stillleben
Johann Georg Müller was a German painter and graphic artist. He was studied at the Academy of Fine Arts in Munich.
Müller's work was heavily influenced by the Expressionist and Surrealist movements, and his paintings and graphic works often featured bold colors and abstract, dreamlike imagery. He was known for his use of symbolic motifs and his interest in mythological and religious themes.
During World War II, Müller was drafted into the German army and served on the Eastern Front. After the war, he returned to Munich and resumed his artistic career. He became a member of the German Expressionist group "Die Neue Gruppe" and participated in several exhibitions throughout Europe.
His work continues to be exhibited and studied around the world, and his legacy has had a significant impact on the development of modern and contemporary art in Germany and beyond.
Josef Scharl is a German and American painter, illustrator, and graphic designer.
Scharl trained as a decorative painter at the Munich Art School, where he also gained practical experience in painting restoration. He was wounded in the war, and after returning to Munich, he continued his studies at the Kunstakademie. In the 1920s Josef Scharl joined the artist groups New Munich Secession and Juryfreien, successfully participated in their exhibitions, and later became acquainted with the Impressionists.
Writing in the New Objectivity style, Josef Scharl was forced to emigrate to the United States in 1939, and 1944-46 marked the peak of his fame in the United States. He was also commissioned by the publisher Pantheon Books to illustrate the Grimm brothers' fairy tales and other books.
Karl Schmidt-Rottluff, a prominent figure in the German Expressionist movement, was not just an artist but a pioneer who significantly influenced the early 20th-century art scene. Born in Rottluff, Germany, in 1884, he later added his hometown's name to his surname, showcasing a deep connection to his roots. Schmidt-Rottluff was a founding member of the artist group Die Brücke, which played a critical role in the development of Expressionism in Germany. His works, characterized by bold colors and stark contrasts, were a departure from traditional artistic expressions and embraced a more emotional and subjective interpretation of reality.
Schmidt-Rottluff's contributions to art were not limited to painting; he was also a master printmaker, with a significant body of work comprising woodcuts, lithographs, and etchings. His artistic endeavors were marked by a fascination with the natural world, social issues, and an exploration of human emotion, themes that remained consistent throughout his career. Despite facing persecution during the Nazi regime, with many of his works labeled as "degenerate," Schmidt-Rottluff's resolve did not waver. In 1937, 608 of his paintings were seized, and by 1941, he was forbidden to paint. Yet, his legacy continued to grow post-World War II, and he was later honored with professorship at the University of Arts in Berlin-Charlottenburg in 1947, where he influenced a new generation of artists.
The value and impact of Schmidt-Rottluff's work are reflected in the presence of his pieces in prestigious collections worldwide, including the Museum of Modern Art, Neue Galerie, Los Angeles County Museum of Art, and many others. His works are celebrated for their emotional depth, innovative use of color, and ability to convey complex themes through simplified forms. Notably, some of his significant pieces have been subjects of restitution efforts, highlighting the historical importance and continued relevance of his work in the context of art history and cultural heritage.
For collectors and experts in art and antiques, Schmidt-Rottluff's oeuvre offers a profound insight into the evolution of Expressionism and the broader cultural and political narratives of the early 20th century. His works not only serve as a testament to his individual genius but also as a reflection of the tumultuous era that shaped them.
To stay informed about new discoveries, sales, and auction events related to Karl Schmidt-Rottluff's work, signing up for updates is highly recommended. This ensures that enthusiasts and collectors alike are always in the loop regarding opportunities to engage with and acquire pieces by this influential artist, ensuring his legacy continues to inspire and resonate with future generations.
Pieter de Ring was a Dutch painter who specialised in still lifes. He became famous for his rich banquet depictions of fruit, shrimp, oysters, musical instruments, books and precious objects such as nautilus shells or Chinese porcelain.
In his youth, he worked as a bricklayer during the day and drew in the evening; the other family members all worked in the fabric industry. After painting a number of pictures, he apprenticed himself to Jan Davidsz. de Heem with his grandfather's permission. In 1647 he became a founding member of the Guild of Saint Lucas.
August Robert Ludwig Macke was an eminent German expressionist painter, founder and member of the Blue Rider association. His very colorful and individual style is today referred to as the Macke style, characterized by a harmonious combination of colors and the play of light effects. His favorite subjects of his works were sketches from the life of the city, as well as nature and man. The paintings of August Macke give an impression of joy and lightness.
