MONUMENTALE, BEZEICHNETE IKONE MIT DEM MANDYLION AUS EINER KIRCHEN-IKONOSTASE - photo 1
MONUMENTALE, BEZEICHNETE IKONE MIT DEM MANDYLION AUS EINER KIRCHEN-IKONOSTASE - photo 2
MONUMENTALE, BEZEICHNETE IKONE MIT DEM MANDYLION AUS EINER KIRCHEN-IKONOSTASE - photo 3
MONUMENTALE, BEZEICHNETE IKONE MIT DEM MANDYLION AUS EINER KIRCHEN-IKONOSTASE - photo 4

MONUMENTALE, BEZEICHNETE IKONE MIT DEM MANDYLION AUS EINER KIRCHEN-IKONOSTASE

Lot 1751
15.11.2024 10:00UTC +01:00
Classic
Starting price
€ 10 000
AuctioneerHargesheimer Kunstauktionen Düsseldorf
Event locationGermany, Düsseldorf
Buyer Premium28.56%
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The auction is completed. No bids can be placed anymore.
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ID 1314726
Lot 1751 | MONUMENTALE, BEZEICHNETE IKONE MIT DEM MANDYLION AUS EINER KIRCHEN-IKONOSTASE
Estimate value
€ 10 000 – 20 000
A MONUMENTAL ICON SHOWING THE MANDYLION FROM A CHURCH ICONOSTASIS Russian, Follower of Simon Ushakov, late 17th century Tempera on wood panel. The halo gilded. Cyrillic inscription on the lower border 'Simon Ushakov'. Vertical cracks, areas of restoration. 102.3 x 85 cm. The Mandylion by Simon Ushakov (1658) is a significant work of Russian iconography depicting the 'Image Not Made by Hands' of Christ. It merges traditional Byzantine iconography with Western realism, which gained influence in 17th-century Russia. Ushakov's portrayal of Christ's face is rendered with subtle light and shadow gradations, giving it a three-dimensional quality. Despite these realistic touches, the composition remains strictly symmetrical, emphasizing Christ's divine immutability, which is characteristic of Orthodox icons.

MONUMENTALE, BEZEICHNETE IKONE MIT DEM MANDYLION AUS EINER KIRCHEN-IKONOSTASE Russland, Nachfolger des Simon Uschakow, Ende 17. Jh. Verbund dreier Bretter mit zwei Rückseiten-Sponki (verloren, erg.). Eitempera auf Kreidegrund, partielle Vergoldung. 102,3 x 85 cm. Am unteren Rand kyrillisch bezeichnet 'Simon Uschakow'. Das Mandylion von Simon Uschakow (1658) ist ein bedeutendes Werk der russischen Ikonenmalerei, das das 'Nicht von Menschenhand geschaffene Bild' Christi darstellt. Es verbindet traditionelle byzantinische Ikonographie mit westlichem Realismus, der im 17. Jahrhundert in Russland zunehmend Einfluss gewann. Uschakows Darstellung zeigt das Gesicht Christi plastisch modelliert mit feinen Licht- und Schattenabstufungen, was dem Bild eine dreidimensionale Tiefe verleiht. Trotz dieser realistischen Elemente bleibt die Komposition streng symmetrisch und betont die göttliche Unveränderlichkeit Christi, typisch für orthodoxe Ikonen. Vertikale Rissbildung, Restaurierungen.

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Auction house category:Russian and Greek icons
Address of auction Hargesheimer Kunstauktionen Düsseldorf
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джозеф ритсон (1752 - 1803)
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