ANTOINE WATTEAU (ATTR.) LE AMAND REPUSSE (DER ABGEWIESENE LIEBHABER) - photo 1
ANTOINE WATTEAU (ATTR.) LE AMAND REPUSSE (DER ABGEWIESENE LIEBHABER) - photo 2
ANTOINE WATTEAU (ATTR.) LE AMAND REPUSSE (DER ABGEWIESENE LIEBHABER) - photo 3

ANTOINE WATTEAU (ATTR.) LE AMAND REPUSSE (DER ABGEWIESENE LIEBHABER)

Sold
€ 12 000
Auction dateClassic
11.03.2023 10:00UTC +02:00
Auctioneer
Hargesheimer Kunstauktionen Düsseldorf
Event location
Germany, Düsseldorf
Archive
The auction is completed. No bids can be placed anymore.
Archive
ID 914690
Lot 2689 | ANTOINE WATTEAU (ATTR.) LE AMAND REPUSSE (DER ABGEWIESENE LIEBHABER)
ANTOINE WATTEAU (ATTR.) October 10th, 1684 Valenciennes - July 18th, 1721 Nogent-sur-Marne LE AMAND REPUSSE - THE REJECTED LOVER Oil on canvas (relined). 64 cm x 77 cm (F. 77 cm x 93 cm). Part. slightly old restored. Frame. The painting has been considered lost for ages. How Sunderland mentions in his 1968 catalog raisonné 'The complete paintings of Watteau' the painting (from which the print has been made) appears to have come on the Paris market about 1945. According to Mariette, the engraving belongs to the work was engraved by Mercier (Vatteau Pinxit) and published about 1724, not even for the oeuvre gravé. There are three versions of preliminary studies well known: a study of the man on the right, the seated lady in the center of the composition and a study of the musician. Literature: Concourt 1875 (no.101). Dacier 1923 (no.308). L. Reau 1925 (no.134). John Sunderland (1968) (no.111). Provenance: Rhenish private Collection. Provenienz: Provenienz: Rheinische Privatsammlung.
ANTOINE WATTEAU (ATTR.) 10.Oktober 1684 Valenciennes - 18. Juli 1721 Nogent-sur-Marne LE AMAND REPUSSE (DER ABGEWIESENE LIEBHABER) Öl auf Leinwand (doubl.). 64 cm x 77 cm (R. 77 cm x 93 cm).. Part. leicht altrest. Rahmen. Das Gemälde galt lange Zeit als verschollen. Wie Sunderland in seinem 1968 erschienen Werkverzeichnis 'The complete paintings of Watteau' erwähnt, scheint das Gemälde 1945 auf den Pariser Kunstmarkt gekommen zu sein. Laut Mariette, erschien die 'Gravur' zu dem Werk bereits 1724 und wurde von Mercier gestochen (Vatteau Pinxit), jedoch nicht für das Oeuvre gravé. Es gibt insgesamt drei bekannte Vorstudien Watteaus zu dem Gemälde: eine Studie zu dem stehenden Mann rechts, weiterhin zu der sitzenden Dame im Bildzentrum sowie eine Studie zu dem Musiker. Literatur: Concourt 1875 (Nr. 101). Dacier 1923 (Nr. 308). L. Reau 1925 (Nr. 134). John Sunderland 1986 (Nr. 111). Provenienz: Provenienz: Rheinische Privatsammlung.
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