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Ottmar Hörl is a contemporary German artist born in Nauheim in 1950. He is known for his conceptual and installation art that often involves repetition, mass production, and humor.
One of Hörl's most well-known works is his "Multiple of 300" series, which features 300 identical objects arranged in a grid. This series has been applied to various subjects, including garden gnomes, plastic toy soldiers, and busts of famous figures such as Beethoven and Martin Luther.
Hörl has also created public sculptures and installations in many cities throughout Germany, including Frankfurt, Nuremberg, and Würzburg. One of his most notable installations is the "Bavarian Forest" in the Munich Residenz, which consists of 1,000 golden deer statues arranged in a forest-like formation.
Hörl has exhibited his works internationally, and he has received numerous awards for his contributions to the arts.


John Adams was an American statesman and politician and the second President of the United States (1797-1801).
The Adamses were among the first Puritan settlers in New England, and John's father was a farmer and shoemaker. John Adams graduated from Harvard College, taught grammar school in Worcester, Massachusetts, and then practiced law in Boston. In 1764, Adams married Abigail Smith, a minister's daughter, who became his confidante and lifelong political partner.
In 1765, Adams wrote "A Dissertation on Canon Law and Feudal Law," where he justified his opposition to British interference in the colonies. In the summer of 1774, Adams was elected to the Massachusetts delegation to the First Continental Congress, in which he became a major figure. He wrote Thoughts on Government as a basic guide to drafting new state constitutions. In July 1776, John Adams drafted the Plan of Treaties, which became the basis for the treaty with France and set the strategic priorities that would shape American foreign policy over the next century.
He was elected to the post of head of the War Council, in 1780 he became the author of the Massachusetts Constitution, which became a model for other states, in 1783 he signed the Treaty of Paris. From 1785 to 1788 John Adams served as the first American ambassador to Great Britain and proved himself worthy in this difficult situation, being the official embodiment of American independence from the British Empire. He studied European history extensively and the result was his three-volume book entitled A Defense of the Constitution of the Government of the United States of America (1787).
In 1789 Adams became the country's first vice president (Washington was the first president of the United States), and in 1797 he was elected the second president of the United States. However, his reign was not the best in the history of the new country. Deteriorating relations with France led to an undeclared naval war between the former allies. In 1798, Adams signed the controversial Alien and Sedition Acts, which restricted free speech rights. They met widespread opposition across the country. Adams resisted opposition demands for all-out war with France, but lost the 1800 election to Thomas Jefferson.
John Adams retired from politics and settled in his hometown of Quincy. He became the founder of an entire dynasty of politicians and died on July 4, 1826 (the 50th anniversary of the Declaration of Independence), living to see his eldest son John Quincy elected as the sixth president.

Thomas Jefferson was an American politician and statesman, the third President of the United States (March 4, 1801 - March 4, 1809).
Jefferson was the son of a planter and received a law degree. In 1774, he wrote A Summary of the Rights of British America, which attracted public attention, and he soon gained a reputation as one of the first advocates of American independence from the authority of the British Parliament. In the spring of 1775, the Virginia legislature appointed him a delegate to the Second Conference of the Continental Congress. A year later he was appointed to a committee of five, which also included Adams and Benjamin Franklin, to draft a formal statement of reasons to justify a break with Great Britain. Jefferson thus became one of the authors of the Declaration of Independence. Jefferson succeeded Benjamin Franklin as minister to France in 1785, was secretary of state (1790-1793) under Washington, and vice president (1797-1801) under John Adams.
A Democratic-Republican, Jefferson, who believed that the national government should play a limited role in the lives of citizens, was elected president in 1800. One of the most significant accomplishments of Jefferson's first administration was the purchase of the Louisiana Territory from France for $15 million dollars in 1803 (from the Gulf of Mexico to present-day Canada), effectively doubling the size of the United States. During his second term, Jefferson was focused on trying to keep America out of the Napoleonic Wars in Europe. After his second term as president, he was succeeded by James Madison in 1808.
Upon leaving office, Jefferson retired to his plantation in Virginia, pursued his favorite pastimes, and helped found the University of Virginia. In addition to politics, he is known as a writer, farmer, horticulturist, inventor, book collector, art historian, architect, and scientist. He died at the age of 83 on July 4, 1826, the 50th anniversary of the Declaration of Independence.



Maxfield Parrish was an American painter and illustrator active in the first half of the 20th century. He is known for his distinctive saturated hues and idealized neo-classical imagery. His career spanned fifty years and was wildly successful: the National Museum of American Illustration deemed his painting Daybreak (1922) to be the most successful art print of the 20th century.


