KLIUN, IVAN. Kazimir Malevich Reaping Buckweat - photo 1
KLIUN, IVAN. Kazimir Malevich Reaping Buckweat - photo 2
KLIUN, IVAN. Kazimir Malevich Reaping Buckweat - photo 3
KLIUN, IVAN. Kazimir Malevich Reaping Buckweat - photo 1

Kazimir Malevich Reaping Buckweat

Lot 124
15.10.2020 14:00UTC +00:00
Classic
Starting price
£ 5 000
AuctioneerMacDougall Arts Ltd.
Event locationUnited Kingdom, London
Buyer Premium27 %
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The auction is completed. No bids can be placed anymore.
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ID 412615
Lot 124 | Kazimir Malevich Reaping Buckweat
Estimate value
£ 5 000 – 7 000
Pencil and watercolour on paper, 22 by 28 cm.Provenance: Collection of S. Kliunkova-Soloveichik.
Private collection, USA.
Private collection, Europe.

The work bears a stamp with authentication from S. Kliunkova-Soloveichik, the artist’s granddaughter, on the reverse.
Authenticity of the work has been confirmed by the expert O. Glebova.

Literature: S. Kliunkova-Soloveichik, Ivan Vasilievich Kliun, New York, IVK Art, 1993, p. 305, illustrated and listed.

The strong friendship which existed between Ivan Kliun and Kazimir Malevich was of deep and abiding importance for both. As pioneering compatriots of a totally innovative painterly language, they exerted a profound influence on each other’s artistic development throughout their decades of close affinity, exchanging a multitude of letters and acting as models for each other.

Their initial friendship was forged when both were studying in the studio of the celebrated painter Fedor Rerberg in Moscow between 1903 and 1906, when each artist was at a similar stage of personal and professional development. Kliun began acting as a model for Malevich during this time, as John Milner notes: “Malevich often used as a model his close friend the painter Ivan Klyun [sic], whom he portrayed as a confident and independent country workman or villager. Klyun [sic] appears in a whole series of paintings, some including rural women giving the Old Believer’s sign of the cross, strongly suggesting that Malevich saw him as an Old Believer” (Exhibition catalogue, Malevich, London, 2014, p. 36). In turn, Kliun produced an intriguing depiction of his friend as a field worker, reaping buckwheat along with two women.



The present lot as illustrated in the Catalogue Raisonné
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