BARTOLOMEO PASSAROTTI (BOLOGNA 1529-1592 ROME) - photo 1

BARTOLOMEO PASSAROTTI (BOLOGNA 1529-1592 ROME)

Starting price
$ 20 000
Auction dateClassic
27.01.2022 10:00UTC -04:00
Auctioneer
CHRISTIE'S
Event location
USA, New York
Archive
The auction is completed. No bids can be placed anymore.
Archive
ID 696491
Lot 93 | BARTOLOMEO PASSAROTTI (BOLOGNA 1529-1592 ROME)
BARTOLOMEO PASSAROTTI (BOLOGNA 1529-1592 ROME)

The head of the Virgin with the Annunciation

signed ‘BPassarotto. F.’ (‘BP’ in ligature) (lower right)

pen and brown ink, gray wash (added later)

18 x 14 1⁄2 in. (46 cm x 36.5 cm)







Provenance

Egnazio Danti (1536-1586), Rome.

Probably Canons Regular of S. Salvatore, Bologna.

Probably Dominco Grossi, Bologna.

August Grahl (1791-1868), Dresden (L. 1199).

Felix Becker (1864-1928), Leipzig.

with R.E.A. Wilson, London (Catalogue of Drawings by Old Masters and Modern Artists, 1934, no. 103, ill.)

Anonymous sale; Sotheby’s, London, 25 March 1965, lot 59.

Anonymous sale; Christie’s, New York, 30 January 1997, lot 14.





Literature

V. Borghini, Il Riposo, Florence 1584, p. 566.

C. C. Malvasia, Felsina pittrice, Bologna, 1678, II, p. 245.

A. Bolognini-Amorini, Vite dei pittori ed artefici bolognesi, Bologna, 1841-1845, I, p. 92.

F. Becker, Handzeichnungen alter Meister in Privatsammlungen. Fünfzig bisher nicht veröffentliche Originalzeichnungen des XV. bis XVIII Jahrhunderts, Leipzig, 1922, p. 13, ill.

Dizionario enciclopedico Bolaffi dei pittori e degli incisori italiani dall’XI al XX secolo, Turin, 1975, VIII, p. 362.

M. Fanti, ‘Spigolature d’archivio per la storia dell’arte a Bologna’, Il Carrobbio, IV, 1978, pp. 193-194.

M. Daly Davis, ‘Beyond the ‘Primo Libro’ of Vincenzo Dati’s Trattato delle Perfette Proporzioni’, Mitteilungen des Kunsthistorischen Institutes in Florenz, XXVI, 1982, no. 1, p. 83, n. 101.

S. Brink, ‘Fra Egnazio Danti, das Programm der Sala Vecchia degli Svizzeri im Vatikan und C. Ripas Iconologia’, Mitteilungen des Kunsthistorischen Institutes in Florenz, XXVII, 1983, no. 2, pp. 240-241.

C. Höper, Bartolomeo Passarotti (1529-1592), Worms, 1987, II, no. Z186.

A. Ghirardi, Bartolomeo Passerotti pittore (1529-1592). Catalogo generale, Rimini, 1990, no. 55b, ill.

F. A. den Broeder, Old Master Drawings from the Collection of Joseph F. McCrindle, exhib. cat., Princeton, Princeton University Art Museum, and elsewhere, 1991-1992, p. 46, under no. 14, ill.

B. Bohn, ‘Felsina collezionista. The creation of finished drawings in Sixteenth Century Bologna’, Studi di Storia dell’Arte, V-VI, 1994-1995, p. 195.

S. Tumidei, ‘Alessandro Menganti e le arti a Bologna nella seconda metà del Cinquecento. Alla ricerca di un contesto,’ in Il Michelangelo incognito. Alessandro Menganti e le arti a Bologna nell’età della Controriforma, exhib. cat., Bologna, Museo civico medievale, 2002, p. 102.

F. Francesca, ‘Danti Edits Vignola. The Formation of a Modern Classic on Perspective’, in The Treatise on Perspective. Published and Unpublished. Papers Presented at the First Kress-Murphy Symposium Held at the National Gallery of Art, Washington, D.C., and New Haven, 2003, p. 142.

A. Ghirardi, ‘Sotto il segno del Vignola. Bartolomeo Passerotti e Egnazio Danti a Bologna’, in La percezione e la rappresentazione dello spazio a Bologna e in Romagna nel Rinascimento fra teoria e prassi, Bologna, 2007, pp. 127-130, ill.

L. Giles in Italian Master Drawings from the Princeton University Art Museum, Princeton, 2014, p. 105, under no. 43, ill.





Exhibited

Princeton, Princeton University Art Museum, 500 Years of Italian Master Drawings from the Princeton University Art Museum, 2014 (no catalogue).
Address of auction CHRISTIE'S
20 Rockefeller Plaza
10020 New York
USA
Preview
27.01.2022 – 27.01.2022
Phone +1 212 636 2000
Fax +1 212 636 4930
Email
4FQ.AYGKAGLUQ@FO3G@
Conditions of purchaseConditions of purchase
Shipping Postal service
Courier service
pickup by yourself
Payment methods Wire Transfer
Business hoursBusiness hours
Mo 09:30 – 17:00   
Tu 09:30 – 17:00   
We 09:30 – 17:00   
Th 09:30 – 17:00   
Fr 09:30 – 17:00   
Sa closed
Su closed

Frequently asked questions

First of all, you should register to be able to purchase at auction. After confirming your email address, enter your personal information in your user profile, such as your first name, last name, and mail address. Choose a lot from the upcoming auction and the maximum amount you want to place on it. After confirmation of your choice, we will send your application by e-mail to the appropriate auction house. If the auction house accepts a request, it will participate in the auction. You can view the current status of a bid at any time in your personal account in the "Bids" section.
Auctions are performed by auction houses and each of the auction houses describes their terms of auction. You can see the texts in the section "Auction information".
The results of the auction are published within a few days after the end of the auction. In the top menu of the site, find the tab "Auctions". Click on it and you will be on the auction catalog page, where you can easily find the category "Results". After opening it, select the desired auction from the list, enter and view the current status of the interested lot.
The information about the auction winners is confidential. The auction winner will receive a direct notification from the auction house responsible with instructions for further action: an invoice for payment and the manner in which the goods will be received.
Each of the auction houses has its own payment policy for the won lots. All auction houses accept bank transfers, most of them accept credit card payments. In the near future you will find detailed information for each case in the section "Auction information" on the page of the auction catalog and the lot.
Shipment of the won lot depends on its size. Small items can be delivered by post. Larger lots are sent by courier. Employees of the auction houses will offer you a wide range to choose from.
No. The archive serves as a reference for the study of auction prices, photographs and descriptions of works of art.