modern drawings and watercolours
Klaus Fußmann is a contemporary German painter. He studied from 1957 to 1961 at the Folkwang University of the Arts in Essen and from 1962 to 1966 at the Berlin University of the Arts. From 1974 to 2005, he was a professor at the Berlin University of the Arts. His work has won several awards, such as the Villa Romana prize in 1972 and the Art Award of Darmstadt in 1979. Major presentations of his work include exhibitions at the Neue Nationalgalerie in Berlin, 1972; the Mathildenhöhe in Darmstadt, 1982; the Kunsthalle Emden, 1988; the Kunsthalle Bremen, 1992; and the Museum Ostwall in Dortmund, 2003. In 2005 Fußmann completed a monumental ceiling painting in the Mirror Hall of the Museum für Kunst und Gewerbe Hamburg.
Claude Lepape was a French painter, printmaker, theatre set designer and representative of the Paris School. He was the son of the painter Georges Lepape and studied painting at the Ecole Nationale Superieure des Beaux-Arts in Paris. Claude Lepape's still lifes and portraits convey the artist's intimate understanding of creatures and objects and have a surrealist undertone.
Charles-Joseph Natoire was a prominent Rococo painter, known for his significant contributions to French art during his lifetime. Trained under François Lemoyne, Natoire excelled in various artistic endeavors, earning royal commissions and contributing to significant artistic projects in Versailles and Fontainebleau. His works included tapestry cartoons for the Manufacture de Beauvais and Gobelins, and he was known for his series on the History of Psyche and Don Quixote.
In 1751, Charles-Joseph Natoire became the director of the French Academy in Rome, a role he held until 1775. During this period, he mentored notable students like Hubert Robert and Jean-Honoré Fragonard. Although his active painting career dwindled during his directorship, his influence on the students and the artistic community was significant.
Charles-Joseph Natoire's works can be found in various prestigious institutions, including The Metropolitan Museum of Art and The Louvre. His painting "The Rebuke of Adam and Eve" is one such piece that showcases his mastery and attention to detail.
For collectors and experts in art and antiques, Charles-Joseph Natoire's works offer a glimpse into the Rococo style's elegance and the rich artistic heritage of 18th-century France. His contributions to tapestry and painting continue to be celebrated and studied for their historical and artistic value.
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Marie Laurencin was a pivotal figure in the Parisian avant-garde, a French artist renowned for her distinct approach to painting. Unlike her contemporaries who embraced the bold facets of Cubism, Laurencin carved a niche for herself with a palette of soft pastels and a focus on ethereal female forms. Her work, embodying an enchanted, feminine world devoid of masculine presence, was revolutionary for its time, offering a sanctuary of female harmony that was both subtle and profound.
Laurencin's oeuvre extends beyond paintings to include watercolors, drawings, and prints, with notable works such as "Les jeunes filles" and "Portrait de Mademoiselle Chanel" finding homes in prestigious institutions like the Museum of Modern Art in New York and the Musée de l'Orangerie in Paris. Her legacy is further cemented by the Musée Marie Laurencin in Nagano, Japan, the only museum dedicated solely to a female painter, showcasing over 600 of her pieces.
Her approach diverged significantly from the norms of Cubism, incorporating a distinctly feminine aesthetic through the use of pastel colors and curvilinear forms. This unique style set her apart from peers and positioned her as one of the few female Cubist painters, alongside figures like Sonia Delaunay and Marie Vorobieff. Laurencin's artistry was not just an exploration of femininity but a celebration of it, challenging the dominant artistic narratives of her time.
The critique of Laurencin's work for its deliberate embrace of femininity and decorative qualities overlooks the radical essence of her aesthetic. Her paintings, characterized by serene and charming depictions of women, argue for a creative space where the feminine is not just visible but central. Works like "The Fan" and "Spanish Dancers" exemplify her ability to create intimate, self-sufficient worlds that engage the viewer in narratives of absence, longing, and female solidarity.
For collectors and experts in art and antiques, Laurencin's work offers a nuanced understanding of early 20th-century modern art movements through the lens of femininity. Her contributions to art history reflect a bold reimagining of the female form and the spaces women occupy, both in the physical and imaginative realms.
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Augustin Théodule Ribot was a French realist painter and printmaker.
Ribot painted domestic genre works, still-lifes, portraits, as well as religious scenes, such as his Salon success St. Sebastian, Martyr (1865). The earlier work was drier and austere but still with an intensity of conception and presentation; later works were freer and broader. His preference was for painting directly from nature, emphasizing the contrasts of light and dark. His use of chiaroscuro to suggest psychological states grew from his admiration for Spanish and Dutch baroque masters such as Ribera and Rembrandt, an enthusiasm shared by his contemporaries Courbet and Bonvin. Members of Ribot's family are the likely models for many of his figure compositions, in which the subjects engage in humble activities, such as preparing meals or gathering in groups to read to each other. The light draws attention to faces and hands, which emerge sharply from dimly lit surroundings.
