Indian Hospitality—Conversing by Signs

Lot 145
26.05.2022 10:00UTC -05:00
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$ 302 400
AuctioneerCHRISTIE'S
Event locationUSA, New York
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ID 752886
Lot 145 | Indian Hospitality—Conversing by Signs
Estimate value
$ 30 000 – 50 000
Indian Hospitality—Conversing by SignsAlfred Jacob Miller, c.1837ALFRED JACOB MILLER (1810-1874).Indian Hospitality—Conversing by Signsinscribed '40' (upper left)watercolor, gouache and pencil on paper laid down on board7 1⁄2 x 8 in. (19.1 x 20.3 cm.)Executed circa 1837.Provenance:The artist. Sir William Drummond Stewart, acquired from the above, circa 1839. Frank Nichols, by descent from the above. Sale: Chapman's, Edinburgh, Scotland, 16-17 June, 1871, sold by the above. Bonamy Mansell Power. Edward Power, bequest from the above, 1900. Major G.H. Power, Great Yarmouth, England, by decent. Parke-Bernet Galleries, New York, 6 May 1966, lot 10, sold by the above. Carl S. Dentzel, California, by 1982. Gerald Peters Gallery, Santa Fe, New Mexico, sold by the above. Private collection, South Dakota, acquired from the above, 1996. Sotheby's, New York, 8 April 2011, lot 148, sold by the above. Acquired by the late owner from the above.Exhibited:Denver, Colorado, Denver Art Museum, April 15-24, 1966. Los Angeles, California, Los Angeles County Museum of Art, The American West: Painters from Catlin to Russell, March 21-May 28, 1972, no. 9, pl. 27, illustrated. Seattle, Washington, Seattle Art Museum, Lewis and Clark's America: A Voyage of Discovery, July 15-September 26, 1976, p. 31, no. 61, illustrated (as Indian and White Man Conversing in Sign Talk). Baltimore, Maryland, Walters Art Gallery; Fort Worth, Texas, Amon Carter Museum of American Art; Cody, Wyoming, Buffalo Bill Center of the West, Alfred Jacob Miller: Artist on the Oregon Trail, October 16, 1981-September 30, 1982, pp. 58, 342, no. 417A, pl. 106, illustrated. Santa Fe, New Mexico, Gerald Peters Gallery; New York, Gerald Peters Gallery, Alfred Jacob Miller, Artist as Explorer: First Views of the American Frontier, September 1999-January 2000, pp. 174-75, pl. 59, illustrated. Fort Worth, Texas, Amon Carter Museum of American Art; Omaha, Nebraska, Joslyn Art Museum, Sentimental Journey: The Art of Alfred Jacob Miller, September 20, 2008-May 10, 2009, p. 79 n23.Literature:"Sale of Pictures from Murthly Castle", Scotsman, June 17, 1871, p. 2. "Sale of Antique Furniture and Tapestry from Murthly Castle", Scotsman, June 17, 1871, p. 2. Murthly Castle Estate Sale Notices, (Mr. Chapman's sale advertisement), Scotsman, June 19, 1871, p. 8. A.R. Hodge, Ecology and Ethnogenesis: An Environmental History of the Wind River Shoshones, 1000-1868, Lincoln, Nebraska, 2019, p. 191.The present work was probably executed in 1837, when Alfred Jacob Miller joined Sir William Drummond Stewart on an expedition through the American West, a journey that concluded at the annual rendezvous of fur trappers and traders in present-day Wyoming. Here he encountered the Snake Indians who became the subject of dozens of sketches that were later executed in final versions upon the artist's return to his New Orleans studio. Ron Tyler writes of the present work, "This sketch, which represents a Snake Indian family entertaining a trapper in their lodge, might be a self-portrait of a kind, since Miller, too, was included in such an entertainment...'We sat by the trapper at the feast who eat [sic] our share, seemed to enjoy it,' said Miller, 'and the etiquette appeared satisfactory to our hosts, in every respect.'" (Alfred Jacob Miller: Artist on the Oregon Trail, exhibition catalogue, Fort Worth, Texas, 1982, n.p.) According to Carol Clark, "Women and domestic life form a large subject group of Miller's watercolors, for to him these women represented the idyllic side of Indian life...The artist was impressed by the Indian woman's strength, especially her ability to bear and raise children in the wilderness. Miller painted women raising cradle boards proudly to display their offspring for the visitors, as in Indian Hospitality—Conversing by Signs..." (Alfred Jacob Miller: Artist on the Oregon Trail, p. 58)
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