Marie Laurencin was a pivotal figure in the Parisian avant-garde, a French artist renowned for her distinct approach to painting. Unlike her contemporaries who embraced the bold facets of Cubism, Laurencin carved a niche for herself with a palette of soft pastels and a focus on ethereal female forms. Her work, embodying an enchanted, feminine world devoid of masculine presence, was revolutionary for its time, offering a sanctuary of female harmony that was both subtle and profound.
Laurencin's oeuvre extends beyond paintings to include watercolors, drawings, and prints, with notable works such as "Les jeunes filles" and "Portrait de Mademoiselle Chanel" finding homes in prestigious institutions like the Museum of Modern Art in New York and the Musée de l'Orangerie in Paris. Her legacy is further cemented by the Musée Marie Laurencin in Nagano, Japan, the only museum dedicated solely to a female painter, showcasing over 600 of her pieces.
Her approach diverged significantly from the norms of Cubism, incorporating a distinctly feminine aesthetic through the use of pastel colors and curvilinear forms. This unique style set her apart from peers and positioned her as one of the few female Cubist painters, alongside figures like Sonia Delaunay and Marie Vorobieff. Laurencin's artistry was not just an exploration of femininity but a celebration of it, challenging the dominant artistic narratives of her time.
The critique of Laurencin's work for its deliberate embrace of femininity and decorative qualities overlooks the radical essence of her aesthetic. Her paintings, characterized by serene and charming depictions of women, argue for a creative space where the feminine is not just visible but central. Works like "The Fan" and "Spanish Dancers" exemplify her ability to create intimate, self-sufficient worlds that engage the viewer in narratives of absence, longing, and female solidarity.
For collectors and experts in art and antiques, Laurencin's work offers a nuanced understanding of early 20th-century modern art movements through the lens of femininity. Her contributions to art history reflect a bold reimagining of the female form and the spaces women occupy, both in the physical and imaginative realms.
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Paul Signac, a French Neo-Impressionist painter, played a pivotal role in the development of the Pointillist style alongside Georges Seurat. Born on November 11, 1863, in Paris, Signac's artistic journey was marked by significant collaborations and encounters, including meeting Vincent van Gogh and Toulouse Lautrec in Paris. His relationship with van Gogh was notably influential, as they painted together at Asnières-sur-Seine, focusing on river landscapes and cafés.
Signac was deeply invested in anarchist ideas, which he explored through his readings of Élisée Reclus, Kropotkin, and Jean Grave. His political leanings were also evident in his art, as seen in his 1893 painting, "In the Time of Harmony," which was initially titled "In the Time of Anarchy." This change was necessitated by the political repression of anarchists in France at the time.
A lover of sailing, Signac began traveling in 1892, which greatly influenced his art. He would sail to various ports, bringing back vibrant watercolors sketched from nature. These sketches later served as the basis for his larger studio canvases, which were composed of small, mosaic-like squares of color, differing from Seurat's tiny, variegated dots.
Signac's contribution to art extended beyond his own works. As president of the Société des Artistes Indépendants from 1908 until his death, he encouraged younger artists and exhibited controversial works of the Fauves and Cubists. He was notably the first patron to buy a painting by Henri Matisse, demonstrating his support for emerging artists.
In his personal life, Signac married Berthe Roblès on November 7, 1892, and his interactions with other artists, including Henri Matisse and André Derain, were instrumental in the evolution of Fauvism. Despite initially not admiring the Fauve style, Signac played a decisive role in its development.
Signac's impact on culture, art, and painting is undeniable. His works, found in various museums and galleries, continue to inspire art collectors and experts. For those interested in exploring Signac's contributions further, signing up for updates on new product sales and auction events related to Paul Signac is highly recommended. This subscription is an excellent way for collectors and art experts to stay informed about the latest developments and opportunities related to Signac's enduring legacy.


Pablo Ruiz Picasso, a Spanish artist renowned for his revolutionary contributions to the 20th-century art scene, is a figure that resonates profoundly with collectors and art experts. His unique blend of talents in painting, sculpture, printmaking, and ceramic art, infused with his time in France, positioned him as a pivotal character in modern art history.
Picasso's artistic journey was marked by distinct periods, each showcasing his evolving style and genius. His early years were characterized by the Blue Period (1901-1904), followed by the Rose Period (1904-1906), and then the African-influenced Period (1907-1909). Picasso's name is synonymous with Cubism, a movement he co-founded, which significantly altered artistic perspectives and methods. Works like "Les Demoiselles d'Avignon" (1907) and "Guernica" (1937) are emblematic of his cubist legacy, the latter being a poignant anti-war statement that remains influential.
His later years saw a return to more traditional styles, with neoclassical and surrealist influences becoming evident. Works from these phases reflect a deep engagement with mythological themes, as seen in "Faun with Stars" (1955), symbolizing his late-life romance with Jacqueline Roque, his second wife.
Picasso's prolific output and innovative spirit made him a legend in his own time, a status that only grew after his death. His works, housed in major museums and private collections worldwide, continue to captivate and inspire.
As a collector or expert in art and antiques, staying informed about Picasso's works, their auction events, and sales is essential. To stay updated on the latest developments and opportunities related to Pablo Picasso, sign up for our specialized updates. Rest assured, this subscription will focus solely on new product sales and auction events pertaining to Picasso's art, ensuring that you receive only the most relevant and valuable information.


Théo van Rysselberghe, a prominent Belgian painter, was a key figure in the Neo-Impressionist movement, particularly known for his adoption of the pointillist technique. Born in Ghent, Belgium, in 1862, van Rysselberghe played a crucial role in the artistic circle Les XX, a group of avant-garde artists who sought to break away from traditional academic art norms. His early works displayed an Impressionist influence, which evolved significantly after he encountered Georges Seurat's pointillist masterpiece at an Impressionist exhibition in Paris in 1886.
Van Rysselberghe's career saw a significant shift after this encounter, as he embraced pointillism, a technique involving the application of small, distinct dots of color to form an image. His mastery in this style is evident in his landscapes and portraiture, where he employed vibrant colors and meticulous attention to light and detail. His work during this period is considered the pinnacle of his artistic achievements, showcasing his talent not only in landscapes but also in pointillist portraiture, a genre he significantly contributed to within the Neo-Impressionist movement.
Despite his success and contributions to pointillism, Théo van Rysselberghe eventually moved away from this technique around 1904, exploring other artistic expressions. Throughout his career, he remained an influential figure in the Belgian art scene, his works continuing to inspire and attract attention for their innovative approach and technical prowess.
For art collectors and enthusiasts, delving into Théo van Rysselberghe's oeuvre offers a fascinating glimpse into the evolution of Neo-Impressionism and pointillism, highlighting the artist's significant role in these movements. To stay updated on sales and auctions featuring van Rysselberghe's works, signing up for updates can provide exclusive insights into opportunities to acquire pieces by this remarkable artist.
