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Christoph Jacob Trew was a German botanist.
He was originally a city solicitor, court physician, Count Palatine of the Holy Roman Empire, an advisor to the Margrave of Brandenburg-Ansbach. He also had an academic passion for botany. He was a member of the Royal Society of London, the Berlin Academy, and the Florentine Botanical Society. His interest in botany then led him to sponsor the publication of illustrated botanical books.
Christoph Weigel the Elder, full name Johann Christoph Weigel, was a German painter, engraver and publisher.
Weigel worked very successfully in the mezzotint technique. He was the first engraver to use a kind of machine for making backgrounds. He established his own printing house in Nuremberg in 1698, and worked closely with the imperial geographer and cartographer Johann Baptist Homann (1664-1724) to produce his maps. His younger brother Johann Christoph Weigel kept an art trade store in Nuremberg around the same time, and also quite successfully.
One of Weigel's most important works is the Ständebuch (Book of Classes) of 1698, which describes and illustrates with engravings more than two hundred trades and services, including mining.
Alan Alexander Milne was a British journalist, playwright and children's author.
While studying at Trinity College, Cambridge, Milne began writing for Granta magazine, and in 1906 he joined the humor magazine Punch, where he wrote humorous poems and quirky essays until 1914. During World War I he served as a communications officer, and afterward, in 1920, Milne had a son, Christopher Robin, whose name soon became known to the world.
From 1921 Milne wrote several comedy plays and also began writing children's poetry and prose for his young son, having finally found his calling. Milne's major successes were his books Winnie the Pooh (1926) and The House on Pooh Corner (1928). These two volumes tell the adventures of a boy named Christopher Robin and his playmates - animals that were "born" from the toys of the real Christopher Robin. The central character is Winnie the Pooh Bear, accompanied by the fussy Rabbit, the sullen Donkey Ia, the bouncy tiger Tigger, the kind kangaroo Kanga and her baby Roo, the wise Owl and the timid Piglet. The adventures of Pooh and his friends in the forest of One Hundred Acres with illustrations by Ernest Shepard became bestsellers.
They were translated into different languages of the world and reprinted many times, filmed cartoons. In 1929 Milne adapted another children's classic, Kenneth Graham's The Wind in the Willows, for stage production as Toad of Toad Hall. Ten years later he wrote an autobiography, Now It's Too Late.
Francesco Solimena was an Italian painter of the seventeenth and eighteenth centuries. He is known as a representative of the Neapolitan school of late Baroque painting. The painter's creativity was highly appreciated by his contemporaries, during his long career he earned a large fortune by selling his works. The artist's biography is closely linked to Naples, the city in which the great genius spent most of his life.
Francesco Solimena was devoted to the religious genre, for which he was often called "Abbot Ciccio" during his lifetime. He educated many famous artists. Solimena's paintings are now in museums in St. Petersburg (Hermitage), London (National Gallery), New York (Metropolitan Museum of Art), Paris (Louvre) and other cities.
Carlo Cignani was an Italian painter, a representative of the Bolognese Baroque school.
Although he was educated in Bologna, he was more influenced by Correggio. The last 20 years of his life the artist spent in Forli, engaged in painting churches. The fresco "Assumption of the Virgin" in the dome of the cathedral of Forlì was painted by Cignani on the motives of the painting of the dome of the Cathedral of Parma, made by Correggio.
His son Felice (1660-1724) and nephew Paolo (1709-1764) were also artists.
Maître François was a French illustrator who worked in Paris in the 1460s-1480s.
The identity of Maître François as an artist is first mentioned in a letter written by Robert Gauguin in 1473. Most of the prestigious commissions from the court and leading ecclesiastical figures of the time were carried out in François' studio. In Paris in the second half of the fifteenth century, one can trace the predominant style of illumination by the works of Master Jean Rolin, Maître François, and Master Jacques de Besançon. Bibliophiles close to the royal court encouraged the work of miniaturists through private commissions. In particular, Jacques d'Armagnac owned six manuscripts of Maitre Francois and his entourage.
Boccaccio's De casibus virorum illustrium was very popular in the 15th century, where the author retells the fates and downfalls of famous personalities from the Bible, antiquity and medieval history, ending with Boccaccio's own contemporaries in 14th-century Florence. For a long time this book was even more famous and successful than Boccaccio's Decameron. The text was translated into French in 1409 for Jean, Duke de Berry, by his secretary Laurent Premieffe. And the illustrations for the book were later created in the workshop of the then respected Maître François.
