ANDRIES BOTH BARBIER UND LANDWIRTE, CA. 1635-1641 - photo 1
ANDRIES BOTH BARBIER UND LANDWIRTE, CA. 1635-1641 - photo 2
ANDRIES BOTH BARBIER UND LANDWIRTE, CA. 1635-1641 - photo 3

ANDRIES BOTH BARBIER UND LANDWIRTE, CA. 1635-1641

Sold
€ 15 000
Auction dateClassic
11.03.2023 10:00UTC +02:00
Auctioneer
Hargesheimer Kunstauktionen Düsseldorf
Event location
Germany, Düsseldorf
Archive
The auction is completed. No bids can be placed anymore.
Archive
ID 914575
Lot 2577 | ANDRIES BOTH BARBIER UND LANDWIRTE, CA. 1635-1641
ANDRIES BOTH 1611/12 Utrecht - 1642 Venice BARBER AND FARMER, CA. 1635-1641 Oil on copper. 18 x 22 cm (F. 29,5 x 33,5 cm). Lower left in the stone remains of the monogram: 'AB'. Min. old rest.,. Frame. Expertise: Statement by Ellis Dullaart of the RKD in The Hague dated 12 August 2016. Ellis Dullaart vom RKD in Den Haag bemerkt, dass neben der hier aufgeführten Arbeit zwei Ellis Dullaart of the RKD in The Hague notes that in addition to the work listed here, two other versions of this composition are documented. One, which is now in the art collection of the University of Göttingen, and another version which came up for auction in London on 7 July 1993 at Sotheby's auction house (Sale London, Sotheby's, 7 July 1993, lot 254). Ellis Dullaart further assumes that the painting is a late work by Andries Both, which was created between 1635 and 1641, during Both's stay in Rome. Dissertation Yale University 1978, Ausg. 1, S. 82f., Ausg. 2., S. 15f., Nr. A7. - L. Literature: - T. Kren, Jan Miel (1599-1664), A Flemish painter in Rome, dissertation Yale University 1978, ed. 1, p. 82f., ed. 2, p. 15f., no. A7. - L. Trezzani, L. Laureati & G. Briganti, The Bamboccianti: the painters of everyday life in seventeenth century Rome, Rome 1983, pp. 200, 202, ill. p. 211. - E. Mai (ed.), I Bamboccianti: Dutch painter rebels in Baroque Rome, Milan 1991, p. 132, no. 4.2 (with a coloured illustration of the Göttingen version). - B. Schnackenburg, 'The beginnings of Thomas Adriaensz. Wyck (c. 1620-1677) as draughtsman and painter', Oud Holland 106 (1992), p. 153, ill. - K. Weick-Joch, Kulturtransfer im Rom des 17. Jahrhunderts: die Malerei der Bamboccianti, Weimar 2015, p. 77, note 294 (with a colour illustration of the Göttingen version). des Werks an Andries Both sowie die Aufnahme dessen in die Datenbank des RKD als We sincerely thank Ellis Dullaart of the RKD in The Hague (Rijksbureau voor kunsthistorische Documentatie) for the extremely insightful analysis and the attribution of the work to Andries Both as well as the inclusion of it in the database of the RKD as an authentic work of Both (https://rkd.nl/en/explore/images/278064). Provenance: Rhenish private collection. Previously: Important old German private collection; Julius Böhler in Munich (1975).
ANDRIES BOTH 1611/12 Utrecht - 1642 Venedig BARBIER UND LANDWIRTE, CA. 1635-1641 Öl auf Kupfer. 18 x 22 cm (R. 29,5 x 33,5 cm). Links unten im Stein Reste des Monogramms: 'AB'. Min. altrest. Rahmen. Expertise: Stellungnahme von Ellis Dullaart vom RKD in Den Haag vom 12. August 2016. Ellis Dullaart vom RKD in Den Haag bemerkt, dass neben der hier aufgeführten Arbeit zwei weitere Versionen dieser Komposition dokumentiert sind. Eine, die sich heute in der Kunstsammlung der Universität in Göttingen befindet sowie eine weitere Version, die am 7 Juli 1993 in London, im Auktionshaus Sotheby's zum Aufruf kam (Sale London, Sotheby's, 7. July 1993, lot 254). Weiterhin vermutet Ellis Dullaart, dass das Gemälde ein Spätwerk Andries Boths ist, welches zwischen 1635 und 1641, während Boths Aufenthalt in Rom, entstand. Literatur: - T. Kren, Jan Miel (1599-1664), A Flemish painter in Rome, Dissertation Yale University 1978, Ausg. 1, S. 82f., Ausg. 2., S. 15f., Nr. A7. - L. Trezzani, L. Laureati & G. Briganti, The Bamboccianti: the painters of everyday life in seventeenth century Rome, Rom 1983, S. 200, 202, Abb. S. 211. - E. Mai (ed.), I Bamboccianti: Niederländische Malerrebellen im Rom des Barock, Milan 1991, S. 132, Nr. 4.2 (mit einer farbigen Abbildung der Göttinger Version). - B. Schnackenburg, 'Die Anfänge von Thomas Adriaensz. Wyck (um 1620-1677) als Zeichner und Maler', Oud Holland 106 (1992), S. 153, Abb. - K. Weick-Joch, Kulturtransfer im Rom des 17. Jahrhunderts: die Malerei der Bamboccianti, Weimar 2015, S. 77, Anm. 294 (mit einer farbigen Abbildung der Göttinger Version). Herzlich danken wir Ellis Dullaart vom RKD in Den Haag (Rijksbureau voor kunsthistorische Documentatie) für die äußerst aufschlussreiche Analyse und der Zuweisung des Werks an Andries Both sowie die Aufnahme dessen in die Datenbank des RKD als authentisches Arbeit Boths (https://rkd.nl/en/explore/images/278064). Provenienz: Rheinische Privatsammlung. Zuvor: Bedeutende altdeutsche Privatsammlung; Julius Böhler in München (1975).
Auction house category:Old Master Paintings
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