ID 1058735
Lot 133 | PLAT AJOURÉ EN CÉRAMIQUE DANS LE STYLE POST-PALISSÉEN
Estimate value
€ 3 000 – 5 000
XIXE SIÈCLE
La cavité centrale jaspée de bleu, vert et violet, encadrée par un tore de laurier vert qui s'enroule autour de la bordure entièrement découpée, dans les compartiments circulaires ajourés se trouve un monogramme entrelacé composé de deux "H" et de deux "C" entrecroisés, dans les espaces entre les compartiments circulaires se trouve un monogramme plus simple, composé de la lettre "H" et de deux "C" entrecroisés, le revers jaspé, au revers plusieurs étiquettes imprimées portant les inscriptions P. 48 E. de R. 37 pour Edouard de Rothschild – 428 et P 50.
D.: 23,6 cm. (9 ¼ in.)
Provenance
Baron Alphonse de Rothschild (1827-1905);
Baron Édouard de Rothschild (1868-1949);
Spolié sous la direction du Einsatzstab Reichsleiter Rosenberg sous l'Occupation de la France, après mai 1940, et transféré au Jeu de Paume (ERR no. R 4107);
Récupéré par les Alliés et transféré au Munich Central Collecting Point (MCCP no. 115⁄4) ;
Renvoyé en France le 9 janvier 1946 et restitué à la famille Rothschild;
Resté depuis par descendance dans la famille
Literature
Alexandre Sauzay, Henri Delange, Carle Delange and C. Borneman, Monographie de l’œuvre de Bernard Palissy su’vie d'un choix de ses continuateurs ou imitateurs, Paris, 1862, pl. 27.
Alfred Tainturier, Les terres émaillées de Bernard Palissy inventeur des rustiques figulines, Paris, 1863, p. 39 and 82, no. 41.
Paris, Palais de l’Industrie, Union Centrale des Beaux-Arts Appliqués à l’Industrie, Musée Rétrospectif, 1865, no. 830.
Collection de Mr. Le baron Alphonse de Rothschild, circa 1890, (n.d.), vol. II, pl. 32.
Henry Roujon, Emile Molinier, Frantz Marcou, Catalogue officiel illustré de l’Exposition rétrospective de l’art français des origines jusqu’à 1800, Exposition Universelle, 1900, no. 917.
Germaine de Rothschild, Serge Grandjean, Bernard Palissy et son école, Paris, 1952, pl. 6, no. IX.
Exhibited
Exposition Rétrospective de l’Art français des origines à 1800.
Exposition Universelle, Paris, 1900, no. 917.
Further details
A 19TH CENTURY POST-PALISSY STYLE OPENWORK DISH
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