farbstift
.jpeg)
Daniel Spoerri was a Swiss artist of Romanian-Jewish descent, renowned for his contributions to the art world as a key figure in the Nouveau Réalisme (New Realism) movement. Born in Romania in 1930, Spoerri made significant strides in visual art, particularly in his development of "snare-pictures," a method where he captured a group of objects, such as table settings and the remnants of meals, in a state of apparent disorder yet meticulously fixed to the tabletop.
His works are celebrated for turning ordinary moments into a tableau of frozen time, capturing life's ephemeral qualities through the permanence of art. Notably, his piece "Tableau piège" involves the fixation of objects to a board or table, which is then displayed vertically, challenging traditional art display norms and viewer perceptions. This innovative approach allowed him to explore themes of consumption, waste, and the mundane, making the everyday profound.
Daniel Spoerri's art is housed in many esteemed institutions, including the Museum of Modern Art in New York and the Centre Georges Pompidou in Paris. His work continues to influence contemporary art, offering a unique perspective on the art of assemblage and the beauty in the banal.
For those interested in exploring more about Daniel Spoerri's life and works, or in keeping updated with sales and auction events related to his art, signing up for our updates is highly recommended. This subscription ensures you stay informed about the latest offerings and exhibitions featuring Spoerri's intriguing creations.
Friedrich Schröder-Sonnenstern was a German artist and painter. He is considered one of the most important representatives of Art Brut or Outsider Art.
Tom Wesselmann was an American artist associated with the Pop Art movement who worked in painting, collage and sculpture.
Jean Maurice Eugène Clément Cocteau was a French poet, playwright, novelist, designer, filmmaker, visual artist and critic. He was one of the foremost creatives of the surrealist, avant-garde, and Dadaist movements; and one of the most influential figures in early 20th-century art as a whole. The National Observer suggested that, “of the artistic generation whose daring gave birth to Twentieth Century Art, Cocteau came closest to being a Renaissance man.”
