ID 1051783
Lot 436 | Charles Angrand (1854-1926)
Estimate value
€ 25 000 – 35 000
Le Bon Samaritain
signé et daté ‘CH. ANGRAND – 95’ (en bas à gauche)
crayon Conté sur papier
94.4 x 69.5 cm.
Exécuté en 1895
signed and dated 'CH. ANGRAND - 95' (lower left)
Conté crayon on paper
37 ¼ x 27 3⁄8 in.
Executed in 1895
Provenance
Atelier de l’artiste.
Pierre Angrand, Paris (par descendance et jusqu’à au moins 1965).
Galerie Nicolas Poussin, Paris.
Sam Josefowitz, Pully (acquis auprès de celui-ci le 15 mars 1981).
Puis par descendance aux propriétaires actuels.
Literature
F. Lespinasse, L'École de Rouen, Sotteville-lès-Rouen, 1980, p. 35 (illustré).
F. Lespinasse, Rétrospective Charles Angrand, Rouen, 1982, p. 47 (illustré).
Exhibited
Paris, Palais des Arts Libéraux, 11ème Exposition, Salon des Indépendants, avril-mai 1895, p. 15, no. 41.
Paris, Galerie Le Barc de Boutteville, 10ème Exposition des peintres impressionnistes et symbolistes, septembre 1895, no. 1.
Paris, Grand Palais, Les Premiers Indépendants 1884-1894, avril-mai 1965, no. 7.
Dieppe, Chateaux-Musée de Dieppe, Charles Angrand, juin-septembre 1976, p. 41, no. 19.
Amsterdam, Rijksmuseum Vincent Van Gogh, Neo-Impressionisten, Seurat tot Struycken, mai-août 1988, p. 61, no. 18 (illustré).
Rouen, Musée des Beaux-Arts, L’École de Rouen, De l'impressionnisme à Marcel Duchamp, 1878-1914, avril-juillet 1996, p. 175, no. 71 (illustré).
Cologne, Wallraf-Richartz Museum et Lausanne, Fondation de l'Hermitage, Pointillisme, Sur les traces de Georges Seurat, septembre 1997-juin 1998, p. 247, no. 9 (illustré, pl. 9).
Pontoise, Musée de Pontoise, Charles Angrand, avril-juillet 2006, p. 104, no. 23 (illustré, p. 61).
Washington, D. C., The Phillips Collection, Neo-Impressionism and the Dream of Realities, Painting, Poetry, Music, septembre 2014-janvier 2015, p. 35 et 177, no. 33 (illustré en couleurs).
Further details
« Angrand – Ses dessins sont des chefs-d’œuvre.
Il est impossible d’imaginer plus belle disposition de blanc et de noir, plus somptueuses arabesques. Ce sont les plus beaux dessins de peintre qui soient, des poèmes de lumière, bien combinés, bien exécutés, tout à fait réussis. »
Paul Signac dans Charles Angrand, cat. exp., Pontoise, Musée de Pontoise, 2006, p. 33.
“Angrand – His drawings are masterpieces. It's impossible to imagine a more beautiful arrangement of black and white,
and more sumptuous arabesques. These are the most beautiful drawings from a painter that could exist, poems of light, well combined, well executed, completely successful.”
Paul Signac in Charles Angrand, cat. exp., Pontoise, Musée de Pontoise, 2006, p. 33
Artist: | Charles Angrand (1854 - 1926) |
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Applied technique: | Crayon |
Medium: | Acrylic glass, Plastic |
Artist: | Charles Angrand (1854 - 1926) |
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Applied technique: | Crayon |
Medium: | Acrylic glass, Plastic |
Address of auction |
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