Grotesque in visual art (from the Italian grottesco) is a variety of painterly or sculptural decor characterized by a combination of real and imaginary, beautiful and ugly, as well as comedic and tragic figures. Grotesque is a unique style in art and literature, distorting conventional norms and filled with harmless soft humor.
Features of Grotesque
Grotesque is the art of unexpected contrasts and inconsistencies. According to historians, the initial need for creating grotesque images was purely practical. Artists lacked space on a small section of a wall to create a proper drawing. Imagination came to the rescue: human forms intertwined closely with animals, plant elements with mythological ones. This is how whimsical hybrid images emerged.
Grotesque in architecture was never the main style for interior decoration. On the contrary, it was always used for auxiliary purposes, to fill small spaces around the frames of architectural structures or as original ornamentation around the main theme of the painting.
Whimsical images on building walls evoke different impressions in people. Grotesques can either be liked or provoke feelings of disgust, pity, or discomfort, but they invariably attract attention with their unusual form and content.
History of Grotesque
The history of grotesque originates in ancient culture. To this day, a few unique examples of whimsical house paintings from the Ancient Roman aristocracy have been preserved, discovered during archaeological excavations.
After the fall of the Roman Empire in the 5th century, the art of grotesque was lost for a thousand years. It was only in 1481 that a group of Italian artists, invited by Pope Sixtus IV to paint the temples in the Vatican, accidentally discovered the ruins of the palace of the Roman Emperor Nero during the construction of a church. Intricate ornaments were preserved on certain sections of the walls, which sparked lively interest among the artists.
The discovered grotesques inspired many outstanding masters of the Renaissance to create original frescoes with elements of hybrid artistic figures. In particular, the following artists took this approach:
- Domenico Ghirlandaio.
- Pinturicchio.
- Pietro Perugino.
In the early 16th century, Raphael Sanzio, with his students, used grotesque motifs in the frescoes of the Vatican galleries. Later, Florentine masters learned to create wallpapers and then the famous ceramic maiolica with whimsical original ornaments.
By the end of the 16th century, the application of grotesque had spread to other forms of art:
- Engravings.
- Inlay work.
- Book illustrations.
- Pottery craftsmanship.
Grotesque had a significant influence on literature. Over time, it developed into a distinct genre within it. Examples of internationally renowned literary works in this style include:
- "Gulliver's Travels" by Jonathan Swift.
- "The Sandman" by Ernst Hoffmann.
- "The Hunchback of Notre-Dame" by Victor Hugo.
- "The Nose" by Nikolai Gogol.
- "The Phantom of the Opera" by Gaston Leroux.
- "Frankenstein" by Mary Shelley.
- "Alice's Adventures in Wonderland" by Lewis Carroll.
In painting and architecture, grotesque retained its popularity across several epochs (Mannerism, Baroque, Rococo, Romanticism) until the mid-19th century. In the 20th century, whimsical motifs in visual art prominently manifested in surrealism and expressionism.
The beginning of the 20th century was also marked by the emergence of the Theater of the Grotesque, which, after 50 years, evolved into the Theater of the Absurd. By the end of the last century, grotesque artistic images firmly established themselves in contemporary cinema and pop culture.
In our days, grotesque is rarely used by artists in painting and architecture. However, art enthusiasts can still appreciate the unique beauty of masterpieces from past eras.
On the Very Important Lot portal, every visitor has the opportunity to participate in art auctions and acquire grotesque antique masterpieces. Here, you can also buy paintings directly from contemporary artists.