Paintings by newer masters — A532: Fine Art
Willem Koekkoek was a Dutch painter of the urban landscape.
Following in the family tradition, his father gave all four brothers their first art lessons. Willem also received training as an architect, but practiced that profession for only a short time. It did, however, leave a lasting influence on his choice of subject matter.
Willem Koekkoek was a Dutch painter of the urban landscape.
Following in the family tradition, his father gave all four brothers their first art lessons. Willem also received training as an architect, but practiced that profession for only a short time. It did, however, leave a lasting influence on his choice of subject matter.
Caspar Johann Nepomuk Scheuren is a German painter and illustrator.
After receiving an elementary art education from his painter father Egidius Scheuren, he studied landscape painting at the Düsseldorf Academy of Art, where he later became a professor.
Caspar Scheuren gradually developed an allegorical style of landscape painting, including motifs from stories and legends of the Rhine. He produced more than 300 oil paintings, 600 watercolors and 400 engravings.
Caspar Johann Nepomuk Scheuren is a German painter and illustrator.
After receiving an elementary art education from his painter father Egidius Scheuren, he studied landscape painting at the Düsseldorf Academy of Art, where he later became a professor.
Caspar Scheuren gradually developed an allegorical style of landscape painting, including motifs from stories and legends of the Rhine. He produced more than 300 oil paintings, 600 watercolors and 400 engravings.
Carl Morgenstern was a German landscape painter of the Romantic period. His father, Johann Friedrich Morgenstern, was an architectural and landscape painter, and Carl received painting and drawing lessons from him at a young age.
At the age of 21 Carl went to Munich and became a pupil of the landscape painter Carl Rottmann. After a three-year stay in Italy, he returned to Frankfurt am Main, where he established himself as an artist and was later appointed professor.
His paintings from the early period mainly show landscapes, which surprise with special light effects and earned him the nickname "Italianist". Despite his desire for artistic innovation, he later devoted himself mainly to repeating popular motifs in order to satisfy his patrons.
Some of his most important works are views of Frankfurt am Main and the city's surroundings, as well as landscapes from the Taunus and along the Rhine.
Hans Thoma was a German painter.
In spite of his studies under various masters, his art has little in common with modern ideas, and is formed partly by his early impressions of the simple idyllic life of his native district, partly by his sympathy with the early German masters, particularly with Albrecht Altdorfer and Lucas Cranach the Elder. In his love of the details of nature, in his precise drawing of outline, and in his predilection for local coloring, he has distinct affinities with the Pre-Raphaelites.
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Andreas Achenbach was a German landscape and seascape painter in the Romantic style. He is considered to be one of the founders of the Düsseldorf School.[citation needed] His brother, Oswald, was also a well known landscape painter. Together, based on their initials, they were known as the "Alpha and Omega" of landscape painters.
Andreas Achenbach was a German landscape and seascape painter in the Romantic style. He is considered to be one of the founders of the Düsseldorf School.[citation needed] His brother, Oswald, was also a well known landscape painter. Together, based on their initials, they were known as the "Alpha and Omega" of landscape painters.
Andreas Achenbach was a German landscape and seascape painter in the Romantic style. He is considered to be one of the founders of the Düsseldorf School.[citation needed] His brother, Oswald, was also a well known landscape painter. Together, based on their initials, they were known as the "Alpha and Omega" of landscape painters.
Eugen Gustav Dücker was a Baltic German painter, in the Romantic style, associated with the Düsseldorfer Malerschule.
Despite his career's roots in Germany, he spent much of his time in Estonia, where he painted idyllic landscapes of the sea and the countryside. He also made numerous trips to Holland, Belgium, France and Italy.
Eugen Gustav Dücker was a Baltic German painter, in the Romantic style, associated with the Düsseldorfer Malerschule.
Despite his career's roots in Germany, he spent much of his time in Estonia, where he painted idyllic landscapes of the sea and the countryside. He also made numerous trips to Holland, Belgium, France and Italy.