cologne

Ulrich Rückriem is a German sculptor known for his large-scale stone sculptures that are often displayed in public spaces. He studied at the Werkkunstschule Krefeld and the Kunstakademie Düsseldorf.
Rückriem's early work was influenced by the Minimalist movement, and he became known for creating abstract, geometric sculptures from raw stone blocks. He often works with granite, basalt, and other types of hard stone, using traditional carving techniques to shape and refine his forms.
In the 1970s, Rückriem began creating large-scale public installations, including his "Stone Alignments" series, which consists of rows of standing stones that evoke ancient megaliths and other prehistoric monuments. His work often engages with the natural environment, creating a dialogue between the man-made and the organic.
Rückriem has exhibited his work in museums and galleries around the world, including the Tate Gallery in London, the Solomon R. Guggenheim Museum in New York, and the Kunstmuseum Bonn in Germany. He has also received numerous awards and honors for his contributions to the field of sculpture, including the International Sculpture Prize in 1987 and the Praemium Imperiale in 2010.



Ewald Wilhelm Hubert Mataré was a German painter and sculptor, who dealt with, among other things, the figures of men and animals in a stylized form.


Antoni Tàpies i Puig, 1st Marquess of Tàpies was a Catalan Spanish painter, sculptor and art theorist, who became one of the most famous European artists of his generation.


Hann Trier was a German abstract expressionist watercolourist and graphic artist. Hann Trier is best known for his giant ceiling paintings in the Charlottenburg Palace. He was the older brother of the art historian Eduard Trier (1920-2009).


Samuel Lewis Francis, an American painter and printmaker, was known for his pivotal role in postwar American painting and his contributions to the Abstract Expressionism and Color Field painting movements. Born in San Mateo, California, Francis' early life was marked by a deep personal loss and a significant injury during his service in the Army Air Corps, which led him to pursue painting while recovering in a hospital. His work, characterized by splashes of bright contrasting colors against expansive white canvases, drew international acclaim, particularly in Europe and Japan, underscoring his influence on the global art scene.
Francis' art evolved through various phases, from monochromatic works to vibrant, large-scale pieces, and was deeply influenced by his time in Paris and Japan, reflecting elements of Tachisme and possibly Zen Buddhism. Notable for creating large murals and his "Edge" series, Francis also founded The Lapis Press, further contributing to the art community by producing visually compelling texts. Despite facing health challenges towards the end of his life, he remained prolific, leaving behind a legacy celebrated through the Sam Francis Foundation, which aims to perpetuate his creative legacy.
Francis' artworks are held in prestigious collections worldwide, including The Metropolitan Museum of Art, The Museum of Modern Art, New York, and the Centre Pompidou-Musee National d'Art Moderne, Paris, highlighting his enduring influence on contemporary art. His auction records and continued recognition in solo exhibitions posthumously underscore the lasting impact of his work on both collectors and the art community.
For those passionate about modern art and its history, staying informed about Samuel Lewis Francis' contributions and the ongoing exhibitions of his works can be enriching. Sign up for updates related to Francis to ensure you don't miss out on new sales and auction events showcasing his vibrant legacy.


Otto Coenen was a German expressionist painter, graphic artist and illustrator.




Fred Thieler was a German abstract artist known for his colorful, gestural paintings. He was born in Königsberg, Germany, and studied at the Academy of Fine Arts in Königsberg before moving to Berlin in 1945.
Thieler's early work was influenced by the Expressionist and Surrealist movements, but he soon developed his own unique style characterized by bold colors and dynamic brushstrokes. He often used a palette knife to apply paint to the canvas, creating thick, impasto layers that added depth and texture to his works.
Throughout his career, Thieler participated in numerous exhibitions in Germany and internationally, including the Venice Biennale and Documenta in Kassel. He was also a member of the influential German art group "Quadriga," which included artists such as Bernard Schultze, Karl Otto Götz, and Otto Greis.
In addition to painting, Thieler also worked as a graphic designer and a teacher. He was a professor at the Academy of Fine Arts in Berlin from 1965 to 1981, where he had a significant impact on the next generation of German artists.
Thieler's work can be found in many private collections and museums, including the Museum of Modern Art in New York, the Stedelijk Museum in Amsterdam, and the Museum Ludwig in Cologne.


Joos de Momper the Younger was a Flemish landscape painter active in Antwerp between the late 16th century and the early 17th century. Brueghel's influence is clearly evident in many of de Momper's paintings. His work is situated at the transition from late 16th-century Mannerism to the greater realism in landscape painting that developed in the early 17th century. He achieved considerable success during his lifetime.

Jan Bruegel the Younger was a Flemish Baroque painter. He was the son of Jan Brueghel the Elder, and grandson of Pieter Bruegel the Elder, both prominent painters who contributed respectively to the development of Renaissance and Baroque painting in the Habsburg Netherlands. Taking over his father's workshop at an early age, he painted the same subjects as his father in a style which was similar to that of his father. He regularly collaborated with leading Flemish painters of his time.



