[MASSON Charles (1858-1931) et Henri PIAZZA (1861-1929), éditeurs] - photo 1
[MASSON Charles (1858-1931) et Henri PIAZZA (1861-1929), éditeurs] - photo 2
[MASSON Charles (1858-1931) et Henri PIAZZA (1861-1929), éditeurs] - photo 3

[MASSON Charles (1858-1931) et Henri PIAZZA (1861-1929), éditeurs]

Lot 251
21.03.2024 13:00UTC +01:00
Classic
Sold
€ 5 040
AuctioneerCHRISTIE'S
Event locationFrance, Paris
Archive
The auction is completed. No bids can be placed anymore.
Archive
ID 1173304
Lot 251 | [MASSON Charles (1858-1931) et Henri PIAZZA (1861-1929), éditeurs]
Estimate value
€ 4 000 – 5 000
[MASSON Charles (1858-1931) et Henri PIAZZA (1861-1929), éditeurs]
L’Estampe Moderne, Paris : L’Imprimerie Champenois, mai 1897-avril 1899.
Série complète de cette importante revue mensuelle consacrée à l’estampe, comprenant les 4 gravures supplémentaires réservées aux abonnés. Chacun des 24 fascicules propose une sélection de quatre « estampes originales, inédites », majoritairement des lithographies en couleurs, par des graveurs emblématiques des courants symboliste et Art Nouveau, comme Mucha, de Feure, Grasset et Aman-Jean.
Palmer & Wilsford, L’Estampe moderne (the modern print), Canberra, Australian National Gallery, 1983.

In-folio (405 x 305 mm). 24 numéros. Couvertures de livraison cartonnées vertes, illustrées d'après Alfons Mucha. 100 gravures en noir et en couleurs sur papier fort, timbre sec d’identification au coin inférieur droit : 96 planches et 4 gravures de prime réservées aux abonnés, aux numéros 6 (A. Mucha, Incantation), 12 (L. Rhead, Jane), 18 (H. Bellery-Desfontaines, L’énigme) et 24 (L-O. Merson, Salomé). Avec serpentes titrées. Divers fascicules supplémentaires proposant d’acquérir des tirages de Mucha (Les 4 Saisons, Les Arts) sont inclus. L’ensemble est conservé dans un emboîtage postérieur : toile verte, dos de cuir vert, filets et titres dorés (couverture du n°1 légèrement roussie, rares restaurations marginales, certains calques manquants, usés ou restaurés, accrocs à l'emboîtage, coin supérieur droit légèrement enfoncé).
Provenance : Sam Josefowitz, Pully – puis par descendance aux propriétaires actuels.

A complete collection of this major publication upon Symbolist and Art Nouveau prints, containing 100 original prints, mostly colour lithographs.
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