HUGNET, Georges (1906-1974) et Louis MARCOUSSIS (1878-1941) - photo 1

HUGNET, Georges (1906-1974) et Louis MARCOUSSIS (1878-1941)

Lot 97
21.03.2024 13:00UTC +01:00
Classic
Sold
€ 1 890
AuctioneerCHRISTIE'S
Event locationFrance, Paris
Archive
The auction is completed. No bids can be placed anymore.
Archive
ID 1173142
Lot 97 | HUGNET, Georges (1906-1974) et Louis MARCOUSSIS (1878-1941)
Estimate value
€ 2 000 – 3 000
HUGNET, Georges (1906-1974) et Louis MARCOUSSIS (1878-1941)
La Belle en dormant. Paris : Éditions des Cahiers Libres, 1933.
Précieux exemplaire d’auteur, sur Japon ancien, avec l’eau-forte originale de Marcoussis.
La Belle en dormant, recueil de 38 poèmes, est dédié par Hugnet à son amie Marcelle Ferry, dite Lila, elle-même poète. L'eau-forte de Marcoussis, l’un de ses chefs-d’œuvre gravés, est en troisième état dans ce livre. Au premier et deuxième état, le personnage féminin était un hermaphrodite, et un portrait de Hugnet figurait en marge du cuivre plus grand . Cette gravure semble avoir été initialement destinée à Enfances -mais l’ouvrage ne parut qu’en 1934, avec des gravures de Miró.
Millet, 51 (pour le frontispice de Marcoussis).

In-8 (192 x 145 mm), broché, non rogné, sous couverture rempliée. Édition originale. Exemplaire sur Japon ancien, « pour Georges Hugnet ». La justification annonce 10 exemplaires sur ce papier. En frontispice, 1 eau-forte originale de Louis Marcoussis, réservée aux exemplaires de tête sur Japon. Rousseurs minimes au faux-titre.
On joint :
1) Le bulletin de souscription, 140 x 210 mm ;
2) Le très rare catalogue, 8 pp. petit in-8 (132 x 102 mm), des "Éditions de la Montagne",1930, établi par Georges Hugnet.
Emboîtage de Jean-Luc Honegger en demi-maroquin noir à bande.
Provenance : Georges Hugnet (exemplaire nominatif) – Julien Bogousslavsky (né en 1955 ; ex-libris ; sa vente, Christie’s Paris, 23 mai 2006, lot n°59).

Pristine author’s copy, printed for Georges Hugnet, one of the 10 on Ancient Japan and the only ones containing the original etching by Marcoussis, used as the book’s frontispiece.
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