ID 802353
Lot 1893 | Max Liebermann
Estimate value
€ 3 300 – 6 600
(1847 Berlin - 1935 ebenda)
Studie mit Pilgerin zum Gemälde "Papst Leo XIII. erteilt den Pilgern in der Sixtinischen Kapelle den Segen".
Darstellung einer stehenden Frau in Dreiviertelfigur mit flehend erhobenen Armen und zurück geneigtem Kopf. Liebermann konzentrierte sich in der umrisshaften, nur mit wenigen Schattierungen am Rücken ausgeführten Zeichnung ganz auf die expressive, ekstatistische Haltung der Figur. 1903-1905 fertigte Liebermann eine Reihe von Studien einzelner, meist weiblicher Figuren, die im Zusammenhang mit seinem Ölbild "Papst Leo XIII. [...]" (Westfälisches Landesmuseum Münster, Inv.-Nr. 1127 LM; Eberle 1906/2) stehen. Bei einem Rom-Aufenthalt 1902 hatte Liebermann selbst den dramatischen Empfang des Papstes durch Pilger erlebt; fasziniert hielt er ihn sogleich fest, schuf erste Kompositionsentwürfe und wenig später Skizzen der aus der Menge herausgelösten Pilger, die teilw. später im vollendeten Gemälde wiederkehren - in diesem Fall bei der Gruppe rechts im Vordergrund. Schwarze Kreide/Papier. R. u. Sammlerstempel von Franz Jahn (in Blaßbraun) mit Faksimile-Signatur u. Bez. "Sammlung F. J.". Verso Ausstellungs-Etikett von 1979. 34,4 cm x 26 cm. Rahmen.
Ausstellung/Lit.: "Max Liebermann in seiner Zeit", Nationalgalerie Berlin, 1979, Kat.-Nr. 341, Kat.-S. 604-05 mit Abb.
Provenienz: Max Liebermann, ab 1935 im Nachlass Liebermann der Witwe Martha Liebermann (1857-1943), Verlust nach 1935 (Lost Art-ID 417880), Sammlung Franz Jahn, Berlin (Stempel r. u.); von den Erben 1978 an die Galerie Rosenbach, Hannover, verkauft; seit 1979 in Privatsammlung, Hannover.
Black chalk on paper. Exhibited 1979 in the National Gallery in Berlin.
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