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Andreas Schulze is a German painter.
Andreas Schulze first began showing alongside neo-expressionist artists in the 1980s, although his work was considerably less gestural than that of his contemporaries. The artist instead opted for more rounded forms, which he used to create a playful, humorous style of figuration. Typical subjects included the contents interior spaces — such as pillows, lamps, and furniture — which he merged with more ominous abstraction.
Karl Horst Hödicke is a German artist, a pioneer of German Neo-Expressionism and new figuration, and one of the most important representatives of German post-war painting.
After moving to Berlin in 1957, Hödicke encountered the eventful history of Berlin - the construction of the Berlin Wall, the Cold War, and reunification - and reflected it in his paintings.
Karl Hofer was a German expressionist painter. He was director of the Berlin Academy of Fine Arts.
One of the most prominent painters of expressionism, he never was a member of one of the expressionist painting groups, like "Die Brücke", but was influenced by their painters. His work was among those considered degenerate art by the Nazis, but after World War II he regained recognition as one of the leading German painters.
Martin Kippenberger was a German artist known for his extremely prolific output in a wide range of styles and media, superfiction as well as his provocative, jocular and hard-drinking public persona.
Kippenberger was "widely regarded as one of the most talented German artists of his generation," according to Roberta Smith of the New York Times. He was at the center of a generation of German enfants terribles including Albert Oehlen, Markus Oehlen, Werner Büttner, Georg Herold, Dieter Göls, and Günther Förg.
Richard Scheibe was a German artist primarily remembered as a sculptor. He trained as a painter, and taught himself to sculpt beginning in 1906. From 1925-1933 he taught at the Städelsches Kunstinstitut in Frankfurt am Main. He was dismissed from teaching when the Nazis seized power but was reinstated in 1934. He received various recognitions during the Third Reich, including the Goethe-Medaille für Kunst und Wissenschaft and placement on the Gottbegnadeten list. After World War II he continued to sculpt, including a figurative piece for the Memorial to the German Resistance. His work was also part of the sculpture event in the art competition at the 1928 Summer Olympics.
Sigmar Polke was a German painter and photographer.
Polke experimented with a wide range of styles, subject matters and materials. In the 1970s, he concentrated on photography, returning to paint in the 1980s, when he produced abstract works created by chance through chemical reactions between paint and other products. In the last 20 years of his life, he produced paintings focused on historical events and perceptions of them.
Georg Kolbe was a German sculptor of the first half of the twentieth century. He is known as a master of Classicism and Symbolism. Throughout most of his professional career he was an artist in demand by various German authorities.
Georg Kolbe, despite the strong influence of the Expressionists, managed to develop his own unique style. He left a notable mark not only in sculpture, his artistic legacy includes a large number of drawings and hundreds of engravings.
His biography is closely connected with Berlin, where he lived for more than 40 years. Kolbe is named for the prize awarded by the Artists' Union of Berlin. The artist's former studio now houses a museum with permanent solo exhibitions of works by renowned sculptors of modern art.
Karl Hofer was a German expressionist painter. He was director of the Berlin Academy of Fine Arts.
One of the most prominent painters of expressionism, he never was a member of one of the expressionist painting groups, like "Die Brücke", but was influenced by their painters. His work was among those considered degenerate art by the Nazis, but after World War II he regained recognition as one of the leading German painters.
Yves Klein was a French artist, renowned for his innovative use of pure color and his approach to the conceptual aspects of monochrome painting. Klein, born in 1928 in Nice, France, left an indelible mark on the art world despite his brief career, which ended with his untimely death in 1962.
Klein is best known for his invention of International Klein Blue (IKB), a deep blue hue which he registered as a trademark color and used extensively in his works. This vibrant blue, which he developed in collaboration with a chemist, represented more than just a color; it was a means of evoking the immateriality and boundlessness of space. His monochrome blue canvases, large-scale public performances, and pioneering works in performance art established him as a leading figure in the Nouveau Réalisme movement in post-war Europe.
Aside from his famous blue monochromes, Klein’s Anthropometries series, where he used nude women as 'living brushes' to transfer blue paint onto canvases, is another testament to his innovative artistic methods. These performances, often accompanied by a small orchestra playing his "Monotone Symphony" — a single, continuous note played for twenty minutes followed by twenty minutes of silence — challenged traditional perceptions of the artist's role and the creation process.
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Rainer Fetting is a German painter and sculptor.
Rainer Fetting was one of the co-founders and main protagonists of the Galerie am Moritzplatz in Berlin, founded in the late 1970s by a group of young artists (mainly painters) from the class of Karl Horst Hödicke at the former Berliner Hochschule für Bildende Künste (Berlin Art Academy, today known as Universität der Künste). Fetting is now one of the internationally best known contemporary German artists, having created a large oeuvre of expressive figurative paintings covering many different kinds of subject-matter, as well as many bronze sculptures.
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Christiaan Karel Appel was a Dutch painter, sculptor, and poet. He started painting at the age of fourteen and studied at the Rijksakademie in Amsterdam in the 1940s. He was one of the founders of the avant-garde movement CoBrA in 1948. He was also an avid sculptor and has had works featured in MoMA and other museums worldwide.
Emil Nolde, a German-Danish artist, stands out as a pivotal figure in the Expressionist movement, celebrated for his vibrant use of color and dynamic brushwork. Born on August 7, 1867, Nolde was initially self-taught, developing a style that later became synonymous with expressive use of color and form. His early work included religious themes and landscapes, characterized by their emotional intensity and innovative color palette. Nolde's contributions to art were not limited to painting; he also excelled in printmaking, creating a significant body of work that includes etchings, woodcuts, and lithographs.
One of Nolde's most noteworthy periods was his time spent on the Baltic Sea island of Alsen from 1903 to 1916, where he produced seascapes that captured the natural world's dynamic essence. His painting "Meer Bei Alsen" (Sea Off Alsen) is a testament to this period, showcasing his ability to convey movement and emotion through color. Furthermore, Nolde's fascination with religious and mythological themes is evident in works like "Dance Around the Golden Calf," where he employs vivid colors and expressive figures to explore complex narratives.
Despite his artistic achievements, Nolde's life was not without controversy. During the Nazi regime, his work was labeled "degenerate," and he faced significant professional and personal challenges. Nonetheless, Nolde continued to create, producing a series of watercolors known as the "Unpainted Pictures" during this time. After World War II, Nolde's reputation was rehabilitated, and he was once again celebrated as a leading figure in modern art.
Nolde's legacy is preserved at the Nolde Foundation Seebüll, a museum dedicated to his life and work, established in the year of his death, 1956. His influence on the field of modern art, particularly within Expressionism, is undeniable, with his bold approach to color and form inspiring subsequent generations of artists.
For art collectors and experts, Nolde's work offers a compelling study in the evolution of modern art, reflecting the tumultuous times he lived through and his unyielding dedication to artistic expression. His ability to capture the essence of his subjects, from the natural beauty of the sea to the depths of human emotion, makes his work a valuable addition to any collection.
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