autumn forest



Fritz von Wille, real name Friedrich Gustav August Julius Philipp Rudolf von Wille is a German painter, member of the Malkasten group.
Fritz von Wille is known for his landscapes in the Impressionist style. To avoid confusion with his father, the painter August von Wille, he took a short name. His son Otto (1901-1977) also became a painter.
















Narcisse Virgilio Díaz de la Peña was a French painter of the Barbizon school.
Díaz exhibited many pictures at the Paris Salon, and was decorated in 1851 with the rank of Chevalier (Knight) of the Légion d’honneur.


















Giacomo Puccini, full name Giacomo Antonio Domenico Michele Secondo Maria Puccini, was an Italian opera composer, organist and choirmaster.
Puccini was born into the family that for two centuries directed the musical organization of the Cathedral of San Martino in Lucca, and the young musician inherited the position of cathedral organist until his adulthood. He also played organ in small local churches. Giuseppe Verdi's opera Aida, which he saw in Pisa in 1876, was a boost for him and he entered the Milan Conservatory in 1880.
Puccini carefully studied contemporary operatic compositions, particularly the work of Claude Debussy, Richard Strauss, Arnold Schoenberg, and Igor Stravinsky. Soon he wrote Triptych (1918), three one-act operas - the melodramatic The Cape, the sentimental Suor Angelica and the comic Gianni Schicchi. Puccini's other mature operas are La bohème (1896), Tosca (1900), and Madama Butterfly (1904).
The composer did not manage to finish his last opera, Turandot - he died of cancer with its score in his hands. This work is the only Italian opera in the Impressionist style. Puccini is also considered the greatest representative of opera realism, as well as the Verismo movement in music, attempting to faithfully portray the social and psychological conflicts of the new national-historical reality after the unification of Italy.


Eugène Galien-Laloue was a French artist. He was a populariser of street scenes, usually painted in autumn or winter.
His paintings of the early 1900s accurately represent the era in which he lived: a happy, bustling Paris, la Belle Époque, with horse-drawn carriages, trolley cars and its first omnibuses. Galien-Laloue's works are valued not only for their contribution to 20th-century art, but for the actual history, which they document. His work can be seen at the Musée des Beaux-Arts, Louvier; Musée des Beaux-Arts, La Rochelle; Mulhouse, France.
