Alte Kunst, Antiquitäten, Schmuck & Luxusuhren
Carl Johann Arnold was a German painter, draftsman, and graphic artist.
He was the son and pupil of the designer and wallpaper maker, landscape and portrait painter, lithographer, and decorator Carl Heinrich Arnold (1793-1874).
He first studied at the Academy in Kassel and then went to Berlin. Carl Johann Arnold painted pictures of animals, canvases on historical events, and numerous portraits. In particular, he created many portraits of the German Emperor Wilhelm II, for which he was apparently appointed royal Prussian court painter. Arnold also produced drawings, etchings, and lithographs that were published in the popular magazines of the time.
Jeanne Bauck, full name Jeanna Maria Charlotta Bauck, was a Swedish-German artist.
She studied painting in Dresden and Düsseldorf with the best teachers of the time. Later in Munich, Jeanne met the artist Berthe Wegmann, who became her friend. The emancipated women painted portraits of each other and exhibited their work in the Paris Salon. In 1882 Bauck opened a school for women artists in Munich and along with teaching painted landscapes, children's portraits.
Wohl Gyula Benczúr was a Hungarian painter, recognized as a master of scenes from the history of his native Hungary.
He studied drawing with the Austrian historical painter Franz Heiling, and from 1861 he studied painting at the Royal Bavarian Academy in Munich. Later in his homeland he took up a professorship at the School of Painting.
Benczúr painted portraits of kings, aristocrats and other contemporaries, but his specialty remained large-scale historical paintings with a play of light and shadow. He also took on ancient and biblical themes, as well as genre-based group paintings of families in nature.
Emile André Boisseau was a French sculptor.
He studied sculpture at the École des Beaux-Arts under Dumont and Bonnacier and has exhibited regularly at the Salon since 1879. Boisseau worked with bronze, onyx and other materials, creating busts, group compositions on mythological and religious subjects. Boisseau was an officer of the Legion of Honor.
Hans Bol was a Flemish artist renowned for his miniature paintings and prints. Born in Mechelen, Bol was a pivotal figure in the transition from the world landscape tradition to a more realistic portrayal of nature. His early works as a 'water-verwer' offered affordable wall decorations but were susceptible to copying. This led him to create intricate miniatures on parchment, a medium less easily replicated.
Bol's influence on landscape art in the Low Countries is significant. His realistic landscapes, often featuring biblical scenes or daily life, showed a departure from imaginary landscapes, which was common at the time. This shift was partly due to the influence of Pieter Bruegel the Elder. Bol's completion of the Four Seasons series, initially started by Bruegel, established him as a master of landscape art, blending detailed observation with imaginative elements.
Notably, Bol's works are present in prestigious institutions such as the Metropolitan Museum of Art, where pieces like "The Prodigal Son" and various landscapes reflect his mastery of pen, ink, and wash. His artworks, like the "Landscape with a View of Antwerp," stand testament to his skill in capturing the essence of the Dutch landscape, influencing a generation of Dutch painters.
For collectors, auctioneers, and art connoisseurs, Hans Bol's legacy offers a glimpse into the evolution of landscape painting. His works not only adorned the homes of the affluent during his time but continue to be celebrated for their historical and artistic value.
To stay informed about sales and auction events featuring Hans Bol's masterpieces, sign up for updates. By subscribing, you will receive notifications only for new product sales and auction events related to this eminent artist, ensuring you don't miss the opportunity to own a piece of art history.
Hans Bol was a Flemish artist renowned for his miniature paintings and prints. Born in Mechelen, Bol was a pivotal figure in the transition from the world landscape tradition to a more realistic portrayal of nature. His early works as a 'water-verwer' offered affordable wall decorations but were susceptible to copying. This led him to create intricate miniatures on parchment, a medium less easily replicated.
Bol's influence on landscape art in the Low Countries is significant. His realistic landscapes, often featuring biblical scenes or daily life, showed a departure from imaginary landscapes, which was common at the time. This shift was partly due to the influence of Pieter Bruegel the Elder. Bol's completion of the Four Seasons series, initially started by Bruegel, established him as a master of landscape art, blending detailed observation with imaginative elements.