Rembrandt Harmenszoon van Rijn, a Dutch Baroque painter and printmaker, was born on July 15, 1606, in Leiden, Netherlands, and died on October 4, 1669, in Amsterdam. He is celebrated as one of the greatest storytellers in art history, acclaimed for his adept portrayal of human emotions and dramatic narratives. Rembrandt's extensive oeuvre includes portraits, self-portraits, landscapes, genre scenes, allegorical, historical, and biblical themes, as well as animal studies. His artistry shined during the Dutch Golden Age, a period marked by cultural and scientific achievements in the Netherlands.
Rembrandt's education in art began around the age of 10 when he left the Latin School in Leiden to train as an artist. He apprenticed with artists like Jacob van Swanenburg and Pieter Lastman, mastering various aspects of painting. He opened his own studio in Leiden around 1624 or 1625, sharing it with his colleague Jan Lievens. By 1631, he had moved to Amsterdam, where he achieved significant success and trained many important Dutch painters.
Among Rembrandt's notable works are "The Anatomy Lesson of Dr. Nicolaes Tulp" (1632), "The Night Watch" (1642), and "The Syndics of the Amsterdam Drapers’ Guild" (1662). He was also renowned for his self-portraits, creating around 80 over his lifetime, more than any other artist until the 20th century. These self-portraits were not just artistic endeavors but also experiments with facial expressions and lighting effects. Additionally, Rembrandt was a master etcher, transforming etching from a reproductive technique into an art form.
Rembrandt's painting style is characterized by its dramatic use of light and shadow, known as chiaroscuro. His ability to depict materials realistically was unparalleled; his portrayal of metals and fabrics was so lifelike that they appeared to glow and be tangible. He was also known for his impasto technique, applying paint thickly to the canvas, adding a three-dimensional quality to his works.
Despite his artistic prowess, Rembrandt faced financial difficulties and personal tragedies throughout his life. He declared bankruptcy in 1656, a downfall attributed partly to his extensive collection of art objects and curiosities. His masterpieces, however, continued to garner appreciation and influence generations of artists that followed.
For collectors and experts in art and antiques, Rembrandt's works represent a pinnacle of artistic achievement in the Dutch Golden Age. His mastery in portraying the human condition and his innovative techniques in painting and etching make his works highly prized and influential in the art world.
To stay updated on new product sales and auction events related to Rembrandt van Rijn, sign up for our updates. This subscription service is dedicated exclusively to news and events concerning works related to this unparalleled master of the Dutch Golden Age.


Ewald Wilhelm Hubert Mataré was a German painter and sculptor, who dealt with, among other things, the figures of men and animals in a stylized form.


Jesús Rafael García Soto was a Venezuelan artist, renowned for his pioneering work in kinetic and op art, which sought to create an immersive experience that blurred the lines between the artwork and the viewer. Born in 1923, Soto embarked on a journey that would see him at the forefront of a movement that emphasized the visual dynamics of art, integrating sculpture, painting, and viewer participation in novel ways. His exploration of geometric abstraction and optical effects led to the development of his distinctive style, characterized by the use of materials such as plexiglass to create engaging optical illusions and vibrant, moving sculptures.
Soto's journey into the realms of kinetic art was marked by significant milestones, including his participation in the groundbreaking 1955 exhibition, Le Mouvement, at the Denise René gallery in Paris. This event was instrumental in defining the kinetic art movement, with Soto alongside artists like Yaacov Agam, Marcel Duchamp, and Victor Vasarely, presenting works that invited viewers to experience art in a dynamic, interactive manner. His quest for a new visual language led him to experiment with the dematerialization of form, creating artworks that seemed to dissolve into their surroundings, thereby challenging the viewer's perceptions of space and form.
Throughout his career, Soto remained dedicated to exploring the intrinsic relationships between space, movement, and viewer perception. His creations, ranging from the "Penetrables" series—immersive environments made of hanging strands that visitors could walk through—to large-scale murals and public sculptures, have been celebrated worldwide. His works are part of major collections and have been exhibited extensively, including at institutions such as the Museum of Modern Art in New York and the Tate Gallery in London, demonstrating his lasting influence on contemporary art.
For art collectors and enthusiasts intrigued by the fusion of art and motion, Jesús Rafael García Soto's work offers a profound exploration of the kinetic art movement's possibilities. His contributions to art are not just visual spectacles but invitations to engage directly with the kinetic energy and vibrancy of the world.
To stay updated on exhibitions and sales featuring Jesús Rafael García Soto's work, sign up for updates. This subscription ensures you're informed about new product sales and auction events related to this visionary artist, offering unique opportunities to experience the dynamism of kinetic art firsthand.

































































