific achievements in the Netherlands.
Rembrandt's education in art began around the age of 10 when he left the Latin School in Leiden to train as an artist. He apprenticed with artists like Jacob van Swanenburg and Pieter Lastman, mastering various aspects of painting. He opened his own studio in Leiden around 1624 or 1625, sharing it with his colleague Jan Lievens. By 1631, he had moved to Amsterdam, where he achieved significant success and trained many important Dutch painters.
Among Rembrandt's notable works are "The Anatomy Lesson of Dr. Nicolaes Tulp" (1632), "The Night Watch" (1642), and "The Syndics of the Amsterdam Drapers’ Guild" (1662). He was also renowned for his self-portraits, creating around 80 over his lifetime, more than any other artist until the 20th century. These self-portraits were not just artistic endeavors but also experiments with facial expressions and lighting effects. Additionally, Rembrandt was a master etcher, transforming etching from a reproductive technique into an art form.
Rembrandt's painting style is characterized by its dramatic use of light and shadow, known as chiaroscuro. His ability to depict materials realistically was unparalleled; his portrayal of metals and fabrics was so lifelike that they appeared to glow and be tangible. He was also known for his impasto technique, applying paint thickly to the canvas, adding a three-dimensional quality to his works.
Despite his artistic prowess, Rembrandt faced financial difficulties and personal tragedies throughout his life. He declared bankruptcy in 1656, a downfall attributed partly to his extensive collection of art objects and curiosities. His masterpieces, however, continued to garner appreciation and influence generations of artists that followed.
For collectors and experts in art and antiques, Rembrandt's works represent a pinnacle of artistic achievement in the Dutch Golden Age. His mastery in portraying the human condition and his innovative techniques in painting and etching make his works highly prized and influential in the art world.
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Johann Heiss was a German painter of the Baroque period.
Johann studied painting in Memmingen, went to Stuttgart in 1663 and was in the service of Eberhard III, Duke of Württemberg. In 1675, the art historian Joachim von Zandrart praised his work in his book The German Academy. After 1677, Heiss lived and worked in Augsburg. Johann Heiss painted pictures on historical, biblical and mythological subjects, worked in churches and monasteries, creating frescoes and allegorical themes.
Heiss's work can be seen in museums throughout Germany, as well as in the Louvre, the Kunsthistorisches Museum (Vienna), the Hermitage Museum, and the Milwaukee Art Museum.
