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Édouard Jeanmaire is a Swiss landscape painter.
Henri Schouten is a Belgian animalist painter.
He studied at the Brussels Academy, where, under the influence of his teacher Alfred Vervy, he specialized in painting landscapes with cattle. Schouten depicted a wide variety of domestic animals and birds in their natural environment in a very naturalistic way, paying attention to their special character traits, as was fashionable at the time. His paintings were much loved by the wealthy Belgian bourgeoisie.
Auguste Frédéric Dufaux the Younger was a Swiss painter and sculptor.
Auguste's father, painter and sculptor Frédéric Guillaume Dufaux (1820-1872), taught him to draw, then he entered the Geneva School of Fine Arts, continued his studies in Paris and Florence.
Dufaux painted lovely female portraits in genre and intimate scenes, children playing, and many depictions of nude women, often near water. He lived in Paris from 1876 to 1891 and participated in the Salon des Artistes Français. From his travels in Egypt and Algeria, Dufaux brought back paintings of local exotic subjects. Dufaux also worked on a panoramic painting of the French Army's entry into Le Verrière and executed several sculptures of famous personalities.
Edgard Tytgat is a Belgian painter, engraver, illustrator, draftsman, etcher, watercolourist and wood engraver. As an engraver and xylographer, he illustrated numerous works. His painting, in a style inspired by Post-Impressionism, is often described as naive painting, with scenes of daily life, interiors, fairs, lovers, but not devoid of sweet poetry. From 1950, he approached the representation of mythological legends sometimes bathed in a certain eroticism. Edgard Tytgat has participated in numerous exhibitions, both personal and collective, in Belgium and abroad.
Ludwig Wilding was a German artist whose work is associated with Op art and Kinetic art.
Rudolf Grossmann (German: Rudolf Grossmann, or Großmann), full name Rudolf Wilhelm Walther Grossmann, was a German painter, draftsman, illustrator and graphic artist.
Born into an artistic family, Grossmann began his education in painting and printmaking at the Düsseldorf Academy before continuing his studies in Paris with Lucien Simon and Pouleroz. Among his best-known works are various portrait drawings of celebrities, notably those published in the satirical periodical Simplicissimus; he was also known for his book illustrations. Grossmann began publishing his prints in 1905, and many major publishers in Germany and France commissioned his work. He later concentrated on figurative works and urban scenes, which showed the influence of Cézanne and Pasquin.
From 1928 until Hitler's Nazi Party came to power, Grossmann taught at the Berlin Royal School of Art and was a member of the Berlin Secession and the Deutsche Kunstlerbund. In 1934, his work, like that of many of his colleagues, was stigmatized as degenerate and confiscated by the Nazi government, and he was disbarred from practicing his profession. He soon left for Freiberg im Beisgau, where he died on November 28, 1941.
Johann Georg Platzer was a distinguished Austrian Rococo painter and draughtsman, renowned for his vibrant and intricate historical and mythical scenes. Born in 1704 in Eppan, South Tyrol, Platzer belonged to a lineage of painters, which significantly influenced his career path. His work is celebrated for its dynamic compositions, detailed figures, and the ability to imbue scenes with a sense of vitality and opulence characteristic of the Rococo period.
Johann Georg Platzer's oeuvre includes a variety of subjects, from allegorical representations, such as the "Allegory of the Four Seasons," to scenes of courtly life and mythological narratives. His technique, marked by meticulous attention to detail and a masterful use of color, allowed him to create paintings that were not only visually stunning but also rich in narrative. Notably, his self-portrait and works like "Dancing Scene with Palace Interior" and "Fountain Scene in Front of a Palace" exemplify his skill in depicting intricate details and textures, from the luxurious fabrics of the figures' clothing to the architectural elements surrounding them.
The Joanneum Alte Galerie in Graz, Austria, holds the most significant collection of Platzer's paintings under a single roof, indicating the artist's prominence within the Austrian art scene of the 18th century. Furthermore, his paintings are housed in prestigious institutions worldwide, including the Art Institute of Chicago, showcasing his international recognition.
For collectors and experts in art and antiques, Johann Georg Platzer represents a pivotal figure in the Rococo movement, with his works offering a glimpse into the opulence and dynamic culture of 18th-century Austrian society. His paintings not only appeal to those interested in the artistic styles of the Rococo period but also to anyone fascinated by the historical and mythological narratives of the era.
To stay informed about new discoveries, sales, and auction events related to Johann Georg Platzer's works, signing up for updates is recommended. This will ensure enthusiasts and collectors are promptly informed about opportunities to acquire works by this illustrious artist, further enriching their collections with the vibrant history and culture encapsulated in Platzer's paintings.
Karl Hofer was a German expressionist painter. He was director of the Berlin Academy of Fine Arts.
One of the most prominent painters of expressionism, he never was a member of one of the expressionist painting groups, like "Die Brücke", but was influenced by their painters. His work was among those considered degenerate art by the Nazis, but after World War II he regained recognition as one of the leading German painters.
