south germany
Johann Friedrich Voltz was a German landscape and animal painter of the Munich School.
Joseph Wenglein was a German painter who is often referred to as one of the last significant landscape painters of the 19th century Munich school.
Parallel to his law studies Joseph Wenglein studied at the Academy of Fine Arts in Munich. He then switched entirely to art and became a pupil of the landscape painter Johann Gottfried Steffan. On his recommendation, Wenglein sometime later became a pupil of the painter Adolf Heinrich Lier, whose colouristic tendencies, calculated to express profound moods, particularly appealed to him.
Josef Wenglein knew how to reproduce the change of daylight, especially in spring and autumn, with a fine sense of the slightest atmospheric fluctuations and to vary the grey pleasant tone of the Bavarian plateau in all its nuances masterfully.
Franz Johann Wilhelm Hünten was a 19th century German marine painter.
Alexander Max Koester was a German painter. He depicted coastal landscapes and still lifes with flowers. After the artist first presented one of his landscapes with a family of ducks in Berlin in 1899, he earned the nickname "Duck Koester." The "duck" paintings were extremely popular with art lovers.
Theodor Werner was a German painter.
Italo Valenti was an Italian painter of the Informel.
Karl Heinz Bohrmann was a German painter, graphic artist and engraver.
Alex Katz is an American figurative artist known for his paintings, sculptures, and prints.
Theodor Werner was a German painter.
Abraham Ortelius (Ortels) was a Brabantian cartographer, geographer, and cosmographer. He is recognized as the creator of the first modern atlas, the Theatrum Orbis Terrarum (Theatre of the World). Along with Gemma Frisius and Gerardus Mercator, Ortelius is generally considered one of the founders of the Netherlandish school of cartography and geography. He was a notable figure of this school in its golden age (approximately 1570s–1670s) and an important geographer of Spain during the age of discovery. The publication of his atlas in 1570 is often considered as the official beginning of the Golden Age of Netherlandish cartography. He was the first person proposing that the continents were joined before drifting to their present positions. Beginning as a map-engraver, in 1547 he entered the Antwerp Guild of Saint Luke as an illuminator of maps. In 1560 when travelling with Mercator to Trier, Lorraine, and Poitiers, he seems to have been attracted, largely by Mercator's influence, towards the career of a scientific geographer. In 1564 he published his first map, Typus Orbis Terrarum, an eight-leaved wall map of the world. On 20 May 1570, Gilles Coppens de Diest at Antwerp issued Ortelius's Theatrum Orbis Terrarum, the "first modern atlas" (of 53 maps).
