Otra Figuración

Otra Figuración (literal translation "Another Configuration") was an Argentine art movement that emerged in 1961, founded by Jorge de la Vega, Ernesto Deira, Rómulo Macció, and Luis Felipe Noé. This movement marked a significant shift in the artistic landscape of Argentina, advocating for a return to figurative art during a time when abstract and geometric styles dominated. The group's expressive style, characterized by bold colors and sometimes mixed media, set a new standard in the art world.

The artists of Otra Figuración shared not only innovative ideas but also a studio in Buenos Aires. Their collaboration led to widespread recognition, particularly after their exhibition at the Museo Nacional de Bellas Artes in 1963. Despite their eventual disbanding in 1964, the impact of Otra Figuración on the art scene was profound and lasting.

What set Otra Figuración apart was their radical approach to art. They rejected the prevailing norms of their time, infusing their work with a sense of expressive freedom. This was not only a stylistic choice but also a political one, reflecting the turbulent social and political environment of Argentina in the 1960s. Their art became a voice for addressing the country's pressing issues, often depicted through distorted human figures, reflecting the societal chaos.

The legacy of Otra Figuración is evident in various museums and galleries. Works by Rómulo Macció, like "Vivir: a los saltos [To Live: By Leaps and Bounds]," are part of the permanent collection at the Blanton Museum of Art. Similarly, Luis Felipe Noé's "Cerrado por brujería [Closed by Sorcery]," also from 1963, is showcased at the same museum. These pieces exemplify the movement's distinctive style and thematic concerns.

For collectors, auctioneers, and art experts, Otra Figuración remains a fascinating study. Their works not only represent a significant period in Argentine art history but also offer insights into the socio-political context of their time.

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