20./21. jahrhundert
Luigi Caccia Dominioni was an Italian architect and furniture designer.
Gian Battista Valentini, known as Nanni Valentini, was an Italian painter, sculptor and ceramist.
René Jules Lalique was a French jeweller, medallist, and glass designer known for his creations of glass art, perfume bottles, vases, jewellery, chandeliers, clocks, and automobile hood ornaments.
Gottfried Bernhard Göz, also Goez, Goetz, or Götz was a German Rococo painter and engraver.
He worked for many years painting frescoes in chapels and monasteries, and then took up engraving. Göz established his own publishing and engraving business, inventing a printing device that allowed him to produce colorful copperplate prints with shades similar to those of painting.
Martin Engelbrecht was a German Baroque painter and engraver, publisher, and inventor of the first miniature dioramas.
Martin and his brother Christian were skilled printers and engravers in Augsburg, Germany in the 18th century. Martin's works include illustrations for Ovid's Metamorphoses, The War of the Spanish Succession, P. Dekker's Les Architectes Princiers, 92 views of Venice, and the Assemblage Nouveau Des Manouvries Habilles, a series of engravings depicting laborers and their clothing, published in Augsburg around 1730.
Also around 1730. Martin Engelbrecht created maps for miniature theaters, which, inserted into a display box, showed religious scenes and pictures of everyday life in three-dimensional perspective. He devoted an entire series to Italian theater. These miniature theaters or Engelbrecht dioramas are considered the earliest paper theaters in history, and they became very popular in the 18th century as a means of home entertainment. Engelbrecht is known to have created at least forty-one sets of miniature theater dioramas.
Jean-Baptiste-Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.
John Frederick Lewis was an English Orientalist painter. He specialized in Oriental and Mediterranean scenes in detailed watercolour or oils, very often repeating the same composition in a version in each medium. He lived for several years in a traditional mansion in Cairo, and after his return to England in 1851 he specialized in highly detailed works showing both realistic genre scenes of Middle Eastern life and more idealized scenes in upper-class Egyptian interiors with little apparent Western influence.