Notably, Bol's works are present in prestigious institutions such as the Metropolitan Museum of Art, where pieces like "The Prodigal Son" and various landscapes reflect his mastery of pen, ink, and wash. His artworks, like the "Landscape with a View of Antwerp," stand testament to his skill in capturing the essence of the Dutch landscape, influencing a generation of Dutch painters.
For collectors, auctioneers, and art connoisseurs, Hans Bol's legacy offers a glimpse into the evolution of landscape painting. His works not only adorned the homes of the affluent during his time but continue to be celebrated for their historical and artistic value.
To stay informed about sales and auction events featuring Hans Bol's masterpieces, sign up for updates. By subscribing, you will receive notifications only for new product sales and auction events related to this eminent artist, ensuring you don't miss the opportunity to own a piece of art history.
Hans Bol was a Flemish artist renowned for his miniature paintings and prints. Born in Mechelen, Bol was a pivotal figure in the transition from the world landscape tradition to a more realistic portrayal of nature. His early works as a 'water-verwer' offered affordable wall decorations but were susceptible to copying. This led him to create intricate miniatures on parchment, a medium less easily replicated.
Bol's influence on landscape art in the Low Countries is significant. His realistic landscapes, often featuring biblical scenes or daily life, showed a departure from imaginary landscapes, which was common at the time. This shift was partly due to the influence of Pieter Bruegel the Elder. Bol's completion of the Four Seasons series, initially started by Bruegel, established him as a master of landscape art, blending detailed observation with imaginative elements.
Notably, Bol's works are present in prestigious institutions such as the Metropolitan Museum of Art, where pieces like "The Prodigal Son" and various landscapes reflect his mastery of pen, ink, and wash. His artworks, like the "Landscape with a View of Antwerp," stand testament to his skill in capturing the essence of the Dutch landscape, influencing a generation of Dutch painters.
For collectors, auctioneers, and art connoisseurs, Hans Bol's legacy offers a glimpse into the evolution of landscape painting. His works not only adorned the homes of the affluent during his time but continue to be celebrated for their historical and artistic value.
To stay informed about sales and auction events featuring Hans Bol's masterpieces, sign up for updates. By subscribing, you will receive notifications only for new product sales and auction events related to this eminent artist, ensuring you don't miss the opportunity to own a piece of art history.
Karl Alexander Brendel was a German painter, son of the painter Albert Brendel.
He studied at the Académie Julian in Paris, was a member of the Prussian Academy of Arts in Rome, and worked as a professor at the State Academy of Fine Arts in Weimar. Brendel mainly drew animals and landscapes and illustrated children's books.
Paul Bücher was a German painter and stained glass artist.
He studied at the Düsseldorf School of Applied Art, then at the Düsseldorf Academy of Art, and was a member of the Malkasten Artists' Association.
Paul Bücher, as a painter of glass, created stained glass with figurative images, wall paintings and panels. Later he became involved in landscape painting, particularly of the Lower Rhine.
Louis Gustave Cambier is a Belgian painter-painter and sculptor, member of the Royal Academy of Fine Arts in Brussels.
Cambier studied at the Royal Academy of Fine Arts in Brussels and was a co-founder of the Brussels artists' group Le Labeur. During the First World War, he worked as a professor of sculpture at the Académie de Nice and one of his students was Henri Matisse.
Cambier painted landscapes, still lifes and genre scenes, as well as portraits of famous contemporaries, including, for example, a portrait of Winston Churchill.
Léon Emile Caille was a French genre painter who specialized in touching, sentimental scenes, often depicting mothers with children.
He graduated from the École des Beaux-Arts in Paris and became known and successful for his small, simple works about peasant life. Caillé romanticized rural life, and it was popular at the turn of the century, especially among the growing number of city dwellers who were already feeling nostalgic.
James Henry Charles was a British impressionist painter.
He studied at the Heatherley School of Fine Arts on Newman Street and at the Royal Academy School, and painted portraits and landscapes as well as genre scenes from life.
Eduard Adolf Daelen is a German artist, writer, and journalist.
He studied at the Düsseldorf Academy of Art and the Munich Academy of Fine Arts. Daelen was a member of the Malkasten Society of Artists (Malkasten) and was chairman of the local association Allgemeine Deutsche Kunstgenossenschaft. During World War I he took up drawing patriotic posters and war postcards.
