Classical Realism

Classical Realism in painting is an art movement that emerged in the late 20th century, revitalizing traditional art techniques and ideals. This movement places a high value on skill and beauty, blending elements of 19th-century Neoclassicism and Realism. It arose as a response to the perceived disconnection in art production introduced by modern art movements. Classical Realism emphasizes direct observation of nature, eschewing the use of photography or other mechanical aids, differentiating it from movements like Photorealism and Hyperrealism.

The movement was significantly shaped by Richard Lack (1928–2009), a student of R. H. Ives Gammell (1893–1981), who himself was a student of William McGregor Paxton (1869–1941). These connections trace back to the influential French artist Jean-Léon Gérôme (1824–1904). Lack founded Atelier Lack in 1969, a school based on the traditional ateliers of 19th-century Paris and the Boston impressionists. This school became a model for similar institutions aimed at reviving classical art education methods.

Key principles of Classical Realism include a strong commitment to truth in nature, thorough artistic training, and the creation of art that is harmonious and beautiful. The style is characterized by its love for the visible world and adherence to the great traditions of Western art, including Classicism, Realism, and Impressionism.

Popular subject matter within this genre includes figurative and still life paintings. The movement's aesthetic values order, beauty, harmony, and completeness. It’s known for its meticulous craftsmanship and application of techniques from both Impressionist and Academic art.

Notable artists associated with Classical Realism include William McGregor Paxton, R. H. Ives Gammell, Pietro Annigoni, Richard F. Lack, Harvey Dinnerstein, and Jacob Collins, among others.

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