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Charles Vetter, birth name Karl Friedrich Alfred Vetter, was a German impressionist painter and draftsman, master of the urban landscape. He studied painting at the Royal Academy of Arts in Munich.
Charles Vetter was a co-founder of the Munich Secession.
Peder Mork Monsted (Danish: Peder Mørk Mønsted) was a Danish realist painter, representative of the Golden Age of Danish painting.
Monsted studied at the Royal Academy of Fine Arts and gradually developed his own style of academic naturalism, almost photorealistic. During his long career, P. Monsted traveled extensively, often visiting Switzerland, Italy, North Africa, Greece, where he was a guest of the royal family and for a year painted their portraits.
Favorite themes of the artist were Danish landscapes - snowy winter or summer landscapes with boats on the water, forest. From the beginning of the XX century and until his death P. Monsted was one of the most popular and wealthy artists. He was especially popular in Germany among the Munich public.
Günther Uecker is a German sculptor, op artist and installation artist.
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Gerhard Marcks was a German artist, known primarily as a sculptor, but who is also known for his drawings, woodcuts, lithographs and ceramics.
Karl Kluth was a German painter. He was a member of the Hamburg Künstlerverein, the Hamburg Artists' Association and the Hamburg Secession.
Heinrich Bürkel was a German artist of the mid-nineteenth century. He is known as a painter and graphic artist, representative of the Biedermeier style.
Heinrich Bürkel specialized in genre and landscape paintings, especially winter landscapes. He often used Staffage and depicted animals. His work showed the influence of the old Dutch and Italian masters. Bürkel enjoyed great popularity, his paintings were actively acquired for private collections, including in America. The master painted about 1000 paintings and created about 6000 drawings.
Joseph Wenglein was a German painter who is often referred to as one of the last significant landscape painters of the 19th century Munich school.
Parallel to his law studies Joseph Wenglein studied at the Academy of Fine Arts in Munich. He then switched entirely to art and became a pupil of the landscape painter Johann Gottfried Steffan. On his recommendation, Wenglein sometime later became a pupil of the painter Adolf Heinrich Lier, whose colouristic tendencies, calculated to express profound moods, particularly appealed to him.
Josef Wenglein knew how to reproduce the change of daylight, especially in spring and autumn, with a fine sense of the slightest atmospheric fluctuations and to vary the grey pleasant tone of the Bavarian plateau in all its nuances masterfully.
Hans Looschen was a German painter and illustrator.
Looschen received his professional education at the Prussian Academy of Fine Arts, 1893 regularly participated in the Great Berlin Art Exhibition and was its president on several occasions. From 1899 to 1901 he was represented in the Berlin Secession and was also a member of the Berlin Artists' Association.
Hans Looschen painted landscapes and portraits, still lifes and historical paintings in the style of 19th century realism. He also worked as an illustrator. During his lifetime, Loschen received many awards and prizes for his work.