JASPER JOHNS (B. 1930) - photo 1

JASPER JOHNS (B. 1930)

Lot 29
09.11.2022 19:00UTC -05:00
Classic
Starting price
$ 3 000 000
AuctioneerCHRISTIE'S
Event locationUSA, New York
Archive
The auction is completed. No bids can be placed anymore.
Archive
ID 838944
Lot 29 | JASPER JOHNS (B. 1930)
Estimate value
$ 3 000 000 – 5 000 000
JASPER JOHNS (B. 1930)

Map

encaustic on printed paper mounted on Masonite

8 1/2 x 11 in. (21.6 x 27.9 cm.)

Executed in 1960





Provenance

Robert Rauschenberg, New York (gift from the artist, 1960).

Robert Rauschenberg Foundation, New York (acquired from the above, 1999).

Acquired from the above by the late owner, 2013.



Literature

M. Kozloff, Jasper Johns, New York, 1969 (illustrated, pl. 59).

L. Alloway, “Jasper Johns and Robert Rauschenberg” in Art Since Mid-Century: The New Internationalism, Greenwich, 1971, vol. 2, pp. 201-216.

Jasper Johns, exh. cat., Whitney Museum of American Art, New York, 1977 (illustrated, p. 45).

4 Artists and the Map: Image/Process/Data/Place; Jasper Johns, Nancy Graves, Roger Welch, Richard Long, exh. cat., Spencer Museum of Art, University of Kansas, Lawrence, 1981, pp. 5-18 (illustrated, p. 8).

R. Bernstein, Jasper Johns' Paintings and Sculptures, 1954-1974: "The Changing Focus of the Eye," Ann Arbor, 1965, p. 27.

J. Yau, A Thing Among Things: The Art of Jasper Johns, New York, 2008, p. 53 (illustrated in color, p. 52, fig. IV).

D. Wood, J. Fels and J. Krygier, Rethinking the Power of Maps, New York, 2010, p. 201.

R. Bernstein, Jasper Johns: Catalogue Raisonné of Painting and Sculpture, 1965-1970, New York and New Haven, 2017, vol. 2, p. 170 (illustrated in color, p. 171, no. P85).

R. Bernstein, Jasper Johns: Catalogue Raisonné of Painting and Sculpture, 1954-1970, New York and New Haven, 2017, vol. 5 (illustrated in color, p. 122, no. P85).

Jasper Johns: "Something Resembling Truth," exh. cat., London, 2017, p. 244.



Exhibited

New York, Jewish Museum, Jasper Johns, February-April 1964, p. 28, no. 50.

Pasadena Art Museum, Jasper Johns, January-February 1965, no. 45.

New York, Gagosian Gallery, Jasper Johns: The Maps, February-March 1989, p. 10 (illustrated in color, p. 11).

London, Royal Academy of Arts; Cologne, Museum Ludwig; Madrid, Centro de Arte Reina Sofía and Montreal Museum of Fine Arts, Pop Art, September 1991-January 1993, no. 122 (London: illustrated in color, p. 312, pl. 13; Cologne: illustrated in color, pl. 17; Madrid: illustrated in color, p. 64).

Musée des Beaux-Arts de Montréal, Pop Art, October 1992-January 1993, no. 76 (illustrated in color, p. 70, fig. 12).

Art Institute of Chicago and New York, The Metropolitan Museum of Art, Jasper Johns: Gray, November 2007-May 2008, p. 320 (illustrated in color, pl. 38).

Institut Valencià d'Art Modern, Jasper Johns: Las huellas de la memoria, February-April 2011, p. 257 (illustrated in color, p. 79).

New York, Gagosian Gallery, The Private Collection of Robert Rauschenberg, November-December 2011, p. 368 (illustrated in color, p. 183; illustrated in color in situ, pp. 345, 347 and 363).

Paris, Gagosian Gallery, Micro Mania, April-May 2012.

New York, Whitney Museum of American Art, Jasper Johns: Mind/Mirror, September 2021-February 2022, p. 69, no. 20 (illustrated in color).



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On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is such a lot.
Artist:Jasper Johns (1930)
Art style:Post War Art
Auction house category:Paintings
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