Daelen also became known for the first biography of Wilhelm Busch, which he wrote in 1886. He also wrote art history articles that were published under pseudonyms in various newspapers.
Eduard Adolf Daelen is a German artist, writer, and journalist.
He studied at the Düsseldorf Academy of Art and the Munich Academy of Fine Arts. Daelen was a member of the Malkasten Society of Artists (Malkasten) and was chairman of the local association Allgemeine Deutsche Kunstgenossenschaft. During World War I he took up drawing patriotic posters and war postcards.
Daelen also became known for the first biography of Wilhelm Busch, which he wrote in 1886. He also wrote art history articles that were published under pseudonyms in various newspapers.
Karl Edvard Diriks was a Norwegian painter.
He is known for his naturalist outdoor paintings of clouds, rain squalls, snow flurry, storms and rough seas. He is represented with thirteen works in the National Gallery of Norway, in a number of other Norwegian galleries, and in galleries in France and Germany. He was decorated Knight, First Class of the Order of St. Olav, and Officer of the French Legion of Honour in 1920.
David Emile Joseph de Noter is a Belgian painter-painter.
His grandfather Peter-France de Noter and father Jean-Baptiste André de Noter were painters, and he received his first artistic education from them. David de Noter painted still lifes and genre paintings in which he carefully sketched out the smallest details.
The artist often traveled to French Algeria and exhibited in Parisian salons.
Marten de Vos (or Maarten de Vos, or Maerten de Vos) was a Dutch painter, draughtsman and graphic artist, dean of the Antwerp Guild.
After studying in Rome and Venice, de Vos returned to his native Antwerp in 1558 and became one of the city's leading artists. He created altarpiece images for many of Antwerp's churches. Many of his religious and historical paintings were later engraved, making him known throughout Flanders.
De Vos was also the founder of the Society of Romanists, whose members were famous artists and humanists of the time who appreciated the humanistic culture of Rome.
Paul Dom, born Paulus Ludovicus Carolus Dom, was a Belgian and Dutch painter and illustrator.
He studied at the Royal Academy of Fine Arts in Antwerp, lived in Belgium and the Netherlands, was granted Dutch citizenship in 1936 and lived in The Hague for the rest of his life.
Paul Dom was a versatile artist. He dabbled in drawing and painting and painted portraits, cityscapes and sketches, and genre scenes. At the same time he was a political cartoonist and illustrated books. Between 1917 and 1956 Dom illustrated hundreds of books, mostly for children.
Hendrick Doncker was a Dutch cartographer and publisher of nautical charts, atlases, and books.
An innovator among the first generation of Dutch cartographers, Doncker worked to produce modern nautical charts, which were valued by sailors and a wide audience for their accuracy and precision. Doncker promptly followed geographical discoveries and achieved success by constantly improving and updating old maps, which was a rarity at the time. His major work is the Zee-Atlas (nautical atlas), which was reprinted for 50 years.
Noel-Dieudonné Finart was a French painter and draftsman.
A painter of battle and war scenes, Finart carefully sketched the ammunition and equipment of foot soldiers and cavalry, depicting the historical events of Napoleon's campaigns in Russia and the Middle East. He also painted landscapes, portraits, and hunting scenes. Finart exhibited his work regularly at the Salon from 1822.
Albert Flamm was a German artist of the Düsseldorf school. He studied architecture at the Dusseldorf Academy of Art and in Antwerp. In 1841 he turned to painting and became a pupil of Andreas Achenbach. In 1848 Flamm became one of the founders of the Malkasten artists' association.
Albert Flamm painted mainly Italian landscapes, recognised for their truthfulness of nature, their vivid colours and their virtuosic treatments. He often chose an elevated viewing position to be able to create wide panoramic perspectives in warm, bright sunlight and with finely rendered detail.
Philips Galle was a Dutch publisher, best known for publishing old master prints, which he also produced as designer and engraver. He is especially known for his reproductive engravings of paintings.
As a resident of Antwerp, Galle witnessed numerous events of the Eighty Years War, notably the siege and looting of the town in 1576 by the Spaniards, called "The Spanish Fury". This rather personal book, which was translated in several languages soon after its first publication, shows Galle as a peace-loving person who intended to stay far away from the political and military turmoil of his era.