FEINE UND GROSSE IKONE MIT DER GOTTESMUTTER DES ZEICHENS (ZNAMENIE-SERAFIMO-PONETAEVSKAJA) - photo 1

FEINE UND GROSSE IKONE MIT DER GOTTESMUTTER DES ZEICHENS (ZNAMENIE-SERAFIMO-PONETAEVSKAJA)

Lot 1464
15.11.2024 10:00UTC +01:00
Classic
Sold
€ 12 000
AuctioneerHargesheimer Kunstauktionen Düsseldorf
Event locationGermany, Düsseldorf
Buyer Premium28.56%
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ID 1314443
Lot 1464 | FEINE UND GROSSE IKONE MIT DER GOTTESMUTTER DES ZEICHENS (ZNAMENIE-SERAFIMO-PONETAEVSKAJA)
Estimate value
€ 12 000 – 24 000
A LARGE AND FINE ICON SHOWING THE MOTHER OF GOD OF THE SIGN (ZNAMENIE-SERAFIMO-PONETAEVSKAYA) Russian, after 1885 Oil on wood panel. Finely executed against a golden background. The borders ornately incised and painted in faux enameling. Minor losses. 36.5 x 31.3 cm (without frame). The name of the icon originates from the Serafimo-Ponetaevskaya Convent, founded in 1864 in memory of Saint Serafim (1754/9 - 1833), whose hermitage was located near Sarov. The convent was renowned for its icon painting workshops, and in 1879, a novice named Klavdia Voiloshnikovna created a copy of an icon of the Sign, which had originally been acquired from the artist Pavel Sorokin, the head of the painting studio. Voiloshnikovna's copy featured unique characteristics in addition to the canonical elements of Sign icons-the half-length depiction of the Mother of God with her hands raised in prayer and the Christ Child encircled by a nimbus. Particularly striking are the Mother of God's eyes, which are lifted towards heaven. On May 14, 1885, the icon performed the first of many miracles, and by the end of that year, it was officially declared miracle-working by the Holy Synod.

FEINE UND GROSSE IKONE MIT DER GOTTESMUTTER DES ZEICHENS (ZNAMENIE-SERAFIMO-PONETAEVSKAJA) Russland, nach 1885 Holztafel. Ölmalerei auf Kreidegrund, Goldgrund ornamental punziert und graviert. 36,5 x 31,3 cm (ohne Rahmen). Der Name der Ikone stammt vom Serafimo-Ponetaevskaja-Kloster, das 1864 zum Gedenken an den heiligen Serafim (1754/9 - 1833) gegründet wurde, dessen Einsiedelei in der Nähe von Sarow lag. Das Kloster war bekannt für seine Ikonenmalerei-Werkstätten, und 1879 fertigte eine Novizin namens Klavdia Voiloshnikovna eine Kopie einer Ikone des Zeichens an, die ursprünglich von dem Künstler Pavel Sorokin, dem Leiter des Malateliers, erworben wurde. Voiloshnikovnas Kopie wies neben den kanonischen Merkmalen der Zeichen-Ikonen - der halbfigurigen Darstellung der Gottesmutter mit zum Gebet erhobenen Händen und dem in einem Nimbus eingeschlossenen Christuskind - auch einzigartige Merkmale auf. Besonders auffällig sind die nach oben zum Himmel gerichteten Augen der Gottesmutter. Am 14. Mai 1885 vollbrachte die Ikone das erste von vielen Wundern, und noch im selben Jahr wurde sie vom Heiligen Synod offiziell als wundertätig anerkannt. Min. Farbabsplitterungen.

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Auction house category:Russian and Greek icons
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