wiener schule
Gottfried Helnwein is an Austrian-Irish visual artist. He has worked as a painter, draftsman, photographer, muralist, sculptor, installation and performance artist, using a wide variety of techniques and media.
His work is concerned primarily with psychological and sociological anxiety, historical issues and political topics. His subject matter is the human condition. The metaphor for his art is dominated by the image of the child, particularly the wounded child, scarred physically and emotionally from within. His works often reference taboo and controversial issues from recent history, especially the Nazi rule and the horror of the Holocaust. As a result, his work is often considered provocative and controversial.
Heinrich Johann von Zügel was a German painter of the late nineteenth century and the first half of the twentieth century. He is known as a painter who specialized in depicting farm animals in dramatic and humorous situations.
Von Zügel invested more than 40 years in the subject of "Hard Labor," depicting mostly the work of oxen. By creating 24 versions of this subject, the artist demonstrated the evolution of his skill from realistic detailing to cubic and monumental interpretation. Von Zügel also created light impressionist paintings, including a self-portrait at the age of 77. In addition to animals, he also painted portraits and cityscapes.
Otto Prücher was an Austrian architect and designer who worked in the Vienna Secession style.
Rudolf Grossmann (German: Rudolf Grossmann, or Großmann), full name Rudolf Wilhelm Walther Grossmann, was a German painter, draftsman, illustrator and graphic artist.
Born into an artistic family, Grossmann began his education in painting and printmaking at the Düsseldorf Academy before continuing his studies in Paris with Lucien Simon and Pouleroz. Among his best-known works are various portrait drawings of celebrities, notably those published in the satirical periodical Simplicissimus; he was also known for his book illustrations. Grossmann began publishing his prints in 1905, and many major publishers in Germany and France commissioned his work. He later concentrated on figurative works and urban scenes, which showed the influence of Cézanne and Pasquin.
From 1928 until Hitler's Nazi Party came to power, Grossmann taught at the Berlin Royal School of Art and was a member of the Berlin Secession and the Deutsche Kunstlerbund. In 1934, his work, like that of many of his colleagues, was stigmatized as degenerate and confiscated by the Nazi government, and he was disbarred from practicing his profession. He soon left for Freiberg im Beisgau, where he died on November 28, 1941.
Rudolf Grossmann (German: Rudolf Grossmann, or Großmann), full name Rudolf Wilhelm Walther Grossmann, was a German painter, draftsman, illustrator and graphic artist.
Born into an artistic family, Grossmann began his education in painting and printmaking at the Düsseldorf Academy before continuing his studies in Paris with Lucien Simon and Pouleroz. Among his best-known works are various portrait drawings of celebrities, notably those published in the satirical periodical Simplicissimus; he was also known for his book illustrations. Grossmann began publishing his prints in 1905, and many major publishers in Germany and France commissioned his work. He later concentrated on figurative works and urban scenes, which showed the influence of Cézanne and Pasquin.
From 1928 until Hitler's Nazi Party came to power, Grossmann taught at the Berlin Royal School of Art and was a member of the Berlin Secession and the Deutsche Kunstlerbund. In 1934, his work, like that of many of his colleagues, was stigmatized as degenerate and confiscated by the Nazi government, and he was disbarred from practicing his profession. He soon left for Freiberg im Beisgau, where he died on November 28, 1941.
Max Clarenbach was a German painter of the first half of the twentieth century. He is known as a painter, landscape painter, genre painter and teacher and is considered one of the most important representatives of Rhenish painting of his time.
Max Clarenbach made study trips to Italy and Holland early in his career, where he formed his genre preferences and became a landscape painter. His work reflected the influence of the Hague School and the French Barbizonians. The artist skillfully depicted winter scenes and the nature of western Germany. He also painted sports and street scenes.
Clarenbach was one of the organizers of the Düsseldorf Sonderbund and taught at the Düsseldorf Academy of Art.
