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Bert Stern, real name Bertram Stern, is an American fashion photographer and documentary filmmaker.
His career began with the iconic and legendary Smirnoff Vodka advertising campaign in 1955. Using a well-equipped studio, Stern experimented with many of the latest techniques, including videotaping, screen printing, photo offset combinations and computer prints. His brilliant work made him a star in the advertising world, photographing advertising campaigns for Canon, Dupont, Pepsi-Cola, US Steel and Volkswagen brands. One of the high points of Bert Stern's career was working for Vogue in the 1960s.
Despite his drug addiction, the fashion photographer was sought after by Madison Avenue, Hollywood and the international fashion scene for decades.
Stern was one of the last photographers to shoot Marilyn Monroe in June and July 1962, six months before her death. Some of these photographs were published in Vogue magazine. In 1982, Bert Stern published The Last Sitting, a book that includes many of his more than 2,500 images, including those that Monroe did not like and were crossed out.
Stern directed and cinematographed the films Jazz on a Summer's Day (1959), A Date with an Angel (1987), and The Unknown Marilyn (2012).
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![](https://veryimportantlot.com/uploads/art_data/Artist/6472/45нн.jpg)
Bert Stern, real name Bertram Stern, is an American fashion photographer and documentary filmmaker.
His career began with the iconic and legendary Smirnoff Vodka advertising campaign in 1955. Using a well-equipped studio, Stern experimented with many of the latest techniques, including videotaping, screen printing, photo offset combinations and computer prints. His brilliant work made him a star in the advertising world, photographing advertising campaigns for Canon, Dupont, Pepsi-Cola, US Steel and Volkswagen brands. One of the high points of Bert Stern's career was working for Vogue in the 1960s.
Despite his drug addiction, the fashion photographer was sought after by Madison Avenue, Hollywood and the international fashion scene for decades.
Stern was one of the last photographers to shoot Marilyn Monroe in June and July 1962, six months before her death. Some of these photographs were published in Vogue magazine. In 1982, Bert Stern published The Last Sitting, a book that includes many of his more than 2,500 images, including those that Monroe did not like and were crossed out.
Stern directed and cinematographed the films Jazz on a Summer's Day (1959), A Date with an Angel (1987), and The Unknown Marilyn (2012).
![](https://veryimportantlot.com/cache/catalog/4731/zZIPvRN67ByN-iAqrFClO3rjcQCNLTfbPKjlAlExo2DOZRzSLN4oaV4U6OhJVmbi_1739348630-172x196_center_100.jpg)
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Robert Milton Ernest Rauschenberg was an American artist renowned for his pioneering work that blurred the boundaries between painting and sculpture, thereby anticipating the Pop art movement. From his early days at the Art Students League of New York to his experiments at Black Mountain College, Rauschenberg's career was marked by innovation and collaboration. His "Neo-Dadaist" approach, shared with contemporaries like Jasper Johns, questioned traditional distinctions between art objects and everyday items, drawing inspiration from Marcel Duchamp's Dadaist principles.
Rauschenberg's most notable works, such as "Erased de Kooning Drawing" and his "Combines," utilized found materials and images to create new art forms that challenged viewers' perceptions. His use of non-traditional materials like twine, soil, and even taxidermied animals, alongside traditional canvas and paint, set new precedents for what could be considered art. His groundbreaking silkscreen paintings incorporated found images, further cementing his role in the evolution toward Pop art.
The artist's work is represented in major museums and galleries worldwide, reflecting his significant impact on contemporary art. His pieces like "Canyon" and "Monogram" are celebrated for their innovative integration of sculpture and painting, while "Signs" captures the tumultuous spirit of the 1960s through its collage of cultural figures and events, housed in institutions like the Museum of Contemporary Art, San Diego, and The Minneapolis Institute of Arts.
For collectors and experts in art and antiques, Rauschenberg's oeuvre represents a critical junction in the history of modern art, where the lines between different media and disciplines were explored and often erased. His legacy is not just in the objects he created but in his bold reimagining of the art-making process itself, encouraging a dialogue between art and life that continues to inspire artists today.
For updates on new product sales and auction events related to Robert Milton Ernest Rauschenberg, consider signing up for our newsletter. This subscription service is tailored specifically for enthusiasts eager to stay informed about the latest opportunities to acquire works by or related to this transformative artist.
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Joseph Fernand Henri Léger was a French artist renowned for his innovative approach to Cubism and his transition towards a figurative, populist style. Born in Argentan, Orne, Lower Normandy, Léger's early career was marked by a stint as an architectural draftsman and a series of educational pursuits that eventually led him to Paris, where he embraced painting seriously. His artistic journey was significantly influenced by the bold abstractions of Cubism, characterized by geometric shapes and a vibrant palette, distinguishing his work from his contemporaries with what came to be known as "Tubism".
Léger's service in World War I profoundly impacted his artistic direction, leading him to adopt a 'mechanical' style that depicted the modern industrial world with sleek, tubular forms. This period saw creations like "Soldier with a Pipe" and "The Card Players," reflecting his war experiences and the mechanical aesthetics of the time. The post-war era encouraged Léger to explore the mechanical style further, evident in works like "The Bargeman" and "Mechanical Elements," highlighting the pace of technological advancement.
Throughout his career, Léger's work evolved, notably in the 1920s, where he aligned with Purist ideas, blending classicism with modernity. This phase is exemplified in "Woman with a Cat," showcasing a classical form with a modern, polished finish. By the 1930s, Léger's art took a more figurative, populist turn, aiming to democratize contemporary art and make it more accessible. His commitment to art education, especially for the common worker, underscored his belief in the social role of art.
For those intrigued by Joseph Fernand Henri Léger's groundbreaking contributions to modern art, his works can be found in prestigious museums worldwide. His legacy continues to inspire art collectors and enthusiasts alike. To stay updated on exhibitions and auction events featuring Léger's work, sign up for updates and embrace the unique opportunity to explore the richness of his artistic endeavors.
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