sculpture contemporary modern
Lucio Fontana was an Argentine-Italian artist known for his pioneering work in the field of Spatialism, an artistic movement that explored the relationship between space and art.
Fontana studied sculpture at the Academy of Fine Arts in Milan, Italy. In the 1940s, he began experimenting with a technique he called "Spatial Concept," in which he punctured or cut holes into the canvas to create a sense of depth and dimensionality.
Throughout the 1950s and 1960s, Fontana continued to explore the possibilities of Spatialism, creating works in a variety of media, including sculpture, ceramics, and painting. One of his most famous series of works is the "Tagli" (Cuts), which consist of monochromatic canvases with one or more slashes or punctures.
Fontana's work had a significant influence on the development of the Arte Povera movement in Italy, as well as on the development of Minimalism and Conceptual Art. He exhibited his work widely in Europe and the United States, and his legacy continues to be celebrated by artists and critics today.
Fontana's innovative approach to art and his exploration of the relationship between space and form continue to be a source of inspiration for artists working in a wide range of media.
Pietro Consagra was an Italian sculptor and one of the leading figures in the post-war Italian art movement known as Arte Informale or Forma 1.
Pietro Consagra's early work was influenced by traditional figurative sculpture, but he soon became fascinated by the abstract art movement. He rejected the idea of creating sculptures that imitated reality and instead focused on exploring the relationship between form, space and the viewer's perception.
Consagra's sculptures often feature simplified geometric forms, emphasising clean lines and solid volumes. His works are characterised by a sense of balance, harmony and spatial tension.
Stephan Balkenhol is a German artist known for his sculptures capturing the human form. Based in France and Germany, he specializes in wood sculptures, reliefs, drawings, and graphic techniques like lithography, woodcuts, and stencils. His distinct style features roughly carved and vibrantly painted wooden sculptures, often depicting people, animals, and architecture.
Balkenhol's subjects lack emotions, often gazing into emptiness, resulting in a distant and enigmatic aura. Wood is his primary medium, with softer woods allowing precise facial details while maintaining imperfections like chips, knots, and tool marks. The artist adds paint as a finishing touch, accentuating anatomy and vitality. The textured surfaces beneath the paint layer amplify the sense of life in Balkenhol's works.
Giò Pomodoro was an Italian sculptor, printmaker, and stage designer. His brother is the sculptor Arnaldo Pomodoro.
In 1954 he moved to Milan, where he associated with leading avant-garde artists and started making jewelry. He then began to produce reverse reliefs in clay and also formed assemblages of various materials, including wood, textiles, and plaster subsequently cast in metal.
During the 1960s, he developed several series of sculptures, which explored a range of abstract shapes, usually with smooth undulating surfaces. In his later career, Pomodoro regularly received public commissions and produced a number of large outdoor structures.
Manfred Sihle-Wissel ist ein deutscher Bildhauer.
Seine Lehrer waren Edwin Scharff und Hans Martin Ruwoldt. Seit 1981 wohnt und arbeitet er in Brammer bei Rendsburg (Schleswig-Holstein).
Zu Manfred Sihle-Wissels Werk gehören Porträts, Skulpturen und Aquarelle.
Corneille, born Cornelis Guillaume van Beverloo, was a Dutch painter, graphic artist, sculptor and photographer.
Corneille was one of the founders of the REFLEX movement and the COBRA group.
Ralf Winkler, alias A. R. Penck, was a German painter, printmaker, sculptor, and jazz drummer. A neo-expressionist, he became known for his visual style, reminiscent of the influence of primitive art.
Edward Dwurnik was a Polish expressionist painter and graphic artist. Between 1963-1970 he studied painting, drawing and sculpture at the Academy of Fine Arts in Warsaw. He quickly became one of the most important figures of the Polish contemporary art scene.
Edward Dwurnik is best known for his large-scale paintings depicting everyday life, cityscapes and crowds of people. He often used bold, bright colours and strong black outlines to create his distinctive style. Many of his works depict the absurdity and contradictions of modern life in Poland and the struggles of ordinary people against political oppression and social injustice.
Throughout his career, Dwurnik's art has evolved and diversified, covering a wide range of techniques and themes. In addition to painting, he also worked in printmaking and drawing.
Edward Dwurnik was a Polish expressionist painter and graphic artist. Between 1963-1970 he studied painting, drawing and sculpture at the Academy of Fine Arts in Warsaw. He quickly became one of the most important figures of the Polish contemporary art scene.
Edward Dwurnik is best known for his large-scale paintings depicting everyday life, cityscapes and crowds of people. He often used bold, bright colours and strong black outlines to create his distinctive style. Many of his works depict the absurdity and contradictions of modern life in Poland and the struggles of ordinary people against political oppression and social injustice.
Throughout his career, Dwurnik's art has evolved and diversified, covering a wide range of techniques and themes. In addition to painting, he also worked in printmaking and drawing.
Edward Dwurnik was a Polish expressionist painter and graphic artist. Between 1963-1970 he studied painting, drawing and sculpture at the Academy of Fine Arts in Warsaw. He quickly became one of the most important figures of the Polish contemporary art scene.
Edward Dwurnik is best known for his large-scale paintings depicting everyday life, cityscapes and crowds of people. He often used bold, bright colours and strong black outlines to create his distinctive style. Many of his works depict the absurdity and contradictions of modern life in Poland and the struggles of ordinary people against political oppression and social injustice.
Throughout his career, Dwurnik's art has evolved and diversified, covering a wide range of techniques and themes. In addition to painting, he also worked in printmaking and drawing.
