Los Four

Los Four (literal translation „The Four“), active from 1973 to 1983, was a groundbreaking Chicano artist collective based in Los Angeles, California. The group, comprised of four initial members - Frank Romero, Carlos Almaraz, Robert de la Rocha, and Gilbert Luján - played a pivotal role in bringing the Chicano art movement to the mainstream art world's attention. Later, Judithe Hernández joined the group, making it one of the few Chicano artist collectives to include a female member. Their work was characterized by a unique blend of various artistic methods, including spray-can techniques, found object, and installation art, and they were known for their self-conscious efforts to develop Chicano icons.

The collective's significant contributions to the Chicano/a art landscape were marked by their participation in exhibitions and the development of Chicano icons in their art. One of their most noted contributions was the 1974 exhibition at the Los Angeles County Museum of Art (LACMA), which was the first major museum showcase of Chicano artists. This exhibition featured a variety of mediums, including paintings, drawings, watercolors, and sculptures, and highlighted the diverse and multimedia nature of their practice.

Each member brought a unique perspective and background to the group. For instance, Carlos Almaraz, an influential figure within Los Four, had a notable academic background, earning his MFA at Otis Art Institute, and his works were showcased globally. Similarly, Frank Romero, born in East Los Angeles, California, grew up in a culturally mixed community and joined the collective during the Chicano civil rights movement, gaining high-profile status in the larger art community.

Los Four's legacy extends beyond their artistic contributions; they were integral to the development of Chicano/a art in Los Angeles, often creating murals with political themes and aligning with various groups to promote Chicano art. Their work and impact on the Chicano art movement continue to be recognized and celebrated in various institutions and exhibitions.

For collectors, auctioneers, and art and antique experts interested in the unique blend of cultural expression and political activism embodied by Los Four, their works are not just pieces of art but also historical artefacts of the Chicano movement. To stay updated on new product sales and auction events related to Los Four, signing up for updates is highly recommended. This subscription will provide valuable insights into the evolving market and availability of works related to this influential artist collective​​​.