france 18th century
Francesco Vanni was an Italian painter, draughtsman, printmaker, publisher and printer active in Rome and his native city of Siena.
Johann Joachim Kändler was a German sculptor and porcelain artist best known for his role in transforming European porcelain, particularly through his work at the Meissen porcelain factory. His sculptures and figurines, characterized by their natural motifs and intricate details, significantly impacted the porcelain industry.
Kändler's early works often depicted elements from nature, with his bird sculptures—such as those of jays and woodpeckers—being particularly notable. As his career evolved, he delved into smaller decorative figures, such as those from the "Swan Service," a collection of detailed and delicate porcelain pieces. Kändler also drew inspiration from the commedia dell'arte, a popular form of theater, creating vibrant figurines that captured the spirit of this genre. His "Monkey Band" from 1753 is an enduring piece still celebrated today.
Throughout his career, Kändler produced over a thousand different items, many of which are now considered timeless masterpieces in European porcelain art. You can find his works in museums and galleries, such as the British Museum, Seattle Art Museum, and The Metropolitan Museum of Art. Some pieces are even available for auction or sale, often fetching high prices due to their rarity and artistic significance.
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Iacopo Negretti, best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane ("Young Palma"), was an Italian painter from Venice and a notable exponent of the Venetian school. After Tintoretto's death (1594), Palma became Venice's dominant artist perpetuating his style. Outside Venice, he received numerous commissions in the area of Bergamo, then part of the Venetian Domini di Terraferma, and in Central Europe, most prominently from the connoisseur emperor Rudolph II in Prague. Rejecting Mannerism in the 1580s, he embraced a reformist naturalism.[6] He varied the ingeniously synthesised amalgam according to subject matter and patrons' own eclectic and conservative tastes, with "virtuoso skill and a facile intelligence". Palma il Giovane went on to organize his own, large studio which he used to produce a repetitive series of religious and allegorical pictures that can be found throughout the territory of the Venetian Republic.