dat. 1892
John Ronald Reuel Tolkien was a British writer and poet, translator, philologist, and linguist.
Tolkien wrote many works in the genre of magical fiction. He became world famous for his fantasy books The Hobbit (1937) and The Lord of the Rings (1954-55).
"The Hobbit" was published in 1937 with drawings by the author and proved so popular that the publisher asked him to write a sequel. The result, 17 years later, was Tolkien's masterpiece, "The Lord of the Rings," which was voted the best book of the 20th century. By the beginning of the 21st century, more than 50 million copies had been sold in 30 languages. The film version of "The Lord of the Rings" by New Zealand director Peter Jackson, released in three parts in 2001-2003, broke world viewing records.
Tolkien has been called the "father" of modern high fantasy literature.
Ernst Mollenhauer was a German Expressionist landscape painter.
Josef Lorenzl was an Austrian sculptor and ceramicist of the Art Deco period, the same era as Ferdinand Preiss (1882–1943) and Demetre Chiparus (1886–1947).
Karl Kaufmann was an Austrian landscape and architectural painter.
Fritz von Wille, real name Friedrich Gustav August Julius Philipp Rudolf von Wille is a German painter, member of the Malkasten group.
Fritz von Wille is known for his landscapes in the Impressionist style. To avoid confusion with his father, the painter August von Wille, he took a short name. His son Otto (1901-1977) also became a painter.
Giacomo Puccini, full name Giacomo Antonio Domenico Michele Secondo Maria Puccini, was an Italian opera composer, organist and choirmaster.
Puccini was born into the family that for two centuries directed the musical organization of the Cathedral of San Martino in Lucca, and the young musician inherited the position of cathedral organist until his adulthood. He also played organ in small local churches. Giuseppe Verdi's opera Aida, which he saw in Pisa in 1876, was a boost for him and he entered the Milan Conservatory in 1880.
Puccini carefully studied contemporary operatic compositions, particularly the work of Claude Debussy, Richard Strauss, Arnold Schoenberg, and Igor Stravinsky. Soon he wrote Triptych (1918), three one-act operas - the melodramatic The Cape, the sentimental Suor Angelica and the comic Gianni Schicchi. Puccini's other mature operas are La bohème (1896), Tosca (1900), and Madama Butterfly (1904).
The composer did not manage to finish his last opera, Turandot - he died of cancer with its score in his hands. This work is the only Italian opera in the Impressionist style. Puccini is also considered the greatest representative of opera realism, as well as the Verismo movement in music, attempting to faithfully portray the social and psychological conflicts of the new national-historical reality after the unification of Italy.
Franz von Stuck was a German painter, sculptor, printmaker, and architect. Stuck was best known for his paintings of ancient mythology, receiving substantial critical acclaim with The Sin in 1892.
Wilhelm Richard Wagner was a German pioneering composer, conductor and opera reformer.
His first proper Symphony in C major was performed at the Leipzig Gewandhaus concerts in 1833. Wagner lived in a colony of poor German artists and made his living in music journalism. Nevertheless, in 1841 he wrote his first representative opera, The Flying Dutchman, based on the legend of a ship captain doomed to sail forever. In 1842 his Rienzi was triumphantly performed in Dresden, after which Wagner was appointed conductor of the court opera and held this position until 1849.
In 1848-49 Wagner became involved in the German Revolution, wrote a number of articles in support of it, and took an active part in the Dresden Uprising of 1849. When the uprising failed, he was forced to flee Germany. His subsequent years were occupied mainly with writing theoretical treatises on philosophy and music. Wagner held anti-Semitic and Nazi views. And reflecting on the future of music, he predicted the disappearance of opera as an artificial entertainment for the elite and the emergence of a new kind of musical stage work for the people, expressing the self-realization of free humanity. This new work was later called "musical drama."
By 1857 his style had been enriched with new interpretations, and Wagner had composed "Rheingold," "Die Walküre," and two acts of "Siegfried." By 1864, however, unwise financial habits had driven him into debt and ruin, and he was forced to flee from prison to Stuttgart. He was rescued by King Louis II, an ardent admirer of Wagner's work. Under his patronage for six years in Munich, the composer's operas were successfully staged. The King also practically ensured him a trouble-free life, thanks to his support Wagner built his own opera house (Bayreuther Festspielhaus), in which many new constructive ideas were realized. The premiere of "The Ring" and "Parsifal" took place here.
As a result of all Wagner's creative innovations and methods, a new kind of art emerged, the distinctive feature of which was a deep and complex symbolism, operating in three inseparable planes - dramatic, verbal and musical. He had a significant influence on European musical culture, especially on the development of opera and symphonic genres.
Richard Wagner's major works include The Flying Dutchman (1843), Tannhäuser (1845), Lohengrin (1850), Tristan und Isolde (1865), Parsifal (1882), and his great tetralogy, The Ring of the Nibelung (1869-76).
