Genoese School
Genoese School
The Genoese school of painting, which emerged in the seventeenth century in the Republic of Genoa, represents a unique chapter in the history of art. Although Genoa was not originally a prominent center of art like Florence or Venice, it developed a distinctive style of painting influenced by Flemish artists such as Rubens and Van Dyck. This school was characterized by the treatment of religious subjects as scenes from the lives of ordinary people, the introduction of pastoral and animalistic genres, and the depiction of romantic landscapes inspired by nature.
One of the most notable painters of this school was Bernardo Strozzi, known as il Cappuccino, who played a significant role in both Genoa and Venice. Giovanni Castiglione, also known as Il Grecchetto, became famous for his paintings of animals and still lifes, which were influenced by Flemish and Venetian styles. Other important figures include Domenico Fiasella and Gioacchino Assereto, who were part of the Caravaggesque movement, and Valerio Castello, known for his eclectic style.
The Palazzo Bianco in Genoa houses a significant collection of Genoese and Ligurian paintings, featuring works by these artists. These include masterpieces such as Luca Cambiaso's Madonna with Candle, Bernardo Strozzi's Glory of St. Teresa, and Valerio Castello's Martyrdom of St. Lawrence. The collection covers other famous artists such as Giovanni Battista Galli, known as il Baciccio, and Alessandro Magnasco, whose works marked the transition to the eighteenth century with their expressive distortions and intense chiaroscuro.
The influence of the Genoese school on Western European art was evident in its innovative approach to religious and naturalistic themes combined with Flemish, Venetian and Caravaggio influences. This unique combination resulted in a rich artistic legacy that continues to attract the attention of collectors, auctioneers and experts to this day.
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Country: | Europe, Italy |
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Start of the period: | XVI century |
End of the period: | XVIII century |