Gutai Art Association
Gutai Art Association
The Gutai Art Association, founded in 1954 by Jiro Yoshihara in Ashiya, Japan, emerged as a pioneering avant-garde artist group in post-war Japan. This movement, encompassing 28 artists, is celebrated for its revolutionary approach to art-making, including performance, painting, installation, and theatrical events, embodying a vibrant and energetic ethos. Gutai, which translates to "concreteness," was deeply influenced by Abstract Expressionism and Art Informel, emphasizing the artistic process and multimedia events.
The "Gutai Art Manifesto," published in 1956, articulated the group's philosophy. It emphasized going beyond abstraction and exploring the potential of pure creativity. Gutai art sought a dynamic relationship between the human spirit and matter, allowing the material to express its innate qualities and celebrating the processes of damage or decay to reveal the inner life of materials. This approach marked a significant departure from traditional art forms and genres, emphasizing individual autonomy and artistic freedom.
The Gutai group's international influence was notable, as they were inspired by European and American artists like Jackson Pollock and the Art Informel movement. Their work was characterized by its spontaneity, emphasizing the materiality of art and the physical act of creation. The movement gained recognition for its collaborative installations and was featured in major international events, such as Expo '70.
Jiro Yoshihara, the group's founder, was instrumental in guiding Gutai until his death in 1972. He encouraged artists to create works that were genuinely innovative and had not been seen before. His leadership and vision were pivotal in establishing Gutai as a leading artistic movement in 20th-century Japan.
Notable works from the Gutai group include Senkichiro Nasaka and Michio Yoshihara's "Work" (1970), a collaborative installation for Expo '70, and Jiro Yoshihara's "Circle" (1971), part of his iconic Circle series. These works exemplify the movement's ethos of collaboration, experimentation, and breaking away from conventional art forms.
For art collectors and experts, the Gutai Art Association represents a unique chapter in the history of modern art, marked by its emphasis on creativity, materiality, and the fusion of traditional Japanese art with Western avant-garde movements.
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Country: | Japan |
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Start of the period: | 1954 |
End of the period: | 1972 |