Nanga
Nanga
Nanga was a Japanese painting style that emerged during the Edo period (1615–1868), known for its unique blend of Chinese literati painting and Japanese aesthetics. This art form, also referred to as Bunjinga (文人画), was primarily created by Japanese scholars and literati who were deeply influenced by Chinese culture, literature, and philosophy.
Nanga artists were typically well-educated individuals who pursued painting as a hobby rather than a profession. They valued spontaneity and personal expression, often depicting landscapes, flowers, and birds with a focus on capturing the spirit or essence of the subject rather than its precise details. This approach contrasted with the more formal and detailed styles of other contemporary Japanese art forms like ukiyo-e and Kano school paintings.
Prominent Nanga artists include Ike no Taiga and Yosa Buson, who were known for their distinctive styles and contributions to this genre. Their works often featured simplified forms and a playful use of brushwork, embodying the principles of Zen Buddhism and Confucianism that influenced their worldview. These paintings can be found in various museums and art collections, such as the Metropolitan Museum of Art and the Shizuoka Prefectural Museum of Art.
The Nanga style is celebrated for its philosophical depth and aesthetic simplicity, making it a significant part of Japan's rich artistic heritage. Collectors and art enthusiasts appreciate Nanga for its ability to convey profound ideas through seemingly simple and tranquil imagery.
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Country: | Asia, Japan |
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Start of the period: | XVIII century |