GERHARD RICHTER (B. 1932)

Lot 8
10.05.2022 19:00UTC -05:00
Classic
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$ 36 500 000
AuctioneerCHRISTIE'S
Event locationUSA, New York
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ID 753524
Lot 8 | GERHARD RICHTER (B. 1932)
GERHARD RICHTER (B. 1932)Abstraktes Bildsigned, inscribed and dated ‘809-4 Richter 1994’ (on the reverse)oil on canvas88 5⁄8 x 78 3⁄4 in. (225 x 200 cm.)Painted in 1994. Provenance Anthony d'Offay Gallery, London Ulla and Heiner Pietzsch Collection, Berlin Their sale; Sotheby's, New York, 14 November 2001, lot 31 Eric Clapton, United Kingdom His sale; Sotheby’s, London, 12 October 2012, lot 15Acquired at the above sale by the present owner Literature Gerhard Richter, exh. cat., London, Anthony d’Offay Gallery, 1998, p. 89 (illustrated).A. Zweite, Gerhard Richter: Catalogue Raisonné 1993-2004, Düsseldorf, 2005, p. 271, no. 809-4(illustrated).M. Thibaut, "Eric Clapton trennt sich von Gerhard Richter," Handelsblatt, 28-30 September, 2012, p. 68 (illustrated).S. Lux, "Kampf um Richter,“ Die Zeit, 4 October 2012, p. 62.“Eyewitness 8.10.2012 London,” The Guardian, 8 October 2012, pp. 20-21 (illustrated).C. Vogel, “Richter Painting Sets Record for a Living Artist,” New York Times, 16 October 2012, p. C3 (illustrated).M. Thibaut, “Mit Vernunft und Zurückhaltung," Handelsblatt, 19-21 October 2012, p. 76.A. Reimbers, "Am liebsten unkompliziert und vielversprechend,“ Frankfurter Allgemeine Zeitung, 20 October 2012, p. 39 (illustrated).G. Waser, "Gerhard Richter ohne Konkurrenz, Neue Zürcher Zeitung, 20 October 2012, p. 19(illustrated).G. Czöppan, "Die Revolution der Bilder," Focus, 5 November 2012, p. 167 (illustrated).S. Koldehoff, "Höhe + Breite mal 10 = DM, Die Zeit, 22 November 2012, p. 66.N. N, "Das Millardengeschäft," Der Spiegel, 3 December 2012, p. 149 (illustrated).J. Tully, "And Then There Was One, Art + Auction, December 2012, p. 81 (illustrated).R. Gropp, “Eric Clapton. Glückliches Slowhändchen," Z-Die schönen Seiten, Frankfurter Allgemeine Zeitung / Neue Zürcher Zeitung am Sonntag, December 2012, p. 50 (illustrated).J. Higgens, "Gerhard Richter," 21st Century Portraits, exh. cat., London, National Portrait Gallery, 2013, p. 218.Art+, February 2013, p. 142 (illustrated).R. Kraeussl, “Calibrating the Richter Scale,” Art + Auction, March 2013, p. 139 (illustrated).L. Delubac, “Marché, de l’art : les tendances de 2013, Beaux Arts Magazine, May 2013, p. 134(illustrated).Dries Van Noten: Inspirations, exh. cat., Musée des Arts Décoratifs, Paris, 2014, p. 230 (illustrated).T. Wagner, "Gerhard Richter für Anfänger und Fortgeschrittene, art spezial: Gerhard Richter Der Über-Maler, 2013, pp. 35 (illustrated).C. Herchenröder, "Futter für einen florierenden Markt," art spezial: Gerhard Richter Der Über-Maler, 2014, pp. 107-108 (illustrated)S. Moore, "Art Market," Apollo, November 2016, p. 80.W. Ullrich, “Bilder für alle," art: Das Kunstmagazin, January 2017, pp. 68-69 (illustrated).K. Arnold and J. E. Kaufman, “Market Perspective,” Luxury Magazine, spring 2017, p. 225.D. Elger, Gerhard Richter Catalogue Raisonné, Volume 5 1994-2006, Berlin, 2019, no. 809-4, pp. 74-75 (illustrated). Exhibited London, Anthony d'Offay Gallery, Gerhard Richter: Painting in the Nineties, June-August 1995, pp. 51 and 85, no. 18 (illustrated). Moscow, Manezh Moscow State Exhibition Hall, Art of Our Time: Contemporary Art from a Private Collection in Berlin, September-October 1997, p. 74, no. 45 (illustrated). Dresden, Residenzschloss, Dalí, Miró, Picasso... Ulla and Heiner Pietzsch Collection, January-August 2000. Special Notice On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. Where Christie's has provided a Minimum Price Guarantee it is at risk of making a loss, which can be significant, if the lot fails to sell. Christie's therefore sometimes chooses to share that risk with a third party. In such cases the third party agrees prior to the auction to place an irrevocable written bid on the lot. The third party is therefore committed to bidding on the lot and, even if there are no other bids, buying the lot at the level of the written bid unless there are any higher bids. In doing so, the third party takes on all or part of the risk of the lot not being sold. If the lot is not sold, the third party may incur a loss. The third party will be remunerated in exchange for accepting this risk based on a fixed fee if the third party is the successful bidder or on the final hammer price in the event that the third party is not the successful bidder. The third party may also bid for the lot above the written bid. 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