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Anton Hiller was a Bavarian sculptor and painter. He grew up in a Catholic farming family in Sigmaringendorf, Hohenzollern. Hiller then studied sculpture at the Academy of Fine Arts Munich under Hermann Hahn (1868–1945), graduating in 1923 and worked later as a freelance sculptor in Munich from 1923, executing commissions for the Bavarian State Gallery and the Municipal Gallery.
From 1946 to 1961, Hiller served as a professor of sculpture at the Academy of Fine Arts Munich, becoming one of the leading representatives of the Munich School of Sculpture in the third quarter of the 20th century. Hiller was a member of the German Artists' Association from 1952 to 1960.
Beate Kuhn is a German ceramic sculptor.
She had an unprecedented influence on the development of German ceramics after the war, when in the mid-1960s she abandoned utilitarian ceramics in favor of free art.
After graduating from the Werkkunstschule in Wiesbaden, she founded her own workshop in Düdelsheim in 1957, developing a style that was already unmistakably her own. Here Beate Kuhn's sculptures were created from individual hand-carved and chiseled elements, which she assembled into a coherent whole. She transferred this stylistic principle of stringing geometric bodies to her designs of large-scale ceramic fountains. The artist's characteristic work can be found in every outstanding collection. The enormous number of prizes awarded to her underscores the recognition and appreciation she has enjoyed.
Anton Hiller was a Bavarian sculptor and painter. He grew up in a Catholic farming family in Sigmaringendorf, Hohenzollern. Hiller then studied sculpture at the Academy of Fine Arts Munich under Hermann Hahn (1868–1945), graduating in 1923 and worked later as a freelance sculptor in Munich from 1923, executing commissions for the Bavarian State Gallery and the Municipal Gallery.
From 1946 to 1961, Hiller served as a professor of sculpture at the Academy of Fine Arts Munich, becoming one of the leading representatives of the Munich School of Sculpture in the third quarter of the 20th century. Hiller was a member of the German Artists' Association from 1952 to 1960.
Anton Hiller was a Bavarian sculptor and painter. He grew up in a Catholic farming family in Sigmaringendorf, Hohenzollern. Hiller then studied sculpture at the Academy of Fine Arts Munich under Hermann Hahn (1868–1945), graduating in 1923 and worked later as a freelance sculptor in Munich from 1923, executing commissions for the Bavarian State Gallery and the Municipal Gallery.
From 1946 to 1961, Hiller served as a professor of sculpture at the Academy of Fine Arts Munich, becoming one of the leading representatives of the Munich School of Sculpture in the third quarter of the 20th century. Hiller was a member of the German Artists' Association from 1952 to 1960.
Imi Knoebel (born Klaus Wolf Knoebel) is a German artist. Knoebel is known for his minimalist, abstract painting and sculpture. The "Messerschnitt" or "knife cuts," are a recurring technique he employs, along with his regular use of the primary colors, red, yellow and blue. Knoebel lives and works in Düsseldorf.
Imi Knoebel (born Klaus Wolf Knoebel) is a German artist. Knoebel is known for his minimalist, abstract painting and sculpture. The "Messerschnitt" or "knife cuts," are a recurring technique he employs, along with his regular use of the primary colors, red, yellow and blue. Knoebel lives and works in Düsseldorf.
Imi Knoebel (born Klaus Wolf Knoebel) is a German artist. Knoebel is known for his minimalist, abstract painting and sculpture. The "Messerschnitt" or "knife cuts," are a recurring technique he employs, along with his regular use of the primary colors, red, yellow and blue. Knoebel lives and works in Düsseldorf.
Imi Knoebel (born Klaus Wolf Knoebel) is a German artist. Knoebel is known for his minimalist, abstract painting and sculpture. The "Messerschnitt" or "knife cuts," are a recurring technique he employs, along with his regular use of the primary colors, red, yellow and blue. Knoebel lives and works in Düsseldorf.
