Society of Independent Artists (USA)

The Society of Independent Artists, established in 1916 in New York, was a pivotal association of American artists. This avant-garde society, inspired by the French Société des Artistes Indépendants, aimed to democratize art exhibitions by removing the barriers of juries and prizes. Its philosophy of “No judge, no prize” attracted artists regardless of their background or professional success.

The society's inaugural exhibition in 1917 at the Grand Central Palace, New York, was a groundbreaking event. Over 2,000 artworks were displayed, hung in alphabetical order, allowing an eclectic mix of themes, mediums, and artistic quality. The exhibition was significant for including works from artists of diverse geographical origins, primarily from New York and other East Coast cities.

One of the most notable incidents involving the Society was the controversy surrounding Marcel Duchamp’s readymade sculpture "Fountain," a urinal signed "R. Mutt." Submitted for inclusion in the 1917 exhibition, its exclusion highlighted the limitations in the society’s claims of openness and liberalism, leading to Duchamp’s resignation.

The Society maintained its commitment to providing a platform for all artists over the years. They showcased a range of artworks, including Native American watercolors and Mexican art, reflecting a diverse and inclusive approach. However, after 27 years of influential exhibitions, the Society of Independent Artists held its last annual exhibition in 1944.

For art collectors and experts, the Society of Independent Artists represents a significant chapter in American art history. Its avant-garde approach and involvement in key artistic developments make it a subject of continual interest and study. To stay informed about related events, exhibitions, and sales, signing up for updates is recommended, ensuring connection to this vital aspect of the art world.