Left Front of the Arts

The Left Front of the Arts (russian: Левый фронт искусства), commonly referred to as LEF, was an influential Soviet artistic collective active from 1922 to 1929. Predominantly based in Moscow and Odessa, LEF was a crucible of avant-garde thought and creativity, spearheaded by the likes of Vladimir Mayakovsky, who led the collective. It was a gathering of revolutionary writers, art theorists, photographers, critics, and designers who sought to redefine art in the context of Soviet ideology.

LEF's philosophy was encapsulated in its eponymous journal, which had two separate runs, first from 1923 to 1925 and later as Novyi LEF (New LEF) from 1927 to 1928. The journal was a vehicle for LEF's radical ideas, promoting art that served social and political purposes, aligning with the principles of Constructivism and Productivism.

This movement's emphasis on the utility of art and its commitment to social change has left a lasting legacy, intriguing collectors and historians alike. Works associated with LEF and its members can be found in museums and private collections, serving as a testament to the group's enduring influence on the art world. To stay informed about exhibitions and works for sale from this groundbreaking collective, sign up for updates and delve deeper into the revolutionary world of LEF.